Synopses & Reviews
THE
NEW YORK TIMES BESTSELLER
Pulitzer Prize-winning author of A Thousand Acres
"Rousing . . . Action-packed . . . A gripping story about love, fortitude, and convictions that are worth fighting for."
--Los Angeles Times
A NEW YORK TIMES NOTABLE BOOK
"POWERFUL . . . Smiley takes us back to Kansas in 1855, a place of rising passions and vast uncertainties. Narrated in the spirited, unsentimental voice of 20-year-old Lidie Newton, the novel is at once an ambitious examination of a turning point in history and the riveting story of one woman's journey into uncharted regions of place and self."
--Chicago Tribune
"[A] grand tale of the moral and political upheavals igniting antebellum frontier life and a heroine so wonderfully fleshed and unforgettable you will think you are listening to her story instead of reading it. Smiley may have snared a Pulitzer for A Thousand Acres . . . but it is with Lydia (Lidie) Harkness Newton that she emphatically captures our hearts. . . . The key word in Smiley's title is Adventures, and Lydia's are crammed with breathless movement, danger, and tension; populated by terrifically entertaining characters and securely grounded in telling detail."
--The Miami Herald
"SMILEY BRILLIANTLY EVOKES MID-19TH-CENTURY LIFE. . . . Richly imagined and superbly written, Jane Smiley's new novel is an extraordinary accomplishment in an already distinguished career."
--Atlanta Journal-Constitution
"A SPRAWLING EPIC . . . A garrulous, nights-by-the-hearth narrative not unlike those classics of the period it emulates. In following a rebellious young woman of 1855 into Kansas Territory and beyond, the novel is so persuasively authentic that it reads like a forgotten document from the days of Twain and Stowe."
--The Boston Sunday Globe
"CONSISTENTLY ENTERTAINING, FILLED WITH ACTION AND IDEAS."
--The New York Times Book Review
"ENGAGING . . . [A] HARROWING ADVENTURE . . . This picaresque tale presents a series of remarkable characters, particularly in the inexperienced narrator, whose graphic descriptions of travel and domestic life before the Civil War strip away romantic notions of simpler times. . . . Smiley has created an authentic voice in this struggle of a young woman to live simply amid a swirl of deadly antagonism."
--The Christian Science Monitor
"A fine historical novel that describes a fascinating time and place . . . It is both funny and subtle, rich in ideas . . . Smiley has created a better all-around piece of fiction than any of her previous work, including the Pulitzer Prize-winning A Thousand Acres."
--The Wall Street Journal
"Smiley is a writer of rare versatility who travels widely in her creative endeavors. She proved her mastery of both short fiction and the novel with three sterling works (The Age of Grief, Ordinary Love and Good Will, and A Thousand Acres); her fondness for history had already been established with The Greelanders. In 1995, she successfully extended her repertoire to comedy with the hilarious academic satire Moo. What her new novel shares with all these works is its authorial intelligence."
--The Boston Sunday Globe
"Jane Smiley is nothing if not protean, a literary ventriloquist of incredible range. . . . This is a novel that manages to combine the evocative storyteller's voice with the moviemaker's sense of drama and visuals, an old-fashioned tale told with contemporary steam and panache."
--The Philadelphia Inquirer
"Not only is this a rollicking feminist tale of a woman who can handle herself in the thick of the Kansas Wars, The All-True Travels and Adventures of Lidie Newton is also a coming of age story as well as a lasting portrait of the genuinely tumultuous time just before the Civil War."
--The Raleigh News & Observer
"A tale of love and war, revenge and betrayal, Smiley's fictional memoir invites comparisons with Gone with the Wind, even War and Peace. . . . Lidie Newton has the ring of honesty and truth. It also carries the stamp of its author's historical sense, stylistic verve, and moral passion."
--St. Louis Post-Dispatch
"Full of the same arresting authenticity of detail that carried A Thousand Acres."
--New York Daily News
"LIDIE IS AN UNFORGETTABLE CHARACTER . . .
The All-True Travels is a showcase for Smiley's range and dexterity, dead-on in its emotional impact and resonant in the painful truths it conveys."
--San Diego Union-Tribune
"Rendered in sharply lucid prose and filled with wonderful period detail . . . Lidie's story reads like a long and various dream, brightly colored and brilliantly observed--a journey into a world as troubled, ambiguous, and full of life as our own."
--Chicago Tribune
"An adventure story, full of suspense, near-misses, and coincidence . . . The first and sustaining marvel of [Smiley's] new novel is Lydia Newton's voice: grounded in 19th-century reserve, yet honest, self-aware, and curious."
--Toronto Globe & Mail
"Smiley nabbed a Pulitzer for A Thousand Acres. This stunning new effort should win equally thunderous acclaim."
--Mademoiselle
"An immensely appealing heroine, a historical setting conveyed with impressive fidelity and a charming and poignant love story make Smiley's new novel a sure candidate for bestseller longevity. . . . Propelled by Lidie's spirited voice, this narrative is packed with drama, irony, historical incident, moral ambiguities, and the perception of human frailty. . . . This novel performs all the functions of superior fiction: in reading one woman's moving story, we understand an historical epoch, the social and political conditions that produced it, and the psychological, moral, and economic motivations of the people who incited and endured its violent confrontations."
--Publishers Weekly (starred review)
"Gloriously detailed and brilliantly told, this is a hugely entertaining, illuminating, and sagacious vision of a time of profound moral and political conflict, and of one woman's coming to terms with the perilous, maddening, and precious world."
--Booklist (starred review)
"Smiley scales another peak with this bighearted and thoughtful picaresque novel. . . . [A] richly entertaining saga of a woman who might have been well matched with Thomas Berger's Little Big Man, and whom Huck Finn would have been proud to claim as his big sister."
--Kirkus Reviews (starred review)
"HER FINEST WORK YET . . . Resembling a cross between the writing of Jane Austen, Stephen Crane, and Mark Twain . . . A fast-paced historical ride through a defining moment in our nation's history as seen through the eyes of a remarkable woman. . . . Smiley's biggest triumph is in the character of Lidie. One can actually 'see' her growth throughout the story as Lidie learns about the ambiguity of human morality--and that true justice is rarely served."
--San Antonio Express-News
"Highly recommended . . . Trust Smiley to take a situation charged with both social significance and novelistic opportunity and ride it for all its worth. . . . Smiley gives us a rich lode of historical detail yet keep the story moving, so that it seems to flow by like a river while at the same time yielding up its riches in leisurely fashion."
--Library Journal (starred review)
"Like Cold Mountain and Beloved--and with more than a casual nod to Mark Twain--this sprawling saga by the Pulitzer-winning author of A Thousand Acres connects readers to the historical issues of the time."
--Glamour
"Our heroine is a horse-riding, river-swimming, plain-faced young woman with a distinctly well-calibrated mind of her own."
--The Baltimore Sun
"A long, wild adventure . . . Lidie never loses her pluck, and her story becomes both a rich homage to Adventures of Huckleberry Finn and a thrilling variation on the derring-do of Lonesome Dove."
--Outside magazine
"[A] gripping, epic new novel . . . The All-True Travels is consistently absorbing, thanks in large part to the strong, vibrant voice of the unforgettable Lidie Newton."
--Good Housekeeping
"Packed with action in a setting worthy of a Western shoot-'em-up."
--Newark Star-Ledger
"ROUSING . . . ACTION-PACKED . . . A gripping story about love, fortitude, and convictions that are worth fighting for regardless of the outcome. . . . The voice Smiley creates for her sympathetic and wonderfully human heroine is sharp, engaging, wry, and wise."
--Los Angeles Times
Review
"[T]his novel performs all the functions of superior fiction." Publishers Weekly
Review
"Smiley's skill with words has enabled her to produce...utterly different novels." Library Journal
Review
"In a completely new voice for her she authentically mimics a 20-year-old mid-19th century woman...her novel impressively recreates a violently contenious period in American history." New York Times
Synopsis
NEW YORK TIMES BESTSELLER - Pulitzer Prize-winning author Jane Smiley recaptures an almost forgotten part of the American story and once again demonstrates her extraordinary range and brilliance in The All-True Travels and Adventures of Lidie Newton Set in the 1850s,
The All-True Travels and Adventures of Lidie Newton speaks to us in a splendidly quirky voice--the strong, wry, no-nonsense voice of Lidie Harkness of Quincy, Illinois, a young woman of courage, good sense, and good heart. It carries us into an America so violently torn apart by the question of slavery that it makes our current political battlegrounds seem a peaceable kingdom.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW
"Rousing . . . Action-packed . . . A gripping story about love, fortitude, and convictions that are worth fighting for."--Los Angeles Times
"Powerful . . . Smiley takes us back to Kansas in 1855, a place of rising passions and vast uncertainties. Narrated in the spirited, unsentimental voice of 20-year-old Lidie Newton, the novel is at once an ambitious examination of a turning point in history and the riveting story of one woman's journey into uncharted regions of place and self."--Chicago Tribune
" A] grand tale of the moral and political upheavals igniting antebellum frontier life and a heroine so wonderfully fleshed and unforgettable you will think you are listening to her story instead of reading it. Smiley may have snared a Pulitzer for A Thousand Acres . . . but it is with Lydia (Lidie) Harkness Newton that she emphatically captures our hearts. . . . The key word in Smiley's title is Adventures, and Lydia's are crammed with breathless movement, danger, and tension; populated by terrifically entertaining characters and securely grounded in telling detail."--The Miami Herald
"Smiley brilliantly evokes mid-nineteenth century life. . . . Richly imagined and superbly written, Jane Smiley's new novel is an extraordinary accomplishment in an already distinguished career."--Atlanta Journal-Constitution
"A sprawling epic . . . A garrulous, nights-by-the-hearth narrative not unlike those classics of the period it emulates. In following a rebellious young woman of 1855 into Kansas Territory and beyond, the novel is so persuasively authentic that it reads like a forgotten document from the days of Twain and Stowe."--The Boston Sunday Globe
Synopsis
Lidie is hard to scare. She is almost shockingly alive a tall, plain girl who rides and shoots and speaks her mind, and whose straightforward ways paradoxically amount to a kind of glamour. We see her at 20, making a good marriage to Thomas Newton, a steady, sweet-tempered Yankee who passes through her hometown on a dangerous mission. He belongs to a group of rashly brave New England abolitionists who dedicate themselves to settling the Kansas Territory with like-minded folk to ensure its entering the Union as a Free State.
Lidie packs up and goes with him. And the novel races alongside them into the Territory, into the maelstrom of "Bloody Kansas," where slaveholding Missourians constantly and viciously clash with Free Staters, where wandering youths kill you as soon as look at you where Lidie becomes even more fervently abolitionist than her husband as the young couple again and again barely escape entrapment in webs of atrocity on both sides of the great question. And when, suddenly, cold-blooded murder invades her own intimate circle, Lidie doesn't falter. She cuts off her hair, disguises herself as a boy, and rides into Missouri in search of the killers a woman in a fiercely male world, an abolitionist spy in slave territory. On the run, her life threatened, her wits sharpened, she takes on yet another identity and, in the very midst of her masquerade, discovers herself.
Synopsis
THE
NEW YORK TIMES BESTSELLER
Pulitzer Prize-winning author of A Thousand Acres
"Rousing . . . Action-packed . . . A gripping story about love, fortitude, and convictions that are worth fighting for."
--Los Angeles Times
A NEW YORK TIMES NOTABLE BOOK
"POWERFUL . . . Smiley takes us back to Kansas in 1855, a place of rising passions and vast uncertainties. Narrated in the spirited, unsentimental voice of 20-year-old Lidie Newton, the novel is at once an ambitious examination of a turning point in history and the riveting story of one woman's journey into uncharted regions of place and self."
--Chicago Tribune
"[A] grand tale of the moral and political upheavals igniting antebellum frontier life and a heroine so wonderfully fleshed and unforgettable you will think you are listening to her story instead of reading it. Smiley may have snared a Pulitzer for A Thousand Acres . . . but it is with Lydia (Lidie) Harkness Newton that she emphatically captures our hearts. . . . The key word in Smiley's title is Adventures, and Lydia's are crammed with breathless movement, danger, and tension; populated by terrifically entertaining characters and securely grounded in telling detail."
--The Miami Herald
"SMILEY BRILLIANTLY EVOKES MID-19TH-CENTURY LIFE. . . . Richly imagined and superbly written, Jane Smiley's new novel is an extraordinary accomplishment in an already distinguished career."
--Atlanta Journal-Constitution
"A SPRAWLING EPIC . . . A garrulous, nights-by-the-hearth narrative not unlike those classics of the period it emulates. In following a rebellious young woman of 1855 into Kansas Territory and beyond, the novel is so persuasively authentic that it reads like a forgotten document from the days of Twain and Stowe."
--The Boston Sunday Globe
"CONSISTENTLY ENTERTAINING, FILLED WITH ACTION AND IDEAS."
--The New York Times Book Review
"ENGAGING . . . [A] HARROWING ADVENTURE . . . This picaresque tale presents a series of remarkable characters, particularly in the inexperienced narrator, whose graphic descriptions of travel and domestic life before the Civil War strip away romantic notions of simpler times. . . . Smiley has created an authentic voice in this struggle of a young woman to live simply amid a swirl of deadly antagonism."
--The Christian Science Monitor
"A fine historical novel that describes a fascinating time and place . . . It is both funny and subtle, rich in ideas . . . Smiley has created a better all-around piece of fiction than any of her previous work, including the Pulitzer Prize-winning A Thousand Acres."
--The Wall Street Journal
"Smiley is a writer of rare versatility who travels widely in her creative endeavors. She proved her mastery of both short fiction and the novel with three sterling works (The Age of Grief, Ordinary Love and Good Will, and A Thousand Acres); her fondness for history had already been established with The Greelanders. In 1995, she successfully extended her repertoire to comedy with the hilarious academic satire Moo. What her new novel shares with all these works is its authorial intelligence."
--The Boston Sunday Globe
"Jane Smiley is nothing if not protean, a literary ventriloquist of incredible range. . . . This is a novel that manages to combine the evocative storyteller's voice with the moviemaker's sense of drama and visuals, an old-fashioned tale told with contemporary steam and panache."
--The Philadelphia Inquirer
"Not only is this a rollicking feminist tale of a woman who can handle herself in the thick of the Kansas Wars, The All-True Travels and Adventures of Lidie Newton is also a coming of age story as well as a lasting portrait of the genuinely tumultuous time just before the Civil War."
--The Raleigh News & Observer
"A tale of love and war, revenge and betrayal, Smiley's fictional memoir invites comparisons with Gone with the Wind, even War and Peace. . . . Lidie Newton has the ring of honesty and truth. It also carries the stamp of its author's historical sense, stylistic verve, and moral passion."
--St. Louis Post-Dispatch
"Full of the same arresting authenticity of detail that carried A Thousand Acres."
--New York Daily News
"LIDIE IS AN UNFORGETTABLE CHARACTER . . .
The All-True Travels is a showcase for Smiley's range and dexterity, dead-on in its emotional impact and resonant in the painful truths it conveys."
--San Diego Union-Tribune
"Rendered in sharply lucid prose and filled with wonderful period detail . . . Lidie's story reads like a long and various dream, brightly colored and brilliantly observed--a journey into a world as troubled, ambiguous, and full of life as our own."
--Chicago Tribune
"An adventure story, full of suspense, near-misses, and coincidence . . . The first and sustaining marvel of [Smiley's] new novel is Lydia Newton's voice: grounded in 19th-century reserve, yet honest, self-aware, and curious."
--Toronto Globe & Mail
"Smiley nabbed a Pulitzer for A Thousand Acres. This stunning new effort should win equally thunderous acclaim."
--Mademoiselle
"An immensely appealing heroine, a historical setting conveyed with impressive fidelity and a charming and poignant love story make Smiley's new novel a sure candidate for bestseller longevity. . . . Propelled by Lidie's spirited voice, this narrative is packed with drama, irony, historical incident, moral ambiguities, and the perception of human frailty. . . . This novel performs all the functions of superior fiction: in reading one woman's moving story, we understand an historical epoch, the social and political conditions that produced it, and the psychological, moral, and economic motivations of the people who incited and endured its violent confrontations."
--Publishers Weekly (starred review)
"Gloriously detailed and brilliantly told, this is a hugely entertaining, illuminating, and sagacious vision of a time of profound moral and political conflict, and of one woman's coming to terms with the perilous, maddening, and precious world."
--Booklist (starred review)
"Smiley scales another peak with this bighearted and thoughtful picaresque novel. . . . [A] richly entertaining saga of a woman who might have been well matched with Thomas Berger's Little Big Man, and whom Huck Finn would have been proud to claim as his big sister."
--Kirkus Reviews (starred review)
"HER FINEST WORK YET . . . Resembling a cross between the writing of Jane Austen, Stephen Crane, and Mark Twain . . . A fast-paced historical ride through a defining moment in our nation's history as seen through the eyes of a remarkable woman. . . . Smiley's biggest triumph is in the character of Lidie. One can actually 'see' her growth throughout the story as Lidie learns about the ambiguity of human morality--and that true justice is rarely served."
--San Antonio Express-News
"Highly recommended . . . Trust Smiley to take a situation charged with both social significance and novelistic opportunity and ride it for all its worth. . . . Smiley gives us a rich lode of historical detail yet keep the story moving, so that it seems to flow by like a river while at the same time yielding up its riches in leisurely fashion."
--Library Journal (starred review)
"Like Cold Mountain and Beloved--and with more than a casual nod to Mark Twain--this sprawling saga by the Pulitzer-winning author of A Thousand Acres connects readers to the historical issues of the time."
--Glamour
"Our heroine is a horse-riding, river-swimming, plain-faced young woman with a distinctly well-calibrated mind of her own."
--The Baltimore Sun
"A long, wild adventure . . . Lidie never loses her pluck, and her story becomes both a rich homage to Adventures of Huckleberry Finn and a thrilling variation on the derring-do of Lonesome Dove."
--Outside magazine
"[A] gripping, epic new novel . . . The All-True Travels is consistently absorbing, thanks in large part to the strong, vibrant voice of the unforgettable Lidie Newton."
--Good Housekeeping
"Packed with action in a setting worthy of a Western shoot-'em-up."
--Newark Star-Ledger
"ROUSING . . . ACTION-PACKED . . . A gripping story about love, fortitude, and convictions that are worth fighting for regardless of the outcome. . . . The voice Smiley creates for her sympathetic and wonderfully human heroine is sharp, engaging, wry, and wise."
--Los Angeles Times
About the Author
Jane Smiley is the author of eight previous works of fiction, including The Age of Grief, The Greenlanders, Ordinary Love & Good Will, A Thousand Acres (which won the Chicago Tribune Heartland Prize, the National Book Critics Circle Award, and the Pulitzer Prize), and Moo. She lives in northern California.
Reading Group Guide
1. Jane Smiley's has lauded Harriet Beecher Stowe's
Uncle Tom's Cabin for the artistry with which "the power of brilliant analysis" is "married to great wisdom of feeling." How does
The All-True Travels and Adventures of Lidie Newton measure up to this standard?
2. Why does Ms. Smiley choose to describe Lidie's adventures as "all-true" in the title of her novel? How would this work differ had the author chosen to turn her research into a narrative of nonfiction?
3. How does the novel authenticate as well as undermine myths about the North and the South in antebellum America? What traditional notions about frontier life, Westward expansion, and gender roles are confirmed or challenged?
4. After her husband's death, Lidie describes herself as a "new person," one she "never desired or expected to be." What is the relationship of her former self to her present self? What are the roles of chance, will, and ambition in the shaping of Lidie's life and character?
5. How does landscape function as a major character in the novel?
6. Of the Kansas Territory, Lidie writes, "you could easily act one way one minute and another way the next minute." What is the relationship between Lidie's character in the place she inhabits? How does the K.T.'s lack of definition make possible her discovery of self?
7. Lidie leads a life of adventure as well as a life of the mind. How do her physical endeavors compare to her contemplative pursuits--particularly storytelling--in terms of defining her character?
8. Ms. Smiley said that the novel was born of her desire to explore "the intersection of ideology and violence in American life." What connection does the novel suggest exists between these two extreme forms of expression?
9. In what ways do the sensibilities of the abolitionists mirror those of the slave-holders? How does each group use religion and history to justify its perspective on slavery?
10. How does the manner in which Lidie and Tom handle the vagaries and challenges of their relationship affect the progress of the social change they are attempting? What relationship exists between one's private life and public endeavours?
11. What purpose is served by introducing each chapter with an excerpt from Catherine Beecher's A Treatise on Domestic Economy, for the Use of Young Ladies at Home?
12. Experience and reflection help Lidie to move from ignorance and innocence to some sort of understanding of herself and others, yet confusion and ambivalence persist. What is the value of leaving the reader in the company of a conflicted character?
13. Smiley has said that the purpose of great literature is "to help us face up to our responsibilities instead of enabling us to avoid them once again by lighting out for the territory." Does her novel fulfill this purpose? How?
14. What connection lies between gender and violence? What is the significance of Lidie pursuing revenge disguised as a man?
15. What can the reader of Lidie Newton discern about morality and violence? Are the K.T. Free Staters justified in pursuing freedom through violence? What are the antecedents and repercussions of this issue in America?
16. Lidie Newton provides a novel perspective on antebellum America. What other historical events need telling from a woman's point of view?
17. Conjecture about the course of Lidie's adventures had Thomas not died. What are the repercussions of his presence and absence in her days?
18. How do the characters Papa and Helen Day contribute to the moral complexity of the novel? What is the significance of such complexity? Does the character of Lorna deepen or diminish it?
19. In an essay on The Adventures of Huckleberry Finn, Jane Smiley reproached Mark Twain for presenting a facile standard of heroism in his novel. She wrote: "All you have to do to be a hero is acknowledge that your poor sidekick is human; you don't actually have to act in the interests of his humanity." Does Lidie successfully act in the interest of Lorna's humanity?
20. "A writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature," wrote John Steinbeck. What can one say about Ms. Smiley's perspective on such perfectibility given this novel? Does her work leave one with a sense of optimism? What is the novel's defining tone?
21. When presented with the opportunity to share the story of her experiences with Lorna, Lidie hesitates. "I was disinclined to do this, and I pondered my disinclination at length," she explains. "Did I owe it to Lorna to tell her story to the world?...Mr. Thayer's friend candidly admitted one thing--Lorna herself would never benefit from my telling her story." What is the value of Lidie telling Lorna's story? Of Ms. Smiley telling Lidie's? What can literature accomplish?