An interview with Michael Koryta (The Prophet).
MICHAEL: In the new novel, Odd Apocalypse, you write that "between birth and burial, we find ourselves in a comedy of mysteries." That statement could be a guiding light for the Odd series, and perhaps even your work in general of late. Was allowing the laughs to join the darkness a conscious decision?
DEAN: Humor began to enter my work as far back as Watchers (1987), and by Lightning (1988), my agent and publisher at that time became alarmed and counseled me that suspense and humor never mix. They were not able to offer a cogent explanation of why the two never mix. One of my favorite films of all time is "North by Northwest," which is tense and funny; so I just kept doing what I was doing. By the time I moved to Bantam Books with Fear Nothing (1998), humor became the binding glue in all of my books except for The Taking, Velocity, The Husband, and Your Heart Belongs to Me.
Odd Thomas is speaking for me when he says, "Humanity is a parade of fools, and I'm right up front with a baton." Odd is a spiritual guy, and in my experience, genuinely spiritual people--as opposed to those for whom faith is either a crutch or a bludgeon--have a great sense of humor. They recognize that our fallen world is not just tragic but also absurd, often hilariously absurd, and that laughing at humanity's hubris and reckless transgressive behavior is a potent way to deny legitimacy to that hubris. Besides, if a character is able to make you laugh out loud, a bond is formed that ensures you will worry more for him when he finds himself in jeopardy. And I will always remember that it wasn't my looks or my sartorial splendor or macho toughness--ha!--that won Gerda; she says that she laughed so much on our first date, her stomach hurt the next day. That was better than being told, as I expected, that her stomach hurt because, after I took her home, she spent the night throwing up.
MICHAEL: A three-part short novel titled Odd Interlude was released in ebook-only form this summer. Tell us a little about the way this was conceived and written. Did you have that planned before the new novel or did it come to you later in Odd's journey?
DEAN: I had written a 32,000-word ebook novella, The Moonlit Mind, to intrigue readers about a forthcoming novel, 77 Shadow Street. The novella sold very well and drew strong reader response. In fact, I'm pretty sure a lot of people liked Moonlit better than 77 Shadow Street! So as I was finishing Odd Apocalypse, my publisher asked me to write a 60,000- to 70,000-word short novel in three parts to reintroduce readers to Odd. It was outside the seven-book arc of the series, and I had great fun with it. By the way, those readers who don't do ebooks tend to get exercised about a piece appearing only digitally. In order to avoid being whacked by an irate reader while waiting at the counter for my Big Mac, I am happy to tell you that Odd Interlude will be published in paperback within a few months.
MICHAEL: Rumor has it a movie of Odd Thomas is on the way, and that you're pleased with it, which is anything but the rule when it comes to adaptations. What can you tell us about the film version and why you are so pleased with Stephen Sommers' take?
DEAN: I have a glowing review of the film at deankoontz.com and on my official Facebook page. Anton Yelchin and Addison Timlim give wonderfully nuanced and affecting performances. Steve's sense of pace and his writing are even better than his previous best, and his scene transitions are amazing, something really new and highly effective. The picture drops much from the book, but at the same time it's absolutely true to the book, to its characters and its themes.
Steve is also a great guy and a family man. When he'd send me long emails about progress on the picture, he'd write also about his daughters and family things. After one such email, I wrote him back to say that he was so normal, compared to most of my Hollywood experiences, that I was getting suspicious. I said I was steeling myself to wake up one morning and discover that he'd been arrested with Charlie Sheen, crossing the border from Mexico in a school bus loaded with drugs and explosives.
(continued)
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>See all of Michael Koryta's books
About the Author
Dean Koontz, the author of many #1 New York Times bestsellers, lives in Southern California with his wife, Gerda, their golden retriever, Anna, and the enduring spirit of their golden, Trixie.
Excerpt. © Reprinted by permission. All rights reserved.
One
Near sunset of my second full day as a guest in Roseland, crossing the immense lawn between the main house and the eucalyptus grove, I halted and pivoted, warned by instinct. Racing toward me, the great black stallion was as mighty a horse as I had ever seen. Earlier, in a book of breeds, I had identified it as a Friesian. The blonde who rode him wore a white nightgown.
As silent as any spirit, the woman urged the horse forward, faster. On hooves that made no sound, the steed ran through me with no effect.
I have certain talents. In addition to being a pretty good short-order cook, I have an occasional prophetic dream. And in the waking world, I sometimes see the spirits of the lingering dead who, for various reasons, are reluctant to move on to the Other Side.
This long-dead horse and rider, now only spirits in our world, knew that no one but I could see them. After appearing to me twice the previous day and once this morning, but at a distance, the woman seemed to have decided to get my attention in an aggressive fashion.
Mount and mistress raced around me in a wide arc. I turned to follow them, and they cantered toward me once more but then halted. The stallion reared over me, silently slashing the air with the hooves of its forelegs, nostrils flared, eyes rolling, a creature of such immense power that I stumbled backward even though I knew that it was as immaterial as a dream.
Spirits are solid and warm to my touch, as real to me in that way as is anyone alive. But I am not solid to them, and they can neither ruffle my hair nor strike a death blow at me.
Because my sixth sense complicates my existence, I try otherwise to keep my life simple. I have fewer possessions than a monk. I have no time or peace to build a career as a fry cook or as anything else. I never plan for the future, but wander into it with a smile on my face, hope in my heart, and the hair up on the nape of my neck.
Bareback on the Friesian, the barefoot beauty wore white silk and white lace and wild red ribbons of blood both on her gown and in her long blond hair, though I could see no wound. Her nightgown was rucked up to her thighs, and her knees pressed against the stallion’s heaving sides. In her left hand, she twined a fistful of the horse’s mane, as if even in death she must hold fast to her mount to keep their spirits joined.
If spurning a gift weren’t ungrateful, I would at once return my supernatural sight. I would be content to spend my days whipping up omelets that make you groan with pleasure and pancakes so fluffy that the slightest breeze might float them off your plate.
Every talent is unearned, however, and with it comes a solemn obligation to use it as fully and as wisely as possible. If I didn’t believe in the miraculous nature of talent and in the sacred duty of the recipient, by now I would have gone so insane that I’d qualify for numerous high government positions.
As the stallion danced on its hind legs, the woman reached out with her right arm and pointed down at me, as if to say that she knew I saw her and that she had a message to convey to me. Her lovely face was grim with determination, and those cornflower-blue eyes that were not bright with life were nonetheless bright with anguish.
When she dismounted, she didn’t drop to the ground but instead floated off the horse and almost seemed to glide across the grass to me. The blood faded from her hair and nightgown, and she manifested as she had looked in life before her fatal wounds, as if she might be concerned that the gore would repel me. I felt her touch when she put one hand to my face, as though she, a ghost, had more difficulty believing in me than I had believing in her.
Behind the woman, the sun melted into the distant sea, and several distinctively shaped clouds glowed like a fleet of ancient warships with their masts and sails ablaze.
As I saw her anguish relent to a tentative hope, I said, “Yes, I can see you. And if you’ll let me, I can help you cross over.”
She shook her head violently and took a step backward, as if she feared that with some touch or spoken spell I might release her from this world. But I have no such power.
I thought I understood the reason for her reaction. “You were murdered, and before you go from this world, you want to be sure that justice will be done.”
She nodded but then shook her head, as if to say, Yes, but not only that.
Being more familiar with the deceased than I might wish to be, I can tell you from considerable personal experience that the spirits of the lingering dead don’t talk. I don’t know why. Even when they have been brutally murdered and are desperate to see their assailants brought to justice, they are unable to convey essential information to me either by phone or face-to-face. Neither do they send text messages. Maybe that’s because, given the opportunity, they would reveal something about death and the world beyond that we the living are not meant to know.
Anyway, the dead can be even more frustrating to deal with than are many of the living, which is astonishing when you consider that it’s the living who run the Department of Motor Vehicles.
Shadowless in the last direct light of the drowning sun, the Friesian stood with head high, as proud as any patriot before the sight of a beloved flag. But his only flag was the golden hair of his mistress. He grazed no more in this place but reserved his appetite for Elysian fields.
Approaching me again, the blonde stared at me so intensely that I could feel her desperation. She formed a cradle with her arms and rocked it back and forth.
I said, “A baby?”
Yes.
“Your baby?”
She nodded but then shook her head.
Brow furrowed, biting her lower lip, the woman hesitated before holding out one hand, palm down, perhaps four and a half feet above the ground.
Practiced as I am at spirit charades, I figured that she must be indicating the current height of the baby whom she’d once borne, not an infant now but perhaps nine or ten years old. “Not your baby any longer. Your child.”
She nodded vigorously.
“Your child still lives?”
Yes.
“Here in Roseland?”
Yes, yes, yes.
Ablaze in the western sky, those ancient warships built of clouds were burning down from fiery orange to bloody red as the heavens slowly darkened toward purple.
When I asked if her child was a girl or a boy, she indicated the latter.
Although I knew of no children on this estate, I considered the anguish that carved her face, and I asked the most obvious question: “And your son is . . . what? In trouble here?”
Yes, yes, yes.
Far to the east of the main house in Roseland, out of sight beyond a hurst of live oaks, was a riding ring bristling with weeds. A half-collapsed ranch fence encircled it.
The stables, however, looked as if they had been built last week. Curiously, all the stalls were spotless; not one piece of straw or a single cobweb could be found, no dust, as though the place was thoroughly scrubbed on a regular basis. Judging by that tidiness, and by a smell as crisp and pure as that of a winter day after a snowfall, no horses had been kept there in decades; evidently, the woman in white had been dead a long time.
How, then, could her child be only nine or ten?
Some spirits are exhausted or at least taxed by lengthy contact, and they fade away for hours or days before they renew their power to manifest. This woman seemed to have a strong will that would maintain her apparition. But suddenly, as the air shimmered and a strange sour-yellow light flooded across the land, she and the stallion—which perhaps had been killed in the same event that claimed the life of his mistress—were gone. They didn’t fade or wither from the edges toward the center, as some other displaced souls occasionally did, but vanished in the instant that the light changed.
Precisely when the red dusk became yellow, a wind sprang out of the west, lashing the eucalyptus grove far behind me, rustling through the California live oaks to the south, and blustering my hair into my eyes.
I looked into a sky where the sun had not quite yet gone down, as if some celestial timekeeper had wound the cosmic clock backward a few minutes.
That impossibility was exceeded by another. Yellow from horizon to horizon, without the grace of a single cloud, the heavens were ribboned with what appeared to be high-altitude rivers of smoke or soot. Gray currents streaked through with black. Moving at tremendous velocity. They widened, narrowed, serpentined, sometimes merged, but came apart again.
I had no way of knowing what those rivers were, but the sight strummed a dark chord of intuition. I suspected that high above me raced torrents of ashes, soot, and fine debris that had once been cities, metropolises pulverized by explosions unprecedented in power and number, then vomited high into the atmosphere, caught and held in orbit by the jet stream, by the many jet streams of a war-transformed troposphere.
My waking visions are even rarer than my prophetic dreams. When one afflicts me, I am aware that it’s an internal event, occurring only in my mind. But this spectacle of wind and baleful light and horrific patterns in the sky was no vision. It was as real as a kick in the groin.
Clenched like a fist, my heart pounded, pounded, as across the yellow vault came a flock of creatures like nothing I had seen in flight before. Their true nature was not easily discerned. They were larger than eagles but seemed more like bats, many hundreds of them, incoming from the northwest, descending as they approached. As my heart pounded harder, it seemed that my reason must be knocking to be let out so that the madness of this scene could fully invade me.
Be assured that I am not insane, neither as a serial killer is insane nor in the sense that a man is insane who wears a colander as a hat to prevent the CIA from controlling his mind. I dislike hats of any kind, though I have nothing against colanders properly used.
I have killed more than once, but always in self-defense or to protect the innocent. Such killing cannot be called murder. If you think that it is murder, you’ve led a sheltered life, and I envy you.
Unarmed and greatly outnumbered by the incoming swarm, not sure if they were intent upon destroying me or oblivious of my existence, I had no illusions that self-defense might be possible. I turned and ran down the long slope toward the eucalyptus grove that sheltered the guesthouse where I was staying.
The impossibility of my predicament didn’t inspire the briefest hesitation. Now within two months of my twenty-second birthday, I had been marinated for most of my life in the impossible, and I knew that the true nature of the world was weirder than any bizarre fabric that anyone’s mind might weave from the warp and weft of imagination’s loom.
As I raced eastward, breaking into a sweat as much from fear as from exertion, behind and above me arose the shrill cries of the flock and then the leathery flapping of their wings. Daring to glance back, I saw them rocking through the turbulent wind, their eyes as yellow as the hideous sky. They funneled toward me as though some master to which they answered had promised to work a dark version of the miracle of loaves and fishes, making of me an adequate meal for these multitudes.
When the air shimmered and the yellow light was replaced by red, I stumbled, fell, and rolled onto my back. Raising my hands to ward off the ravenous horde, I found the sky familiar and nothing winging through it except a pair of shore birds in the distance.
I was back in the Roseland where the sun had set, where the sky was largely purple, and where the once-blazing galleons in the air had burned down to sullen red.
Gasping for breath, I got to my feet and watched for a moment as the celestial sea turned black and the last embers of the cloud ships sank into the rising stars.
Although I was not afraid of the night, prudence argued that I would not be wise to linger in it. I continued toward the eucalyptus grove.
The transformed sky and the winged menace, as well as the spirits of the woman and her horse, had given me something to think about. Considering the unusual nature of my life, I need not worry that, when it comes to food for thought, I will ever experience famine.
Two
After the woman, the horse, and the yellow sky, I didn’t think I would sleep that night. Lying awake in low lamplight, I found my thoughts following morbid paths.
We are buried when we’re born. The world is a place of graves occupied and graves potential. Life is what happens while we wait for our appointment with the mortician.
Although it is demonstrably true, you are no more likely to see that sentiment on a Starbucks cup than you are the words coffee kills.
Even before coming to Roseland, I had been in a mood. I was sure I’d cheer up soon. I always do. Regardless of what horror transpires, given a little time, I am as reliably buoyant as a helium balloon.
I don’t know the reason for that buoyancy. Understanding it might be a key part of my life assignment. Perhaps when I realize why I can find humor in the darkest of darknesses, the mortician will call my number and the time will have come to choose my casket.
Actually, I don’t expect to have a casket. The Celestial Office of Life Themes—or whatever it might be called—seems to have decided that my journey through this world will be especially complicated by absurdity and violence of the kind in which the human species takes such pride. Consequently, I’ll probably be torn limb from limb by an angry mob of antiwar protesters and thrown on a bonfire. Or I’ll be struck down by a Rolls-Royce driven by an advocate for the poor.
Certain that I wouldn’t sleep, I slept.
At four o’clock that February morning, I was deep in disturbing dreams of Auschwitz.
My characteristic buoyancy would not occur just yet.
