Exquisite…. For anyone who cherishes Anne Tyler and Alice Munro, the book offers similar deep pleasures. Like those North American masters of the domestic realm, Hadley crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural.... Extraordinary.” — Ron Charles, Washington Post
“From the coziest and most familiar of fictional materials, Hadley has created a remarkable story as disturbing as it is diverting.” — Maureen Corrigan, NPR's Fresh Air
“Hadley is so insightful, such a lovely writer, that she pulls you right into the tangle of wires that connect and trip up the stressed siblings. She makes you feel for these imperfect people, want to scold them, and ultimately accept them as they are. Just like family.” — People , Book of the Week
“A novel so evocative of summer and adolescence that to read it is to reexperience the deep languor and longing of those days…. We come to understand that the past... is merely yesterday’s present.... It is that revelation that elevates the novel, deepening our own understanding of what shapes us.” — Tayari Jones, O Magazine
“Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.” — Hilary Mantel, author of Wolf Hall and Bring Up the Bodies
“Deliciously precise.... Built in a Chekhovian manner, handily assembling the grown members of an extended family and their offspring under one roof.... Hadley is adept at delineating the Cranes’ brand of cultured middle-class Britishness in all its generational mutations.” — Fernanda Eberstadt, New York Times Book Review
“Few writers have been as important to me as Tessa Hadley. She puts on paper a consciousness so visceral, so fully realized, it heightens and expands your own. She is a true master, and The Past is a big, brilliant novel: sensual, wise, compelling—and utterly magnificent.” — Lily King, author of Euphoria
“Each player... is so distinct, so warmly dimensional you soon feel you know them as well as they know each other. This alone... is a marvel. More marvelous still is Hadley’s seamless, steady control, moving individual and collective stories forward and backward in time - a splendid work.” — Joan Frank, San Francisco Chronicle
“Universal in its appeal and its intuitive ways of revealing how human nature, even our own, can surprise us…. Readers…should prepare themselves…for the beautiful cadences of Hadley’s descriptive, lyrical prose.” — Connie Ogle, Miami Herald
“Hadley is so perceptive… that it can feel like she’s revealing little secrets about life that it would have taken you years to notice on your own. A-” — Isabella Biedenharn, Entertainment Weekly
“Splendid…. Hadley’s gift for depicting the interior lives of children and adults rivals Ian McEwans’s in the aptly lauded first section of Atonement .” — Amy Gentry, Chicago Tribune
“Hadley’s beautifully composed new novel... recalls Elizabeth Bowen’s The House in Paris in its dovetailing story lines, but the author’s genius for the thorny comforts of family... are entirely her own.” — Megan O'Grady, Vogue
“I find Tessa Hadley’s work genuinely helpful, especially when it comes to the big subjects: love and marriage, the political versus the personal, children, friendship. And then there are the sentences themselves, so precise and beautiful, often sly, sometimes devastating, always expertly paced. Few writers give me such consistent pleasure.” — Zadie Smith, author of NW
“Hadley brings a keen intelligence and emotional acuity to domestic fiction…. The Past glitters.” — Heller McAlpin, NPR
“Chekhovian by way of a modern-day British pastoral…. Hadley moves deftly back and forth between eras and generations…. As in Chekhov’s dramas, The Past is a stage on which nothing much happens, brilliantly, even as everything slowly disintegrates.” — Boris Kachka, New York
“I finished ‘The Past’ sadly — why did it have to end? — with a sense that I had understood something profound about both Hadley’s characters, and my own life. Many readers will, I suspect, in the presence of this exhilarating novel feel the same.” — Margot Livesey, Boston Globe
“Hadley glides like a familiar spirit through the rooms of the house and the perspectives of her characters…. Her novels have a moral spaciousness that gives their ordinary settings and conflicts a philosophical range.... “The Past” shows Ms. Hadley’s gifts in fine fettle.” — Sam Sacks, Wall Street Journal
“Hadley’s novel is the kind of observant, bittersweet book whose pleasures defy plot summaries....With Hadley’s wry insights and gorgeous sentences, readers, like Alice, will find themselves only too happy to be enfolded by ‘The Past.’” — Yvonne Zipp, Christian Science Monitor
“An immaculate prose stylist.” — Meg Wolitzer, author of The Interestings
“[An] exquisitely written family drama.” — Liz Loerke, US Weekly
“Hadley’s formidable storytelling talent and compassionate understanding of humanity pull us right into this beautifully told narrative…. A memorable novel that continues to resonate well after the reader has turned the last page, and makes us long for the next work of fiction by this outstanding English writer.” — Jim Carmin, Minneapolis Star Tribune
“No one writes family like Hadley.” — Megan O'Grady, Vogue.com
“Beautiful.” — Travel & Leisure
“A fresh take on a familiar story of fractious family reunions where old resentments resurface, new alliances form, and long-buried secrets are uncovered. A great read whether at the cottage or just dreaming of one.” — Barbara Love, Library Journal , starred review
“Masterful…. Captures the gentle tragedies of living, losses, and regrets…. Hadley is the patron saint of ordinary lives; her trademark empathy and sharp insight are out in force here.” — Kirkus , starred review
“Exceptional…. Familial drama at its best—unabashedly ordinary yet undoubtedly captivating.” — Publishers Weekly
“Hadley’s prose is descriptively rich. She elevates the mundane via her keen understanding go people and the emotional complexities of marriages and families—secrets, subtle deceptions and loyalties.” — Kathleen Gerard, Shelf Awareness
“Placing fraught family relationships under the microscope, Hadley, wise and discerning, offers a subtle-yet-bold examination of complex emotional subtexts that have the power to bring kin together or destroy the bonds that would otherwise unite them.” — Carol Haggas, Booklist
“Beautifully written.” — Buffalo News
Universal in its appeal and its intuitive ways of revealing how human nature, even our own, can surprise us…. Readers…should prepare themselves…for the beautiful cadences of Hadley’s descriptive, lyrical prose.
Exquisite…. For anyone who cherishes Anne Tyler and Alice Munro, the book offers similar deep pleasures. Like those North American masters of the domestic realm, Hadley crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural.... Extraordinary.
From the coziest and most familiar of fictional materials, Hadley has created a remarkable story as disturbing as it is diverting.
A novel so evocative of summer and adolescence that to read it is to reexperience the deep languor and longing of those days…. We come to understand that the past... is merely yesterday’s present.... It is that revelation that elevates the novel, deepening our own understanding of what shapes us.
Hadley is so insightful, such a lovely writer, that she pulls you right into the tangle of wires that connect and trip up the stressed siblings. She makes you feel for these imperfect people, want to scold them, and ultimately accept them as they are. Just like family.
Hadley is so perceptive… that it can feel like she’s revealing little secrets about life that it would have taken you years to notice on your own. A-
Each player... is so distinct, so warmly dimensional you soon feel you know them as well as they know each other. This alone... is a marvel. More marvelous still is Hadley’s seamless, steady control, moving individual and collective stories forward and backward in time - a splendid work.
Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.
Deliciously precise.... Built in a Chekhovian manner, handily assembling the grown members of an extended family and their offspring under one roof.... Hadley is adept at delineating the Cranes’ brand of cultured middle-class Britishness in all its generational mutations.
Hadley’s novel is the kind of observant, bittersweet book whose pleasures defy plot summaries....With Hadley’s wry insights and gorgeous sentences, readers, like Alice, will find themselves only too happy to be enfolded by ‘The Past.’
Chekhovian by way of a modern-day British pastoral…. Hadley moves deftly back and forth between eras and generations…. As in Chekhov’s dramas, The Past is a stage on which nothing much happens, brilliantly, even as everything slowly disintegrates.
A fresh take on a familiar story of fractious family reunions where old resentments resurface, new alliances form, and long-buried secrets are uncovered. A great read whether at the cottage or just dreaming of one.
Beautifully written.
Hadley’s beautifully composed new novel... recalls Elizabeth Bowen’s The House in Paris in its dovetailing story lines, but the author’s genius for the thorny comforts of family... are entirely her own.
An immaculate prose stylist.
[An] exquisitely written family drama.
Hadley glides like a familiar spirit through the rooms of the house and the perspectives of her characters…. Her novels have a moral spaciousness that gives their ordinary settings and conflicts a philosophical range.... “The Past” shows Ms. Hadley’s gifts in fine fettle.
Beautiful.
Splendid…. Hadley’s gift for depicting the interior lives of children and adults rivals Ian McEwans’s in the aptly lauded first section of Atonement .
Placing fraught family relationships under the microscope, Hadley, wise and discerning, offers a subtle-yet-bold examination of complex emotional subtexts that have the power to bring kin together or destroy the bonds that would otherwise unite them.
I find Tessa Hadley’s work genuinely helpful, especially when it comes to the big subjects: love and marriage, the political versus the personal, children, friendship. And then there are the sentences themselves, so precise and beautiful, often sly, sometimes devastating, always expertly paced. Few writers give me such consistent pleasure.
I finished ‘The Past’ sadly — why did it have to end? — with a sense that I had understood something profound about both Hadley’s characters, and my own life. Many readers will, I suspect, in the presence of this exhilarating novel feel the same.
Hadley’s prose is descriptively rich. She elevates the mundane via her keen understanding go people and the emotional complexities of marriages and families—secrets, subtle deceptions and loyalties.
Hadley brings a keen intelligence and emotional acuity to domestic fiction…. The Past glitters.
Hadley’s formidable storytelling talent and compassionate understanding of humanity pull us right into this beautifully told narrative…. A memorable novel that continues to resonate well after the reader has turned the last page, and makes us long for the next work of fiction by this outstanding English writer.
Beautifully written.
Hadley is so insightful, such a lovely writer, that she pulls you right into the tangle of wires that connect and trip up the stressed siblings. She makes you feel for these imperfect people, want to scold them, and ultimately accept them as they are. Just like family.
Beautiful.
Hadley is so insightful, such a lovely writer, that she pulls you right into the tangle of wires that connect and trip up the stressed siblings. She makes you feel for these imperfect people, want to scold them, and ultimately accept them as they are. Just like family.
Few writers have been as important to me as Tessa Hadley. She puts on paper a consciousness so visceral, so fully realized, it heightens and expands your own. She is a true master, and The Past is a big, brilliant novel: sensual, wise, compelling—and utterly magnificent.
Hadley is adept at delineating the Cranes' brand of cultured middle-class Britishness in all its generational mutations…The Past offers a contemporary variant on the pastoral idyll. Hadley's evocation of Kington's Arthur Rackham-like tangle of mossy woods and slippery brooks is deliciously precise, as is her charting of the cultural implications of the area's recent upgrade from poor farmland to gentrified vacation spot…But even as we come to understand why Kington has such a deep psychological pull over the Crane children, we are shown how Britain's enduring class divisions ensure that they remain outsiders in this place…Hadley's many fans will welcome this solid addition to her continuing narrative of how brainy women and blundering men negotiate the slippery class and sex wars of modern-day Britain.
The New York Times Book Review - Fernanda Eberstadt
11/23/2015
A British writer whose work probes the dangers and joys of family life, Tessa Hadley writes like a dream, even if some of her stories can haunt you like a nightmare….Hadley’s measured, perfectly controlled prose masterfully chronicles her characters’ turmoil; these stories are gemlike and unforgettable.
A new Tessa Hadley novel is a pleasure to be savoured. In her five novels and two collections of stories, Hadley has matched the psychological insight of Henry James with the sharp dialogue of Elizabeth Bowen.... A hugely enjoyable and keenly intelligent novel, brimming with the vitality of unruly desire.
Masterful.
Masterly….When it comes to domestic drama Hadley is without rival, and here her considerable talent is poured into an astonishingly astute grasp of ‘the sheer irritation and perplexity of family coexistence’.
[An] expertly wrought depiction of family life. Hadley’s arresting descriptions of the physical and emotional landscape, and her tender approach to love, lust and, crucially, the passing of time underline her reputation as one of the UK’s finest contemporary novelists.
Each player... is so distinct, so warmly dimensional you soon feel you know them as well as they know each other. This alone... is a marvel. More marvelous still is Hadley’s seamless, steady control, moving individual and collective stories forward and backward in time — a splendid work.
A novel of delicious readability that reaffirms its author’s reputation—Hadley is regularly and deservedly compared to Henry James and Alice Munro. She’s thrillingly perceptive and deeply sympathetic, and also a supreme craftsman…. An extremely affecting novel of cumulative richness.
Tessa Hadley has become one of this country’s great contemporary novelists. She is equipped with an armoury of techniques and skills that may yet secure her a position as the greatest of them.
Hadley should be a bestseller rather than literary fiction’s best kept secret…. [She] is an exquisite writer, a writer’s writer, with a fine eye for detail and a way of crafting sentences that stop and make you inhale.
Placing fraught family relationships under the microscope, Hadley, wise and discerning, offers a subtle-yet-bold examination of complex emotional subtexts that have the power to bring kin together or destroy the bonds that would otherwise unite them.
Hadley’s prose is descriptively rich. She elevates the mundane via her keen understanding go people and the emotional complexities of marriages and families—secrets, subtle deceptions and loyalties.
Hadley’s beautifully composed new novel... recalls Elizabeth Bowen’s The House in Paris in its dovetailing story lines, but the author’s genius for the thorny comforts of family... are entirely her own.
Hadley’s formidable storytelling talent and compassionate understanding of humanity pull us right into this beautifully told narrative…. A memorable novel that continues to resonate well after the reader has turned the last page, and makes us long for the next work of fiction by this outstanding English writer.
Chekhovian by way of a modern-day British pastoral…. Hadley moves deftly back and forth between eras and generations…. As in Chekhov’s dramas, The Past is a stage on which nothing much happens, brilliantly, even as everything slowly disintegrates.
Hadley glides like a familiar spirit through the rooms of the house and the perspectives of her characters…. Her novels have a moral spaciousness that gives their ordinary settings and conflicts a philosophical range.... “The Past” shows Ms. Hadley’s gifts in fine fettle.
A novel so evocative of summer and adolescence that to read it is to reexperience the deep languor and longing of those days…. We come to understand that the past... is merely yesterday’s present.... It is that revelation that elevates the novel, deepening our own understanding of what shapes us.
I finished “The Past’’ sadly — why did it have to end? — with a sense that I had understood something profound about both Hadley’s characters, and my own life. Many readers will, I suspect, in the presence of this exhilarating novel feel the same.
Exquisite…. For anyone who cherishes Anne Tyler and Alice Munro, the book offers similar deep pleasures. Like those North American masters of the domestic realm, Hadley crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural.... Extraordinary.
Hadley brings a keen intelligence and emotional acuity to domestic fiction…. The Past glitters.
★ 2015-10-15
