Silent Stars
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4.8 • 4 Ratings
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- $14.99
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- $14.99
Publisher Description
From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten.
Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin.
This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.
PUBLISHERS WEEKLY
Rudolph Valentino, Gloria Swanson, Tom Mix and dozens of others are the "forgotten, misunderstood, and underappreciated" stars whom film historian Basinger (A Woman's View, etc.) profiles in her excellent tribute to the silent film era. No tell-all, this book recreates the excitement the actors provoked while illustrating the nature of their appeal. Colleen Moore's onscreen transformation from maiden to flapper "is the exact story of what happened to the American girl" in the 1920s; tight-lipped William S. Hart provided the "first and truest face in the Old American West on film." Basinger also discerns the strengths lost in historical caricature: Mary Pickford's roles revealed a range far beyond that of "America's Sweetheart"; Marion Davies's successful career belies her legacy as inspiration for the off-key singer Susan Alexander in Citizen Kane. Not surprisingly, a recurrent theme is the ephemerality of fame. Not only do most silent stars' careers (famously, John Gilbert's) end with the talkies, but the near-obscurity of these actors today suggests that, for anyone, it's a mere four generations from footlight to footnote. While Basinger's blend of erudition and reportage often translates into an impersonal style, it is redeemed by her love of the subject and a Margaret Dumont-like lack of irony that allows her to assert, "The astonishing thing about watching Rin-Tin-Tin is that you begin to agree that this dog could act." Learned and wholehearted, the book is classic Basinger fare: effortless history that sets no fires but quickly establishes its necessity. 285 photos. Main selection of Eagle Book Club's Movie and Entertainment Book Club.
