Hardcover(Reprint)

$27.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

One of The Atlantic’s Great American Novels of the Past 100 Years

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series launches with six perennial favorites to give as elegant gifts, or to showcase on your own shelves.

L is for Lee. Korean American Henry Park is “surreptitious, B+ student of life, illegal alien, emotional alien, Yellow peril: neo-American, stranger, follower, traitor, spy…” or so says his wife, in the list she writes upon leaving him. Henry is forever uncertain of his place, a perpetual outsider looking at American culture from a distance. And now, a man of two worlds, he is beginning to fear that he has betrayed both and belongs to neither. Chang-Rae Lee’s first novel Native Speaker is a raw and lyrical evocation of the immigrant experience and of the question of identity itself.

Product Details

ISBN-13: 9780143124306
Publisher: Penguin Publishing Group
Publication date: 05/07/2013
Series: Penguin Drop Caps
Edition description: Reprint
Pages: 384
Sales rank: 241,804
Product dimensions: 5.40(w) x 7.70(h) x 1.20(d)
Age Range: 18 Years

About the Author

About The Author
Chang-Rae Lee is the author of A Gesture Life, Native Speakers, Aloft and The Surrendered. He won the Hemingway Foundation/PEN Award, among other honors, for his novel Native Speaker, and was selected by the New Yorker as one of the twenty best American writers under forty. His novels have also won Asian American Literary Award, the Asian/Pacific American Award for Literature, and other awards. The Surrendered was a finalist for the Pulitzer Prize for Fiction. He lives in New Jersey with his family.

Jessica Hische is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine’s "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Hometown:

Princeton, New Jersey

Date of Birth:

July 29, 1965

Place of Birth:

Seoul, Korea

Education:

B.A. in English, Yale University, 1987; M.F.A. in Creative Writing, University of Oregon, 1993

Read an Excerpt

The day my wife left she gave me a list of who I was.
(Continues…)



Excerpted from "Native Speaker"
by .
Copyright © 2013 Chang-rae Lee.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
Flavorwire

"Classic reads in stunning covers—your book club will be dying."
Redbook

Reading Group Guide

INTRODUCTION

Korean American Henry Park is "surreptitious, B+ student of life, illegal alien, emotional alien, Yellow peril: neo-American, stranger, follower, traitor, spy…" or so says his wife, in the list she writes upon leaving him. Henry is forever uncertain of his place, a perpetual outsider looking at American culture from a distance. And now, a man of two worlds, he is beginning to fear that he has betrayed bothand belongs to neither.

"A novel of extraordinary beauty and pain…nothing less than brilliant." —Frederick Busch

"With echoes of Ralph Ellison, Chang-rae Lee's extraordinary debut speaks for another kind of invisible man: the Asian immigrant in America…a revelatory work of fiction." Vogue

In Native Speaker, author Chang-rae Lee introduces readers to Henry Park. Park has spent his entire life trying to become a true Americana native speaker. But even as the essence of his adopted country continues to elude him, his Korean heritage seems to drift further and further away.

Park's harsh Korean upbringing has taught him to hide his emotions, to remember everything he learns, and most of all to feel an overwhelming sense of alienation. In other words, it has shaped him as a natural spy.

But the very attributes that help him to excel in his profession put a strain on his marriage to his American wife and stand in the way of his coming to terms with his young son's death. When he is assigned to spy on a rising Korean-American politician, his very identity is tested, and he must figure out who he is amid not only the conflicts within himself but also within the ethnic and political tensions of the New York City streets.

Native Speaker is a story of cultural alienation. It is about fathers and sons, about the desire to connect with the world rather than stand apart from it, about loyalty and betrayal, about the alien in all of us and who we finally are.

 


ABOUT CHANG-RAE LEE

Chang-rae Lee's Native Speaker won the Hemingway Foundation/PEN award, QPB's New Voices Award, the Barnes & Noble Discover Great New Writers Award, an American Book Award from the Before Columbus Foundation, and the Oregon Book Award. It was also an ALA Notable Book of the Year and a finalist for a PEN West Award, and Lee was named a finalist for Granta's Best American Novelists Under 40 Award. His work has appeared in The Best American Essays, The New Yorker, The New York Times, and numerous anthologies. He lives in New Jersey, and is the director of the MFA program at Hunter College in New York City.

 


DISCUSSION QUESTIONS
  • As you review the list Lelia compiles of who Henry is (p. 5), which descriptions strike you as the most accurate? The most disturbing? The hardest for Lelia to accept? What characterization might you add to the list yourself? What does Lelia mean by the accusation scribbled on the scrap piece of paper under their bed: "False speaker of language" (p. 6)? Why could this be considered Henry's greatest fault, and his greatest transgression against his wife? How is it possible that a man who "on paper, by any known standard, was an impeccable mate" (pp. 160-161) could be failing his wife so miserably?
     
  • How does Dr. Luzan unknowingly break down the surface "opacity" (p. 133) Henry has acquired through his experience of working with Hoagland? Would a subject other than an older Asian male have had the same unsettling effect on Henry? How does this assignment begin the process of eroding Henry's professional commitment and confidence? Explain what Henry means when he says, "I can no longer simply flash a light inside a character, paint a figure like Kwang with a momentary language" (p. 206).
     
  • The adult Henry recalls of his childhood: "My self-conception was that I was frail" (p. 135). Why, despite Henry's intense emotional involvement with his father, does he identify so strongly with his mother? What is his mother afraid of, and how does she transmit that fear to her son?
     
  • How do Lelia and Henry each react to Mitt's death? What do their different responses reveal about their characters? To what degree are their reactions based on personality and what degree are they based on each character's cultural background? Who or what does each parent believe is to blame for this tragic occurrence?
     
  • On rare occasions, Henry addresses the reader directly, as "you," for example: "We will learn every lesson of accent and idiom, we will dismantle every last pretense and practice you hold, noble as well as ruinous. You can keep nothing safe from our eyes and ears. This is your own history. We are your most perilous and dutiful brethren, the song of hearts at once furious and sad" (p. 320). What emotions prompt Henry to speak pointedly to the novel's reader? What was your reaction to this passage from the book? Why do you think the author employs this device? Why does he use it so seldom?
     
  • What do you think Henry means when he says of his colleagues Grace and Pete, "We are friends in the way people in an unprovisioned lifeboat are" (p. 319)? Does he agree with Jack, who believes that all of Hoagland's employees are a family? Why does Henry feel indifferent to whether Jack betrays him? At the novel's conclusion, does Henry feel, as his father did, that the only family is one of blood?
     
  • In the early phase of Henry's employment at Hoagland's firm, why does Henry believe he has "finally found [his] truest place in the culture" (p. 127)? How do Henry's working under cover and exploiting his own people constitute "the darkest version of what [his immigrant father] only dreamed of" (p. 334)? How does Henry's spy career function in the novel as a metaphor for cultural assimilation?
     
  • What are the major similarities between Kwang and Henry's father? What are their major differences? Why are these two men tightly intertwined in Henry's mind and heart? What does Henry unexpectedly come to see in Kwang, which Henry "will search out now for the long remainder of [his] days" (p. 141)?
     
  • Henry's attitudes toward his Korean heritage are complex and conflicted. How do they affect his feelings about having a son of mixed blood? Which aspects of his father's emotional legacy does Henry hope will live on in himself and in Mitt? Which of his family's characteristics does he feel would be better off "diluted" in his offspring? Why does Henry feel that Mitt was blessed to have had Leila's genes and her daily emotional influence in his life?
     
  • At the novel's conclusion, why does Henry appear to derive joy from his position assisting Lelia? How does her approach to speech therapy differ from the lessons Henry was taught as a child (see p. 233)? How has Lelia's life with Henry and Mitt influenced the way she relates to her students?
  • From the B&N Reads Blog

    Customer Reviews