Synopses & Reviews
The haughty, manipulative Marchesa, determined to thwart the romance between her son, the young Neapolitan nobleman Vincentio di Vivaldi, and Elena di Rosalba, has enlisted the help of the villainous, scheming monk, Schedoni. With a livid paleness of face and a melancholy eye, whose brooding presence dominates the novel, Schedoni has become an archetype of Romantic literature. Set in the mid-eighteenth century against the dramatic, lush backdrop of the Bay of Naples, The Italian is a tale of passion, deceit, abduction, and the horrors of the Inquisition.
In one of the most powerful Gothic tales ever written, Mrs. Radcliffe, the unrivalled master of the genre, skillfully combines traditional elements of danger, romance, and the supernatural with her abiding interest in history and considerable ability to paint poetic images of sublime landscape. In the introduction, Robert Miles examines the novel's literary and historical context.
Synopsis
From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, tortureor even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.
Description
Includes bibliographical references (p. 503-[505]).
About the Author
Ann Radcliffe was born in 1764, the daughter of a London tradesman. In 1786 she married William Radcliffe, later the manager of The English Chronicle. She set her first novel, The Castles of Athlin and Dunbayne (1789), in Scotland, and it received little critical or public attention. Using more exotic locations in Europe, notably the 'sublime' landscapes of the Alps and Pyrenees, she wrote four more novels within ten years: A Sicilian Romance (1790), The Romance of the Forest (1791), The Mysteries of Udolfo (1794) and The Italian (1797), as well as a volume of descriptions of her travels in Holland, Germany and the Lake District.
The success of The Romance of the Forest established Radcliffe as the leading exponent of the historical Gothic Romance. Her later novels met with even greater attention, and produced many imitators (and, famously, Jane Austen's burlesque of The Romance of the Forest in Northanger Abbey), and influenced the work of Sir Walter Scott and Mary Wollstonecraft.
The Italian was the last book she published in her lifetime; a novel, Gaston de Blondeville, and St. Albans Abbey: A Metrical Tale were published posthumously. Despite the sensational nature of her romances and their enormous success, Radcliffe and her husband lived quietlyshe made only one foreign journey and barely glimpsed the Alps that she wrote about so vividly. She died in 1823 from respiratory problems probably caused by pneumonia.