Paperback(Reprint)

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Overview

An unforgettable tragicomic novel of sexual and political intrigue in 19th-century Spain

One of the greatest nineteenth-century Spanish novels, The House of Ulloa follows pious Father Julián Alvarez, who is sent to a crumbling country estate to put in order the affairs of the marquis, an irresponsible libertine. When the sensitive priest discovers the moral decadence, cruelty, and corruption at his new home, his well-meaning but ineffectual attempts to prevent the fall of the House of Ulloa end in tragedy. Combining gothic elements with humor and social satire, The House of Ulloa is the finest achievement of Emilia Pardo Bazán, one of the most dynamic figures of her time.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Product Details

ISBN-13: 9780141392950
Publisher: Penguin Publishing Group
Publication date: 11/26/2013
Edition description: Reprint
Pages: 288
Product dimensions: 5.00(w) x 7.70(h) x 0.70(d)
Age Range: 18 Years

About the Author

Emilia Pardo Bazán (1851–1921) was a prolific writer, a feminist, a traveler, and an intellectual who held a chair in literature at Madrid University from 1916 until her death.

Paul O’Prey is the vice-chancellor of the University of Roehampton, London.

Lucia Graves is a literary translator and an author. Her translations include works by Robert Graves, Anaïs Nin, and Katherine Mansfield, as well as Carlos Ruiz Zafón’s novel The Shadow of the Wind.

What People are Saying About This

From the Publisher

“An absolutely first-rate novelist . . . Bazán’s genius lies in the way she mixes comedy, farce, realism and heightened-pitch hysteria with a dash of gothic. . . . People may travel by donkey in this book, but it could have been written yesterday.” —The Guardian
 

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