Sour Heart
Stories
-
- $14.99
-
- $14.99
Publisher Description
A sly debut story collection that conjures the experience of adolescence through the eyes of Chinese American girls growing up in New York City—for readers of Zadie Smith and Helen Oyeyemi.
Winner of the Los Angeles Times Book Prize • Winner of the PEN/Robert W. Bingham Prize for Debut Fiction • Finalist for the New York Public Library’s Young Lions Fiction Award
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • NPR • O: The Oprah Magazine • The Guardian • Esquire • New York • BuzzFeed
A fresh new voice emerges with the arrival of Sour Heart, establishing Jenny Zhang as a frank and subversive interpreter of the immigrant experience in America. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God.
Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat—dumpster diving for food and scamming Atlantic City casino buses to make a buck—these seven stories showcase Zhang’s compassion, moral courage, and a perverse sense of humor reminiscent of Portnoy’s Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again.
Praise for Sour Heart
“[Jenny Zhang’s] coming-of-age tales are coarse and funny, sweet and sour, told in language that’s rough-hewn yet pulsating with energy.”—USA Today
“One of the knockout fiction debuts of the year.”—New York
“Compelling writing about what it means to be a teenager . . . It’s brilliant, it’s dark, but it’s also humorous and filled with love.”—Isaac Fitzgerald, Today
“[A] combustible collection . . . in a class of its own.”—Booklist (starred review)
“Gorgeous and grotesque . . . [a] tremendous debut.”—Slate
APPLE BOOKS REVIEW
The first book published on Lena Dunham’s LENNY imprint, Sour Heart shares a lot of the raw truth-telling that made Girls a cultural phenomenon. Jenny Zhang’s interconnected stories revolve around young Chinese-American girls growing up in New York City. Unfiltered and original, each story features squalor and shame, awkwardness and dysfunction, but also moments of wide-eyed growth and goofy wonder. We couldn’t stop reading—this strange, tangy book is the written equivalent of a Lemonhead.
PUBLISHERS WEEKLY
The first collection of short stories by poet and essayist Zhang (Dear Jenny, We Are All Find) highlights the intersections between several Chinese and Taiwanese immigrant families living in and around New York City, all of whom are trying to bridge the gap between the old world they've left behind forever altered by the Cultural Revolution and the new lives that they are now trying to build for themselves in the United States. The daughter of two struggling immigrants recounts the early days of her family's move from China to Brooklyn in "We Love You Crispina," meticulously detailing the many hardships involved in starting out with nothing in a foreign place. These mostly adolescent female narrators attempt to make sense of their histories as passed down through possibly unreliable stories told to them by their elders. Annie, the narrator of "Our Mothers Before Them," is regaled with tales about her parents' artistic prowess back in China before they were forced to flee the dangerous political climate and work for meager wages in a country in which they do not feel welcome. And in "Why Were They Throwing Bricks?" a young girl named Stacy is told violent and horrific stories by her visiting grandmother about a China that Stacy has no memory of ever having lived in. Conflicts often arise between what these immigrant parents want for their children the kind of life that is no longer available to them where they came from and what these young women, all of whom feel the powerful yet complicated pull of family, end up wanting for themselves. Taken as a whole, these linked stories illuminate the complexities and contradictions of first-generation life in America. Zhang has a gift for sharp, impactful endings, and a poet's ear for memorable detail.