Synopses & Reviews
George Eliots final novel and her most ambitious work,
Daniel Deronda contrasts the moral laxity of the British aristocracy with the dedicated fervor of Jewish nationalists. Crushed by a loveless marriage to the cruel and arrogant Grandcourt, Gwendolen Harleth seeks salvation in the deeply spiritual and altruistic Daniel Deronda. But Deronda, profoundly affected by the discovery of his Jewish ancestry, is ultimately too committed to his own cultural awakening to save Gwendolen from despair.
This Modern Library Paperback Classic is set from the 1878 Cabinet Edition.
Synopsis
Includes bibliographical references.
About the Author
Edmund White is the author of many novels, including A Boys Own Story (available as a Modern Library hardcover classic) and The Married Man. He has written a long biography of Jean Genet and a short one of Proust. His most recent book is The Flâneur: A Stroll Through the Paradoxes of Paris. White teaches writing at Princeton University.
Reading Group Guide
1. 1. Examine George Eliots first epigraph, which begins, “Let thy chief terror be of thine own soul.” Why do you think the author chose to set her story in motion with this poetic warning?
2. 2. Summarize the two intersecting story lines represented by Gwendolen Harleth and Daniel Deronda. The prominent critic F. R. Leavis suggested that Daniel Deronda would be vastly improved by removing the Jewish story line, leaving Gwendolen Harleths story to stand on its own. Do you agree that this literary surgery would have been an improvement? What would be lost if Eliot had chosen to shape the novel in this fashion?
3. 3. Consider how the principal characters in the novel - the Mallingers, the Meyricks, Gwendolen, Grandcourt, Mirah, and Mordecai - view Daniel Deronda. Does it contrast with the way he views himself? How do his self-image and his aspirations change over the course of the novel?
4. 4. Speaking through a fictional character in an 1876 piece he wrote for The Atlantic Monthly, Henry James noted that “Gwendolen Harleth is a masterpiece. She is known, felt, and presented, psychologically, altogether in the grand manner. Beside her and beside her husband - a consummate picture of English brutality refined and distilled (for Grandcourt is before all things brutal) - Deronda, Mordecai, and Mirah are hardly more than shadows.” Do you agree with his assessment?
5. 5. Daniel Derondas mother, the Princess Halm-Eberstein, tells her son, “You are not a woman. You may try—but you can never imagine what it is to have a mans force of genius in you, and yet to suffer the slavery of being a girl.” Consider the female characters in the novel, including Gwendolen, Mrs. Glasher, Mirah, and the princess. What is their place in Victorian society, and how do they deal with their limited options? What gives Catherine Arrowpoint the strength to defy her parents and marry Herr Klesmer?
6. 6. In an 1876 letter to Harriet Beecher Stowe, George Eliot wrote, “As to the Jewish element in Deronda . . . precisely because I felt that the usual attitude of Christians towards Jews is—I hardly know whether to say more impious or more stupid when viewed in the light of their professed principles, I therefore felt urged to treat Jews with such sympathy and understanding as my nature and knowledge could attain to.” How would you characterize Eliots Victorian depiction of Jewish people and their cultural and religious heritage?
7. 7. Throughout the novel, how does Eliot explore the themes of social class, power, and respectability?
8. 8. On his wedding day, Daniel receives a letter from Gwendolen that repeats her emotional claim: “It is better—it shall be better with me because I have known you.” Do you think this is true? How would you describe the complex relationship between Gwendolen Harleth and Daniel Deronda?