Synopses & Reviews
"We know the old adage about judging books by their covers, but how could you not when the covers are as lovely as these?"
-Vogue (U.K.)
The jacket design by Coralie Bickford-Smith reflects the elegance and glamour of the Art Deco period paired with the modern aesthetic of mechanical repetition. Each jacket comes with a detachable bookmark.
Stories of "the lost generation," these Jazz Age tales vividly preserve Fitzgerald's signature blend of enchantment and disillusionment. Including, "Benjamin Button," "Head and Shoulders," "The Cut-Glass Bowl," "The Four Fists," "May Day," "'O Russet Witch!'," and others, this gorgeous volume gathers all of Fitzgerald's most popular stories.
Synopsis
The taller of the two was named Carrol Key, a name hinting that in his veins, however thinly diluted by generations of degeneration, ran blood of some potentiality. But one could stare endlessly at the long, chinless face, the dull, watery eyes, and high cheek-bones, without finding suggestion of either ancestral worth or native resourcefulness.
About the Author
F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University which he left in 1917 to join the army. Fitzgerald was said to have epitomised the Jazz Age, an age inhabited by a generation he defined as ‘grown up to find all Gods dead, all wars fought, all faiths in man shaken’. In 1920 he married Zelda Sayre. Their destructive relationship and her subsequent mental breakdowns became a major influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and The Love of the Last Tycoon (his last and unfinished work): six volumes of short stories and The Crack-Up, a selection of autobiographical pieces. Fitzgerald died suddenly in 1940. After his death The New York Times said of him that ‘He was better than he knew, for in fact and in the literary sense he invented a “generation” … he might have interpreted them and even guided them, as in their middle years they saw a different and nobler freedom threatened with destruction.’