Tertulia

Tertulia

by Vincent Toro
Tertulia

Tertulia

by Vincent Toro

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Overview

A fluid, expansive new collection from a poet whose work "dazzles with [an] energetic exploration of the Puerto Rican experience in the new millennium" (NBC News)

Puerto Rican poet Vincent Toro's new collection takes the Latin American idea of an artistic social gathering (the "tertulia") and revises it for the Latinx context in the United States. In verses dense with juxtaposition, the collection examines immigration, economics, colonialism and race via the sublime imagery of music, visual art, and history. Toro draws from his own social justice work in various U.S. cities to create a kaleidoscopic vision of the connections between the personal and the political, the local and the global, in a book that both celebrates and questions the complexities of the human condition.

Product Details

ISBN-13: 9780525507000
Publisher: Penguin Publishing Group
Publication date: 06/02/2020
Series: Penguin Poets
Sold by: Penguin Group
Format: eBook
Pages: 128
File size: 2 MB

About the Author

Vincent Toro's debut poetry collection, STEREO.ISLAND.MOSAIC., was awarded the Poetry Society of America's Norma Farber First Book Award and the Sawtooth Poetry Prize. He is also a Poet's House Emerging Poets Fellow, a New York Foundation for the Arts Fellow in Poetry, and winner of The Caribbean Writer's Cecile De Jongh Poetry Prize and Repertorio Español's Nuestras Voces Playwriting Award. Vincent is a professor at Bronx Community College, is poet in the schools for Dreamyard and the Dodge Poetry Foundation, is writing liaison for The Cooper Union's Saturday Program, and is a contributing editor at Kweli Literary Journal.

Read an Excerpt

On Battling (Baltimore Strut)

 

Gray cased in gray, shaken

 

            and truncated like timber,

 

            the bleat rouses all provinces,

 

calling each seed to surface

 

and insist on a redress. This trumpet

 

            of grief and homespun placards

 

            is met with gunmetal treads

 

bruising the fruit stands, mustard

 

gas suffocating the night's

 

            coruscation. As elbows

 

            lock before storefronts

 

to shelter shop windows

 

from the wallop of pitiless

 

            Kevlar, as flares browbeat

 

            boulevards and arsenals

 

are dispatched across the wet

 

gravel, a single shirtless

 

            seraph unfurls himself

 

            upon the tarmac. Flexing

 

faux leather, he gyrates, feather-

 

glides, thunderclaps, then jukes

 

            toward the 16,000-pound

 

            armored personnel carrier.

 

The bullying smog flinches

 

at his voltaic gait, as he peacocks

 

            into the boomerang hour,

 

            cranes his neck and shrieks 

 

to remind the intruder your tanks

 

are no match for my toprock.

 

Days of Being Wild (dir. Wong Kar-Wai, 1990)

 

            (Dissolve)

 

At the funeral of his birth the seamstresses sing matte-muted adagio

 

of rouge and torn hems. Oleaginous in both mane and vow. Bronze

 

king of ennui. She drifts across oxidized hallways. Her dress, the slug

 

line. Blue filtered lights and non-filtered cigarettes imbibe them.

 

CUT TO:          Closing credits. Exit. Pressed

 

            suit preens for role

 

            as auteur's unsung enigma.

 

One mistakes soliloquy for an affair. The other lives as an atoll, divot-

 

headed and bleak-lacquered. Boast-throated, he follows her like

 

a tracking shot that took the crew three weeks to stage. With days

 

drenched in despondent night, they mutiny through stasis, resist

 

CUT TO:          Again, that infernal clock.

 

            Train car hemorrhaging, roof

 

            top scaled. An ellipsis.

 

the throttling of the hours toward shopping carts glutted with ailment.

 

These railways run parallel but incongruent; one stretches toward

 

longing, the other hunts for omission. They sleep in the wind of radio

 

static. She sways for the unthreaded fishhook. He is a desert gawking

 

CUT TO:          Suitcase. Flower print dress.

 

            Unrequited knock at brass

 

            gates. Clock, grief-stricken.

 

in Dutch tilt at the inebriated street that spurned him. Reviled Coke

 

bottles. Bedroom slippers under the vanity caught in soft focus. 

 

 

Castigated like a dipsomaniacal gumshoe by the blunted edge

 

of minutes. Triangulated cravings asphyxiate them. Each tantalizes

 

CUT TO:          Pearl earring gifted to

 

            the second thief once

 

            reclaimed from the first.

 

the other through taciturn tides of withholding. Hell-bent on boring

 

the sea. But this mise-en-scne does not belong to them. This

 

is the viewer's Malebolge, a whorl of truancy spliced from B-rolls

 

of rambunctious prodigals who refuse to catch what they chase.

 

CUT TO:          Clock. Stairwell in need

 

            of serenading. Threat posing

 

            as flirtation. Opening credits.

 

            (Fade in)

 

 

Disco Ballistics

 

friday nights we prep for hot

 

skirmishes. take three to five

 

business days to primp and pick out

 

duds. shave. apply makeup. contact

 

all accomplices. hail our platoon.          

 

then a cab. breach the checkpoint

 

            with a wink. order a round of shots

 

            during tactical strike assemblies. stake

 

            out our first kill of the evening. flanked

 

            by chaise lounges and black lights.

 

            the beat drops in syncopation

 

            with our first village

 

raid. clink our cosmos like mac clips.

 

chuck disco ball grenades into middle

 

schools. flirt bump and grind. spawn

 

mushroom clouds in unisex bathroom

 

stalls. flick cigarettes sucked

 

to the filter onto the casualties

 

            we create. the styles we pilfer. smack

 

            lips in the mirror. launch glitter drone

 

            assassinations. snipe the bartender's

 

            digits. swipe high-security specs

 

            detailing an after-party in Kabul. drop

 

            big tips like food rations into Yemen.

 

barrage insurgents with shock and awe

 

of strobe lights and unsanctioned

 

gropes. engage in a war of attrition

 

with the dj. execute a fashion victory

 

march through the city square. retreat

 

to a downtown studio loft bunker. order

 

 

 

            a stop-loss for champagne brunch

 

            in the meatpacking district. debrief

 

            platoon on the briefs graves pearls

 

            buried and plundered. court-martial

 

            the sun for insubordinate conduct

 

            during the ceremonial walk of shame.

 

Cicatristes (Demo Version)

 

who tucked you in                who tucked

 

you                  brought you to the park

 

who tucked you brought you

 

lemonheads      baseball cards

 

marbles            who tucked you

 

touched you     brought you

 

the dark you feared       who touched you

 

when he tucked you              told you

 

it was supposed            to make you

 

smile                but you did could

 

would should    not smile

 

when he           tucked you

 

brought you      whittled you

 

into alabaster    who tucked you

 

in also taught you                 alphabet

 

and shared        his nerds with you

 

read to you       stole you stickers

 

before he          tucked you      

 

read you fed     you dark and now

 

you laugh because        it cauterizes

 

the conundrum the humdrum

 

to recall who gave         you the word

 

the sour stomach           who tucked you

 

slit and gauzed you       gave you

 

first aid and who           granted you

 

the means         to read it

 

Core Curriculum Standards: PS 137

 

tiled floor bedecked

 

sepia of potato

 

chip wrappers wet

 

newspapers rusty nails

 

gym shoe musk

 

ambling through unkempt

 

hallways fissure fresco

 

of soda stains

 

ailing fidget spinners

 

computer lab windows

 

swathed in shroud

 

of dollar store

 

electrical tape incorrigible

 

asbestos cavities hum

 

cancer anthems dipped

 

in chocolate fluorescent

 

lights dial supplications

 

above bulletin board

 

molting pastel homilies

 

to auto repair

 

diorama sprawled across

 

webster avenue crowing

 

 

                        ANCIENT CIVILIZATIONS

 

                        UNIT STUDY

 

                        EGYPTIAN GODS

 

                        AND PHARAOHS

Table of Contents

Act 1

On Battling (Baltimore Strut) 3

Days of Being Wild (Dir. Wong Kar-Wai, 1990) 4

Disco Ballistics 6

Cicatristes (Demo Version) 8

Core Curriculum Standards: Ps 137 9

Human Instamatic 10

"Puerto Rico is Burning its Dead" 13

Areyto for the Shipwrecked: Lost Articles 15

On Bombing 16

Act 2

Fox & Foghorn 23

Cicatristes (Acoustic Version) 25

Reciprocal Aubade for my Scopophiliac 26

Latinxorcismos: Semiotic Study of the Gringo Horror Film (Required Reading) 29

Sleep Dealer (Dir. Alex Rivera, 2008) 31

Areyto for the Shipwrecked Dreamcatcher 32

On Appropriation 33

"Give me my Flowers While I Yet Live" 35

Nonstop from Fruit Vale to Ursa Major: Ofrenda for Los Desaparbcidos of the United States 37

Act 3

Once Upon a Time in Anatolia (Dir. Nuri Bilge Ceylan, 2011) 41

Cicatristes (Extended Club Version) 43

Core Curriculum Standards: Parkland, Belmont, Marshall County, Aztec, Rancho Tehama, Townville, Marysville, Reynolds, Arapahoe, Sparks, Sandy Hook, Chardon, Nickel Mines, Platte Canyon, Red Lake, Rocori, Red Lion, S Ant Ana, Columbine, Et Al. 45

The Unscathed 47

On Money 48

Insolvency 52

Areyto for the Shipwrecked: Re/Vuelta 54

Mutiny at the Elder Care Facility 56

Anthropomorphic Study of the Antilles 57

Act 4

My Commonwealth 61

The Satyricon of Maxwell Demon (Cento for David Jones) 68

Cicatristes (Orchestral Version) 69

Ebru (Testimonio) 71

On Scarification (ARS Poetica) 73

The Skin I Live In (Dir. Pedro Almodóvar, 2011) 75

Areyto for the Shipwrecked: Latinx the Unknown 76

Ceraunoscope Vitae 77

<Latin/x/Futurist> <Electricode/x/Otica> 79

Act 5

Promesa (HR 4900) 83

Core Curriculum Standards: MS 145 (Rip) 85

Ofrenda for Tom the Janitor 86

All the Mexicos 87

On Privilege (Seigniorage) 88

L'Eclisse (Dir. Michelangelo Antonioni, 1962) 91

Punk Aubade for Hardcore Chica 92

NSFW Poem for Dirty Minds 93

Areytos for the Shipwrecked: The Case for Spanglish & Quenepas 96

Notes 99

Acknowledgments 105

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