The Flower Boy
A Novel
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- $8.99
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- $8.99
Publisher Description
An accomplished debut, The Flower Boy is the tragically romantic story of people from two cultures, one ruling the other, and the human passions that defy and nearly overcome social taboos.
In the colonial society of 1930s Ceylon, the separation between servant and master is clearly drawn. Young Chandi, however, knows that the baby born to his mother’s mistress will be his friend. And, indeed, their friendship blossoms in the lush gardens of the tea plantation on which they live. Many, English and Ceylonese, are troubled by the friendship, but the English planter is charmed by the children’s bond, and ultimately by Chandi’s mother, Premawathi. But the world encroaches on their Eden. Beautifully observed, compellingly plotted, The Flower Boy is a compassionate novel of a lost world and those who struggled to hold on to it.
PUBLISHERS WEEKLY
Set during the 13 uneasy, final years of British rule in Ceylon, Roberts's debut novel relates in simple yet eloquent prose the story of two children and their families whose lives, despite cultural and class differences, become deeply entwined. In 1935, at Glencairn, a British-run tea plantation in Ceylon, Chandhi lives with his housekeeper mother and two older sisters in a small room off the kitchen of the elegant main house. Enterprising little Chandhi sells flowers on the roadside; he is saving to go to England, "because everyone who came from England seemed to have huge bungalows and beautiful books." On Chandhi's fourth birthday, John Buckwater, the Sudu Mahattaya ("white gentleman") of the estate, and his wife, the Sudu Nona, have a baby girl, Lizzie. Lonely Chandhi immediately decides that she will be his special friend, and christens her "Rose," which the two later change to "Rose-Lizzie." The pair's mutual devotion is supported by a humane, good-hearted few, such as Rose-Lizzie's father, John, and Chandhi's mother, Premawathi, and is deprecated by many, including Rose-Lizzie's mother (who returns alone to England when her daughter is four), Chandhi's servile father (who also leaves) and most of the Buckwaters' British acquaintances. As the plantation-owner's daughter and the housekeeper's son move from childhood to adolescence, they grow even closer when Premawathi and John become lovers. But Premawathi's conviction--as Ceylonese independence from Britain approaches in 1948--that she and John "belong in separate worlds" and that the Buckwaters must eventually return to England without her or her son drives the families apart, leaves Premawathi to a life of poverty and devastates Chandhi's dream of England as the promised land. With sensitivity and touches of gentle humor, Roberts renders a quiet tragedy of small, good lives crushed beneath larger circumstances. FYI: Roberts, whose grandfather anglicized the family's Sinhalese name, is a native Sri Lankan.
