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The Stone Girl Kindle Edition
Sethie Weiss is hungry, a mean, angry kind of hunger that feels like a piece of glass in her belly. She’s managed to get down to 111 pounds and knows that with a little more hard work—a few more meals skipped, a few more snacks vomited away—she can force the number on the scale even lower. She will work on her body the same way she worked to get her perfect grades, to finish her college applications early, to get her first kiss from Shaw, the boy she loves, the boy who isn’t quite her boyfriend.
Sethie will not allow herself one slip, not one bad day, not one break in concentration. Her body is there for her to work on when everything and everyone else—her best friend, her schoolwork, and Shaw—are gone.
From critically acclaimed writer Alyssa B. Sheinmel comes an unflinching and unparalleled portrayal of one girl’s withdrawal, until she is sinking like a stone into her own illness, her own loneliness—her own self.
- Reading age12 - 18 years
- LanguageEnglish
- Grade level7 - 12
- PublisherKnopf Books for Young Readers
- Publication dateAugust 28, 2012
- ISBN-13978-0375870804
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Editorial Reviews
From School Library Journal
Review
"Sheinmel proves there’s a lot more to an eating disorder than food, or the lack thereof."
Publishers Weekly, August 20, 2012:
"This drama about a girl on the road to anorexia offers candid insights into the psychological factors underlying the condition. ...Sheinmel's depiction of her self-defeating behavior comes across as vivid and painfully truthful."
Kirkus Reviews, July 15, 2012:
"Vividly depicted."
School Library Journal (online), January 8, 2013:
"Sethie’s plight will resonate not only with teens who have dealt with eating disorders but with any reader who has felt the unyielding pressure to conform to a just out-of-reach ideal."
From the Hardcover edition.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1.
It is September in New York City and Sarah Beth Weiss has just turned seventeen. For as long as she can remember, she has been called Sethie; her parents, her grandparents, even cousins and uncles who barely know her name at all, know that she is called Sethie. Only new teachers get it wrong. At school, when they go through roll call, Sethie has always had to interrupt to explain. It happened just today, the first day of her senior year. She thought all the teachers at her small school would know her real name by now. But there was a new math teacher today. It wasn't his fault, and Sethie knows it, but she was angry at him. She was frustrated that he made her explain about her name. She felt bad, later, for having been angry.
Sethie is rushing. She goes to an all-girls school, the Franklin White School, or the White School, or White for short, a name whose irony--or complete lack thereof--is lost on none of the homogenous student body. School has ended for the day, and all Sethie can think about is the boy, the boy, the boy. All summer long, she didn't have to wait until three-fifteen to see him, and now she can't remember how she managed before. And she remembers waiting even longer, last year, when she had yearbook editorial meetings that lasted past five, or appointments with her SAT tutor at the coffee shop after school.
Shaw, Shaw, Shaw. She sings it to herself, rushing, like a horse being taunted with a carrot on a stick--must get that carrot, must go faster, must get to Shaw.
There are two things that are true about Sethie: one is that she is always hungry, a mean, angry kind of hunger that feels like a piece of glass in her belly; the other is that she is always missing Shaw.
When Shaw says her name, Sethie feels it on her skin. Her name sounds serious coming out of his mouth, in his deep voice, a voice that belongs somewhere else--in an opera house, on a film screen, coming out of the radio. A voice that deserves to be anywhere but on her bedroom floor, actually speaking to her, paying attention to her, saying her name. Giving her name heft it never had before.
Shaw, Shaw, Shaw. The name that feels like it never finishes, like it's missing a letter at the end. She knows that he can't have missed her all day, not the way she has missed him. Shaw would never be bothered with missing anyone. Shaw doesn't believe in relying on someone else for his own happiness. Shaw's friends were mostly away all summer; he probably actually enjoyed his first day back at school, probably enjoyed seeing all of those other people, getting new books, pressing freshly sharpened pencils into loose-leaf paper.
Sethie knows Shaw's pencils are freshly sharpened, because last night she cleaned out his school bag. Shaw was in the shower, and she threw away all his chewed-up and worn-down pencils and replaced them with fresh ones of her own. A surprise for his first day back.
Sethie has approached this whole day with speed, rushing from class to class, running up and down the stairs, watching the clock, willing it to be eighth period. The other girls walked slowly between classes, catching up, complaining about this or that teacher, agonizing over college applications. Sethie arrived to each class early, turned to the first page of her notebook, and pressed her pen to the top of the page, ready to get on with things. Her classmates sat in the senior lounge; they'd waited years for that lounge, long and skinny, with doors to close the teachers out. It's very small; Sethie thinks that at another school, it might be too small to fit the entire senior class inside it. But all the girls at Sethie's school are skinny. Since most of the girls have been there since kindergarten, Sethie imagines the application process. No overly-sturdy-looking four-year-olds would have been considered.
The most exciting thing about the senior lounge is that it has a pay phone in it. All the girls have been waiting for it since they began attending White and were faced with the faculty's rigid no-cell-phone policy. Sethie remembers what a big deal it was when she was ten years old and her mother finally let her have a cell phone; having the pay phone in the senior lounge seems just as exciting. Sethie still has that same cell phone, in a box under her bed. Sometimes she recharges it and looks at the old text messages she and her friends sent each other in fifth grade. Today, Sethie's classmates all called the boys they like at other schools to give them the number to the senior lounge. The phone rang all day. Sethie has decided she won't give Shaw the number. That way it won't bother her when he doesn't call.
Sethie knows that for all of her rushing today, all of her running from class to class, Shaw has been strolling. Shaw takes his time. Shaw does not rush.
It's one of the things Sethie likes about him. He never worries about being late; he gets to the places he's going when he's ready to be there, and so it's always the right time. She would love to feel that kind of calm, would love to crawl up inside him for a day and feel what it's like to be inside that body: so assured, so smooth, so taut, so lean, and so slow. Shaw doesn't have to rush for her, after all--she does enough rushing for the both of them.
When Sethie finally sees him, Shaw isn't waiting for her. He's on the corner with his friends, but he's not waiting. Had they discussed that she would meet him after school? She thought they had, but now he looks so surprised to see her that she thinks maybe not; maybe she just decided she would come here, and now she's just lucky that Shaw is here.
"Hey, kiddo," he says, and she stands next to him. He does not kiss her hello. He does not put an arm around her. To show she is his, she takes his cigarette from him, and takes a long drag from it.
Shaw's school, Houseman Prep, is coed, so the circle on the corner of the block in which Sethie stands with Shaw includes girls and boys, not just girls, like the corners outside Sethie's school. All the different schools uptown are really just like one big school laid out on an enormous campus. It wouldn't even qualify as an enormous campus. Sethie bets there are some real campuses that are even bigger. In California, maybe, or in Europe.
Product details
- ASIN : B007GZKQTM
- Publisher : Knopf Books for Young Readers (August 28, 2012)
- Publication date : August 28, 2012
- Language : English
- File size : 2365 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 226 pages
- Best Sellers Rank: #1,133,939 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Alyssa Sheinmel is the New York Times bestselling author of several novels for young adults, including The Castle School for Troubled Girls, What Kind of Girl, A Danger to Herself and Others, and Faceless. Alyssa is the co-author of The Haunting of Sunshine Girl. Alyssa currently lives and writes in New York. Follow Alyssa on Instagram and Twitter @alyssasheinmel, and visit her online at alyssasheinmel.com.
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As I kept reading, it's clear that even though people may not notice the physical signs as much, Sethie is doing her body major harm by starving herself and even worse, we start to see her mental state deteriorating. The more pressure she puts on herself to not eat, stay skinny, lose even more weight, the more we see the stress taking its toll on her. She stops caring about her once good grades. She starts to purge the food she just ate, even if only a little. She stops communicating with her mother, who is her only parent as a single mom. It's affecting her friendships. She's so focused on her eating habits that she doesn't even realize the coldness and emotional gap that exists between her and her boyfriend Shaw.
Even though this was an extremely serious topic, I'm glad that we did come out with a lot of positive messages from the book. Sethie has to take a look back at herself and see what she's doing. She has friends who are there to support her and help her when she's struggling the most. There are some upsides to such a dark topic!
As far as the book itself goes and the styles, I really wasn't thrilled with the use of the third person. As I was reading up on the book, I read that this was Alyssa Sheinmel's first book in the third person and I really wondered why. To me, I think the first person -- getting the story straight from Sethie's head -- would have been so much more effective and brought so much more emotion, personal struggle, turmoil, joy, fear, hope, etc into the book. Throughout the first half, I felt so disconnected from all of the characters, so I was very happy that in the second half, I finally started to make connections and they finally started to come to life instead of just being words on a page.
I think a big part of that "transformation" was the development of Janey's character. Sethie meets Janey through her boyfriend/non-boyfriend Shaw and they spend most of their time at Janey's because they spend so much time traveling internationally. At first I thought Janey was going to be a shallow character and a bad influence for Sethie, but the more we get to know about her, the more I began to like her and realize that she was just the friend Sethie needed at this point in her life. She was relaxed and mostly non-judgemental, but she was tough and able to see past the flimsy act that Sethie put on regarding her issues. I really think that Janey was one of my favorite characters and really pulled the whole story together for me. I also really liked the addition of Ben's character, which I won't say too much about so as not to cause any spoilers. He was another person who arrived in Sethie's life at just the right time and had just the perfect demeanor to bring a really positive note to the book.
Her boyfriend, whom Sethie was very careful not to chase away by holding his hand or actually calling him her boyfriend, was more one-dimensional for me. Maybe that was the point, that Sethie never really got to know him, but I wish the reader was able to. He didn't talk much and we were not privy to his thoughts. Janey, Sethie's new friend, was my favorite character. She was so vibrant and cheerful, but she was also very observant. She realized before anyone else what was happening to Sethie, and even recognized her part in it. I found Rebecca, Sethie's mother, to be sort of unrealistic. To leave her daughter with so much freedom, and be so oblivious to her illness just didn't sit well with me. I did like how most of the characters seemed to grow and learn as the novel neared the end.
The dialogue was a bit choppy and almost childish. But perhaps that was because Sethie was so child-like in her attitudes. The way Janey talked was fun, especially when she talked to Sethie. She was just matter of fact and said what she was thinking.
The Stone Girl was written in third person, so we never got into Sethie's head like I would have wanted to. It made it hard to really connect with her. Luckily, the story and the writing were enough to keep me hooked. I'm not too familiar with eating disorders, so I don't know if Sethie's experiences were common, but they felt real to me. I think all of it was a very realistic portrayal (aside from the mother) of how a girl could end up in such a low place.
I like the cover, it's so simple. The model isn't as thin as Sethie, but you can get an idea of what the novel is all about.
Top reviews from other countries
Written from the main character's POV, the so-called stone girl Sethie slowly starves herself to death while attending class, making out with a boy who never loved her and smoking pot with friends without even realizing it. 'I'm just not a naturally skinny girl' is what she keeps telling herself and believes it's simply necessary for her to eat less and less because she wasn't born as one of those girls who can eat whatever they want without gaining weight.
With a father who practically doesn't exist in her life and a mother who's never there for her, she never experienced real comfort and love and having a boyfriend who only thinks they're friends with benefits and a best friend who teaches her how to throw up food certainly doesn't help maintaining a healthy image of herself. It's not just that she has a bad relationship with her body- she doesn't have one at all.
It's almost like she doesn't even believe it's her own body she's ruining as she watches falling herself apart completely emotionless.
I love the childlike immaturity that's used to depict the ways he doesn't even notice what's happening to herself as she continues to take one step after another closer to her own suicide. When worried people tell her how thin she is with shocked looks on their faces because they don't know what to do to help her, she only smiles because they think she's thin, and when someone tells her she hasn't eaten, she frowns because she's sure she has- at some point. She's not a 'real anorexic', she's just not naturally skinny, right?
This clearly isn't one of those books that show young girls how to overcome an eating disorder (the ending gives us a little cliffhanger about that, but I refuse to spoiler anything), but it perfectly shows what it's like to be stuck so deeply that you don't even know you're sick.
A wonderful lecture for anyone who knows what it's like or wants to know about it.