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Overview
Kamila Shamsie's Burnt Shadows is a story for our time by "a writer of immense ambition and strength. . . . This is an absorbing novel that commands in the reader a powerful emotional and intellectual response" -Salman Rushdie.
Winner of the Anisfield-Wolf Book AwardAn Orange Prize Finalist Nagasaki, August 9, 1945. Hiroko Tanaka watches her lover from the veranda as he leaves. Sunlight streams across Urakami Valley, and then the world goes white. In the devastating aftermath of the atomic bomb, Hiroko leaves Japan in search of new beginnings. From Delhi, amid India's cry for independence from British colonial rule, to New York City in the immediate wake of 9/11, to the novel's astonishing climax in Afghanistan, a violent history casts its shadow the entire world over. Sweeping in its scope and mesmerizing in its evocation of time and place, this is a tale of love and war, of three generations, and three world-changing historic events.
Product Details
| ISBN-13: | 9780312551872 |
|---|---|
| Publisher: | Picador |
| Publication date: | 04/27/2009 |
| Edition description: | Original |
| Pages: | 384 |
| Sales rank: | 677,202 |
| Product dimensions: | 8.22(w) x 5.70(h) x 1.05(d) |
About the Author
Read an Excerpt
Burnt Shadows
The Yet Unknowing World
NAGASAKI, 9 AUGUST 1945
... a time to recollect every shadow, everything the earth was losing, a time to think of everything the earth and I had lost, of all that I would lose, of all that I was losing.
—AGHA SHAHID ALI, A Nostalgist's Map of America
In past wars only homes burnt, but this time Don't be surprised if even loneliness ignites. In past wars only bodies burnt, but this time Don't be surprised if even shadows ignite.
—SAHIR LUDHIANVI, Parchaiyaan
BURNT SHADOWS © 2009 by Kamila Shamsie.
Table of Contents
PrologueThe Yet Unknowing World: Nagasaki, 9 August 1945
Veiled Birds: Delhi, 1947
Part- Angel Warriors: Pakistan, 1982–3
The Speed Necessary to Replace Loss: New York, Afghanistan, 2001–2
Reading Group Guide
About this Guide
The following author biography and list of questions about Burnt Shadows are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach Burnt Shadows.
Discussion Questions
1. Early in the novel, Hiroko observes that during the World War II everything has been "distilled or distorted into its most functional form," including a vegetable patch where once Azaleas grew, and she asks, "What prompted this falling-off of love?" Can you find other places in the novel where this idea is expressed? Is there a similarity between the garden and a suicide bomber?
2. How does Hiroko resist being simply Hibakusha, a victim of the bomb, and in what ways is she powerless to change this perception of her? Consider also how it affects her son, Raza. Is it impossible to escape certain legacies?
3. Discuss the different reasons that Konrad, Elizabeth, Sajjad and Harry leave their home in India, and why Hiroko leaves Japan, and then Pakistan. What does it mean to have a home, and to be displaced? How is it different when you don't have a choice to stay? Ultimately, do the characters ever have a country to call their own?
4. Hiroko is immovable in her opinion about the atomic bomb. What does it mean to have a direct and highly personal connection to an earth-changing event like the bombing of Nakasaki, or 9/11? Is it possible for anyone so directly affected by the violence of these events to regard them with historic perspective? How are Kim and Hiroko different from one another in this regard? Consider their conversation about Nagasaki on pgs 294 to295.
5. The characters in Burnt Shadows sometimes find that their ideological beliefs can be vanquished by basic human feelings of love and hate. And sometimes the reverse happens as well. Why are individuals so often in conflict with their ideals, and how does the novel illustrate this conflict?
6. What does Sajjad mean when he says on pg 52 that he wants a "modern wife"? How do the women in Burnt Shadows each express their independence? And in what ways are they still captive to tradition?
7. Why does Elizabeth at first resist Sajjad and Hiroko's affection for one another? Is she just trying to be practical? What is the nature of her resentment and concern?
8. Hiroko, Sajjad, and Raza each have a love of languages. What does it mean to learn another language, and why are languages (and their translation back and forth) important to these characters?
9. Discuss the reasons that Abdullah joins a mujahideen training camp. Why is it tempting to Raza as well? What social pressures and conditions do you think could inspire you to take up arms in a similar fashion, or to become radicalized?
10. Shortly after Sajjad tells Hiroko that "everything about you is beautiful," Elizabeth Burton, reflecting upon the Himalayas, thinks "what a pity beauty could be so meaningless." What does this novel, which begins with the scarring of a woman's back, have to say about beauty and truth?
11. Who, if anyone, is to blame for the death of Sajjad?
12. Is it irresponsible for Harry to send Raza to Afghanistan, given that he had promised Hiroko to keep him safe? Discuss his reasons for sending him, and Raza's reasons for going.
13. Steve is highly suspicious of Raza's past, in particular his early brush with the mujahideen. While Raza is, in truth, largely motivated by personal loyalties, is Steve nonetheless right to be suspicious of him? Is Steve's paranoia a widespread phenomenon in the United States? Globally?
14. The forces of oppression and liberation course through this novel – from the Raj, to the partition of India, to fundamentalist Islam's control of women in Pakistan, to the Patriot Act. Is Burnt Shadows asking what it means to liberate one's self, to be free both personally and politically? Is there a difference? Consider, as well, Elizabeth's flight from her husband, and her life in New York.
15. Discuss Kim Burton's actions at the Canadian border. Would you have done the same thing? How does this act illustrate the larger themes of the novel?