Saul and Patsy
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5.0 • 1 Rating
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- $12.99
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- $12.99
Publisher Description
From the winner of the PEN/Malamud Award for Excellence and “one of our most gifted writers” (Chicago Tribune), Saul and Patsy is "stunning, never predictable, glimmering fiction, full of mischief and insight" (The Los Angeles Times).
Five Oaks, Michigan is not exactly where Saul and Patsy meant to end up. Both from the East Coast, they met in college, fell in love, and settled down to married life in the Midwest. Saul is Jewish and a compulsively inventive worrier; Patsy is gentile and cheerfully pragmatic. On Saul’s initiative (and to his continual dismay) they have moved to this small town–a place so devoid of irony as to be virtually “a museum of earlier American feelings”–where he has taken a job teaching high school.
Soon this brainy and guiltily happy couple will find children have become a part of their lives, first their own baby daughter and then an unloved, unlovable boy named Gordy Himmelman. It is Gordy who will throw Saul and Patsy’s lives into disarray with an inscrutable act of violence. As timely as a news flash yet informed by an immemorial understanding of human character, Saul and Patsy is a genuine miracle.
PUBLISHERS WEEKLY
Despite its title, this searching, reflective novel is less concerned with couplehood than it is with the fretful inner life of one half of the eponymous married pair. Saul Bernstein, a literary descendant of Bellow's Herzog, is a transplanted Baltimore Jew, observing his newfound hometown the "dusty, luckless" fictional city of Five Oaks, Mich. with an ill-at-ease hyperawareness. Young-marrieds Saul and Patsy move to Five Oaks from Evanston, Ill., when Saul is hired to teach at the local high school. They rent a farmhouse, where they make love in every room and even in the backyard, settling into the rhythms of domestic life. Patsy, a former modern dancer who finds work as a bank teller, gives birth to a daughter, and with infinite patience tolerates her "professional worrier" of a husband. The narrative is dense with quotidian detail, precisely charted shifts of consciousness and pitch-perfect moments of emotional truth, but Baxter (The Feast of Love; Believers, etc.) doesn't have full control of the novel's architecture. The narrative crests occasionally on signs and wonders (early on, Saul has a spiritual epiphany after sighting an albino deer), but turns on the inexplicable suicide of Saul's illiterate, inarticulate student, Gordy Himmelman. Blamed by some for the boy's death, Saul must struggle against real community hostility instead of imagined anti-Semitism. Resolutely, he refuses to give up on his adopted Midwestern hometown, bringing this luminously prosaic if sometimes meandering novel to a quietly triumphant conclusion.
