Girls

Girls

by Frederick Busch
Girls

Girls

by Frederick Busch

eBook

$6.99 

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

A New York Times Notable Book

In the unrelenting cold and bitter winter of upstate New York, Jack and his wife, Fanny, are trying to cope with the desperate sorrow they feel over the death of their young daughter. The loss forms a chasm in their relationship as Jack, a sardonic Vietnam vet, looks for a way to heal them both.

Then, in a nearby town, a fourteen-year-old girl disappears somewhere between her home and church. Though she is just one of the hundreds of children who vanish every year in America, Jack turns all his attention to this little girl. For finding what has become of this child could be Jack's salvation--if he can just get to her in time. . . .

Product Details

ISBN-13: 9780307798121
Publisher: Random House Publishing Group
Publication date: 08/10/2011
Sold by: Random House
Format: eBook
Pages: 304
File size: 2 MB

About the Author

Frederick Busch is the recipient of the PEN/Malamud Award, the National Jewish Book Award, and a fiction award from the American Academy of Arts and Letters.  His last book, The Children in the Woods, was a finalist for the 1995 Pen/Faulkner Award.  He has been acting director of the Writer's Workshop at the University of Iowa and is currently the Edgar Fairchild Professor of Literature at Colgate University.

Read an Excerpt

You can't say once upon a time to tell the story of how we got to where we are. You have to say winter. Once, in winter, you say, because winter was our only season, and it felt like we would live in winter all our lives.

I was awake in the darkness and the sound of wind against the house when the dog began to retch at 5:25. I hustled 90 pounds of heaving chocolate Lab to the door and rolled him onto the snow that looked silver in the fading moonlight.
        
"Good boy," I said because he'd done his only trick.

Outside he vomited, and I went back up, passing the sofa Fanny lay on. I tiptoed with enough weight on my toes to let her know how considerate I was. She blinked her eyes. I know I heard her blink her eyes. Whenever I told her I could hear her blink her eyes, she said I was lying. But I could hear the damp slap of lash after I made her cry.
        
I got into bed to get warm again. I saw the red digital numbers, 5:29, and I knew I wouldn't fall asleep. I didn't. I read a book about men who kill each other for pay or for their honor. I forget which, and so did they. It was 5:45, the alarm would buzz at 6:00, and I would make a pot of coffee and start the woodstove. I would call Fanny and pour her coffee into her mug. I would apologize because I always did. Then she would forgive me. We would stagger through the day, exhausted but pretty sure we were more or less all right. We would probably sleep that night. We would probably wake in the same bed to the alarm at 6:00, or to the dog, if he'd returned to the frozen deer carcass he'd been eating in the forest on our land. He loved what made him sick. The alarm went off, I got into jeans and woolen socks and a sweatshirt, and I went downstairs to let the dog in. He'd be hungry, of course.
        
I was the oldest college student in America, I sometimes said. But of course I wasn't. There were always ancient women with parchment skin who graduated at seventy-nine from places like Barnard and the University of Alabama. I was only forty-four, and I hardly qualified as a student. I patrolled the college at night in a Jeep with a leaky exhaust system, and I went from room to room in the classroom buildings, kicking out students who were studying or humping in chairs -- they do it anywhere -- and answering emergency calls with my little blue light winking on top of the roof. I didn't carry a gun or a billy, but I had a heavy black flashlight that took three batteries and I'd used it twice on some of my overprivileged northeastern-playboy part-time classmates. On Tuesdays and Thursdays, I would waken at 6:00 with my wife, and I'd do my homework, and then patrol at school and go to class at 11:30, while thirty-five stomachs growled and this guy gave instruction about books. Because I was on the staff, the college let me take a course for nothing every term. I was getting educated, in a kind of slow-motion way. It was going to take my something like fifteen or sixteen years to graduate. I predicted to Fanny I would no doubt get an F in gym in my last semester and have to repeat. There were times when I respected myself for going to school. Fanny often did, and that had served as fair incentive.
        
I am not unintelligent. You are not an unintelligent writer, my professor wrote on my paper about Nathaniel Hawthorne. We had to read short stories, I and the other students, and then we had to write little essays about them. I told how I saw Kafka and Hawthorne in a similar light, and I was not unintelligent, he said. He ran into me at dusk one time, when I answered a call about a dead battery and found out it was him. I jumped his Buick from the Jeep's battery, and he was looking me over, I could tell, while I clamped onto the terminals and cranked it up. He was tall and handsome, like someone in a clothing catalogue. He never wore a suit. He wore khakis and sweaters, loafers or sneakers, and he was always talking to the female students with the brightest hair and best builds. But he couldn't get a Buick going on an ice-cold night, and he didn't know enough to look for cells going bad. I told him he was going to need a new battery and he looked me over the way men sometimes do with other men who fix their cars for them.
        
"Vietnam?"
        
I said, "No way."
        
"You have that look sometimes. Were you one of the Phoenix Project fellas?"
        
I was wearing a watch cap made of navy wool and an old fatigue jacket. Slick characters like my professor like it if you're a killer or at least a onetime middleweight fighter. I smiled like I knew something. "Take it easy," I said, and I went back to the Jeep to swing around the cemetery at the top of the campus. They'd been known to screw in down-filled sleeping bags on horizontal stones up there, and the dean of students didn't want anybody dying of frostbite while joined at the hip to a matriculating fellow resident of our northeastern camp for the overindulged.
        
He blinked his high beams at me as I went. "You are not an unintelligent driver," I said.
                                        
                                                ###

        
Fanny had left me a bowl of something made with sausages and sauerkraut and potatoes, and the dog hadn't eaten too much more than his fair share. He watched me eat his leftovers and then make myself a king-size drink composed of sour mash and ice. In our back room, which is on the northern end of the house, and cold for sitting in that close to dawn, I sat and I watched the texture of the sky change. It was going to snow, and I wanted to see the storm come up the valley. I woke up that way, sitting in the rocker with its loose right arm, holding a watery drink, and thinking right away of the girl I'd convinced to go back inside. She'd been standing outside her dormitory, looking up at a window that was dark in the midst of all those lighted panes. They never turned a light off; they would let the faucets run half the night. She was crying onto her bathrobe. She was sockless in rubber-bottomed boots, the brown ones so many of them wore unlaced, and for all I know she might have been naked under the robe. She was beautiful, I thought, and she was somebody's red-headed daughter, standing in a quadrangle how many miles from home and weeping.
        
"He doesn't love anyone," the kid told me. "He doesn't love his wife. I mean his ex-wife. And he doesn't love the ex-wife before that, or the one before that. And you know what? He doesn't love me. I don't know anyone who does!"
        
"It isn't your fault if he isn't smart enough to love you,", I said, steering her toward the Jeep.
        
She stopped. She turned. "You know him?"
        
I couldn't help it. I hugged her hard, and she let me, and then she stepped back, and of course I let her go. "Don't you touch me! Is this sexual harassment? Do you know the rules? Isn't this sexual harassment?"
        
"I'm sorry," I said at the door to the truck. "But I think I have to be able to give you a grade before it counts as harassment."
        
She got in. I told her we were driving to the dean of students' house. She smelled like marijuana and something very sweet, maybe one of those coffee-with-cream liqueurs you don't buy unless you hate to drink.
        
As the heat of the truck struck her, she started going kind of clay-gray-green, and I reached across her to open the window.
        
"You touched my breast!" she said.
        
I said, "Does it count if it wasn't on purpose?"
        
She leaned out the window and gave her rendition of my dog.
        
But in my rocker, waking up at whatever time in the morning in my silent house, I thought of her as someone's child. Which made me think of ours, of course. I went for more ice, and I started on a wet breakfast. At the door of the dean of students' house, she'd turned her chalky face to me and asked, "What grade would you give me, then?"
                                                
                                                ###
                                
        
It was a week like this: two teachers locked out of their offices late at night, a Toyota with a flat and no spare, an attempted rape on a senior girl walking home from the library, a major fight outside a town bar (broken wrist, probable concussion), and variations on breaking-and-entering. I was scolded by my vice president of nonacademic services for thumping softly on a student who got drunk and disorderly and tried to take me down. I told him to keep his job, but he called me back because I was right to swat him a little, he said, but also wrong, but what the hell, and he'd promised to admonish me, and now he had, and would I please stay on. I thought of the fringe benefits -- graduation in only sixteen years -- so I went back to work.
        
My professor assigned a story called "A Rose for Emily," and I wrote him a paper about the mechanics of corpse fucking, and how, since Emily clearly couldn't screw her dead boyfriend, she was keeping his rotten body in bed because she truly loved him. I called the paper "True Love." He gave me a B and wrote See me, pls. In his office after class, his feet up on his desk, he trimmed a cigar with a giant folding knife he kept in his drawer.
        
"You got to clean the hole out," he said, "or they don't draw."
        
"I don't smoke," I said.
        
"Bad habit. Real habit, though. I started smoking 'em in Germany, in the service. My C.O. smoked 'em. We collaborated on a brothel inspection one time, and we ended up smoking these with a couple of women." He waggled his eyebrows at me, now that his manhood was established.
        
"Were the women smoking them, too?"
        
He snorted laughter through his nose while the greasy smoke came curling off his thin, dry lips. "They were pretty smoky, I'll tell ya!" He was wearing cowboy boots that day, and he propped them on his desk and sat forward. "It's a little hard to explain. But -- hell. You just don't say fuck when you write an essay for a college prof. Okay?" He sounded like a scoutmaster with a kid he'd caught in the outhouse jerking off. "All right? You don't wanna do that."
        
"Did it shock you?"
        
"Fuck, no, it didn't shock me. I just told you. It violates certain proprieties."
        
"But if I'm writing it to you, like a letter ..."
        
"You're writing it for posterity. For some mythical reader someplace, not just me. You're making a statement."
        
"Right. My statement said how hard it must be for a woman to fuck with a corpse."
        
"And a point worth making. I said so. Here."
        
"But you said I shouldn't say it."
        
"No. Listen. Just because you're talking about fucking, you don't have to say fuck. Does that make it any clearer?
        
"No."
        
"I wish you'd lied to me just now," he said.
        
I nodded. I did too.
        
"Where'd you do your service?" he asked.
        
"Baltimore. Baltimore, Maryland."
        
"What's in Baltimore?"
        
"Railroads. I liaised on freight runs of army materiel. I killed a couple of bums on the rod with my bare hands, though."
        
He snorted again, but I could see how disappointed he was. He'd been banking on my having been a murderer. Interesting guy in one of my classes, he must have told some terrific woman at an overpriced meal: I just know the guy was a rubout specialist in the 'Nam. I figured I should come to work wearing my fatigue jacket and a red bandanna tied around my head. Say "man" to him a couple of times, hang a fist in the air for grief and solidarity, and look worn out, exhausted from experiences he was fairly certain he envied my having. His dungarees were ironed, I noticed.

Reading Group Guide

1.         The weather in Girls is severe and relentless. What role does this weather play in the novel, and why? What other books have you studied in which the weather was such a large part of the story? How do climate and landscape tend to affect the lives of individuals as well as larger societies?

2.         Jack is a Vietnam veteran, a self-educated, blue-collar kind of guy. His wife, Fanny, is an emergency room nurse, a job requiring considerable education and training. In what ways do you think their differing backgrounds affect their relationship? Are these effects beneficial or damaging? What commonalities can you find in their backgrounds and/or jobs? Do you think these are sufficient to keep them together?

3.         Did you want Jack and Fanny to get back together? Why or why not, and why do you think Busch arrived at the ending?

4.         Do you think this book fits into the typical detective-novel genre? Why or why not? Why do you think readers like to categorize types of novels? Do you think Girls belongs to any distinct category or genre?

5.         The first chapter directly follows the final chapter in chronology. Why do you think the author placed it at the beginning of the book? Did you go back and re-read the first chapter after completing the novel? Did doing so alter your perception of the book? If so, how?

6.         Why do you think Jack and Fanny couldn't discuss the death oftheir baby after so much time? Has there ever been something you or someone you know couldn't or wouldn't discuss? Why do you think people close themselves away like that? How might people avoid doing so, or help each other overcome it?

7.         In recent years there unfortunately have been many highly publicized cases of missing girls like Janice Tanner. Do you think these cases have always occurred and that are just being played up by the media today? Or do you think something has shifted in our society that is causing an increase in such tragedies? Do you discuss these disappearances with your friends or your families? If so, how do you respond? Do you feel safe in modern society?

8.         Jack lives in a world of extreme coldness, bleakness, and silence. It seems that the only lightness in his world is his nameless dog. Why do you think this is so? What function does the dog serve in the novel as a whole? In Jack's life? What do you think the author had in mind when he chose to include the dog in this story?

9.         When did you as a reader think you knew who was responsible for Janice Tanner's disappearance? Who did you think did it, and why? Were you right?

10.         What role does Professor Piri play in this drama?

11.         Fanny is repeatedly described as capable and competent, and of course, her job is one of helping to save lives. Juxtapose this with the circumstances and aftermath of their daughter's death, and discuss what effect this combination has had on Fanny.

12.         As this is a work of fiction, the writer could do with his characters whatever he wished. Why do you think the author let Jack get beat up so badly?

13.         Jack and Fanny's marriage is a paradox: two people who love and are bound to each other, and yet cannot seem to live together. Discuss this paradox and why it exists. Do you know anyone with such a paradox in their lives? What is it like, and how do they resolve or live with it?

14.         Why do you think Jack found Rosalie Piri so irresistible? He obviously loved Fanny and really wanted to make it work with her; yet he barely hesitated before he got involved with Rosalie. What do you think motivated him, or prevented him from resisting the affair with her?

15.         Why didn't Jack drag Fanny in to talk to Archie? Why didn't Archie push for them to get counseling together? Many people in our society often resist counseling when they most need it. Why do you think this is so?

16.         Jack goes into the Tanners' church, and still finds himself unable to pray. Yet he really wants to. Why can't Jack pray?

17.         Identify all the different girls in the book who could contribute to the book's title. What do they all have in common? How do they differ? Do you think Girls was a good choice of title? If not, what might you have named the book?

18.         Why does Jack harass William, the drug dealer from Staten Island? Jack knows he's not really guilty, at least not of being involved in the Janice Tanner case. Yet he knowingly beats him, and quite brutally at that. Why would Jack, who is basically a good man, do such a thing?

19.         What do you think was the author's purpose in including the subplot about the vice president's impending visit?

Interviews

Before the live bn.com chat, Frederick Busch agreed to answer some of our questions.

Q:  Do you have a favorite fairy tale? If so, which one?

A:  "Hansel and Gretel." (See my story, "Bread," at the beginning of my New & Selected Stories: The Children in the Woods.

Q:  Have you given a book as a gift lately? Which one?

A:  I have given a lot of books as gifts lately, and they've all been copies of my new novel, Girls. I also gave a dear friend a copy The Encyclopedia of New York City, which is a wonderful resource for research and a lot of fun to dip into.

Q:  What is your favorite place in the world of fiction? Of reality?

A:  My favorite place in the world of fiction: Thameside in Charles Dickens's London. In the world of reality: our kitchen in Sherburne.

Q:  What is your favorite part of teaching?

A:  I love two aspects of it: (1) When I can rhapsodize about the language of great writers and see my students are not falling asleep and, in fact, actually care about that language; (2) When one of my students -- in the most recent case, Ms. Elise Vogel -- writes a long story, in her senior year, that is as good as anything I've read, by anyone, in the past year, and it not only shows her superb talent, it demonstrates how hard she's worked to improve during the last four years.

Q:  Which authors or books have been especially influential in your life?

A:  Hemingway's stories and The Sun Also Rises, Faulkner, Dickens, Melville, Reynolds Price's A Long and Happy Life and A Generous Man, Second Skin by John Hawkes, all of the poetry of Philip Levine, James Wright's book of poems, Shall We Gather at the River, the work of Paula Fox, I Married Adventure by Osa Johnson, the novels and poems of Thomas Hardy, Goodnight, Moon.

Q:  What is your favorite day of the year?

A:  October 2nd.

Q:  Will you describe your favorite pair of shoes?

A:  The bone-colored high-heeled women's shoes left in my 12 Charles Street apartment by the former Judy Ann Burroughs in the late summer and early fall of 1963.

From the B&N Reads Blog

Customer Reviews