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Bachelor Nation: Inside the World of America's Favorite Guilty Pleasure Audible Audiobook – Unabridged
Instant New York Times Best Seller
The first definitive, unauthorized, behind-the-scenes cultural history of the Bachelor franchise, America's favorite guilty pleasure.
For 15 years and 35 seasons, the Bachelor franchise has been a mainstay in American TV viewers' lives. Since it premiered in 2002, the show's popularity and relevance has only grown - more than eight million viewers tuned in to see the conclusion of the most recent season of The Bachelor.
The iconic reality television show's reach and influence into the cultural zeitgeist is undeniable. Best-selling writers and famous actors live tweet about it. Die-hard fans - dubbed "Bachelor Nation" - come together every week during each season to participate in fantasy leagues and viewing parties.
Bachelor Nation is the first behind-the-scenes, unauthorized look into the reality television phenomenon. Los Angeles Times journalist Amy Kaufman is a proud member of Bachelor Nation and has a long history with the franchise - ABC even banned her from attending show events after her coverage of the program got a little too real for its liking. She has interviewed dozens of producers, contestants, and celebrity fans to give readers never-before-told details of the show's inner workings: what it's like to be trapped in the mansion "bubble"; dark, juicy tales of producer manipulation; and revelations about the alcohol-fueled debauchery that occurs long before the fantasy suite.
Kaufman also explores what our fascination means, culturally: what the show says about the way we view so-called ideal suitors, our subconscious yearning for fairy-tale romance, and how this enduring television show has shaped society's feelings about love, marriage, and feminism by appealing to a marriage plot that's as old as Jane Austen.
- Listening Length7 hours and 43 minutes
- Audible release dateMarch 6, 2018
- LanguageEnglish
- ASINB079P7XPQS
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 7 hours and 43 minutes |
---|---|
Author | Amy Kaufman |
Narrator | Amy Kaufman |
Whispersync for Voice | Ready |
Audible.com Release Date | March 06, 2018 |
Publisher | Penguin Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B079P7XPQS |
Best Sellers Rank | #136,809 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #195 in Film History & Criticism #362 in TV History & Criticism #366 in Popular Culture Studies |
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This book filled that void. It was like Amy Kaufman read my mind: from my conflicted feelings about being a proud feminist who loves this schmaltzy show to the weekly viewing parties---except I only dream of having the parties while she actually does. A great read with enough juicy tidbits and behind the scenes information for dedicated fans.
Just a curious bystander, wondering why people like this show (like my poor suffering husband)? Amy Kaufman examines the connection between the princess and happily ever after myths with the rose ceremony and women's desire to find their prince. The book is also interspersed with essays from celebrity Bachelor fans, including Donnie Walhberg, my favorite NKOTB, who shares my sentiment when he says "I don't even call it a guilty pleasure, I just call it a pleasure."
Much like this book, which was a pleasure to read. A fun book that mixes pop culture with feminist critique that I recommend you add to your reading list.
In sports, there are some who simply watch games, others who can name tertiary prospects in the minor leagues and identify the number of years left before free agency for dozens and dozens of players. The difference with baseball, e.g., is that contract information, vital statistics, etc. are all in the public record, so that a more searching analysis is possible. For the author of BACHELOR NATION it all comes down to what can be discerned in a highly chaotic and highly subjective ‘public record’ and how many people are willing to talk to her. If my math is correct, she spoke with 61 people and probably a number more who wished to maintain anonymity. With 34 seasons in play (at the time of writing) there are many, many more who were unavailable.
Bottom line: she was reasonably assiduous and also delved into the professional literature on love and relationships as well as the published material on the series (= a 9 pp. bibliography). We are, of course, talking journalism here, not scholarship. The book contains a good deal of interesting gossip. We learn about Mike Fleiss’s habits with weed and potential romantic entanglements with one of his executives, along with the prices of his homes. We find out who pays for the women’s gowns and under what circumstances, learn about the actual location of the Bachelor mansion and the manner in which the set is dressed for the shows. There are long discussions of the editing process and the manner in which contestants are manipulated (sometimes cruelly). We get an up-close-and-personal account of the activities of the producers and meet some of them personally. We learn that Chris Harrison’s initial interview for the host gig was a bust. The material on Instagram advertising revenue (the motivation for some contestants to appear) was fascinating (to me, though perhaps this is commonplace information for younger viewers).
Along with the technical information there is speculation on why the show works and why people watch it. Fleiss’s answer is straightforward: everybody’s been dumped and everybody’s fallen in love (or tried to); hence the show is eminently ‘relatable’. He sounds like a freshman theme in a comp class at a third-tier college. Eternal questions are posed: how can you fall in love that fast? How much pressure is put on the bachelor to propose? Why is the fail rate so high? Etc.
The one thing that is not considered at any length is that the show is a form of (highly commercial, middlebrow) art. Dryden says that we install larger-than-life statues in public squares so that they look real from the street below. In other words, art turns on exaggeration and very ‘unrealistic’ things are done to create the sense of ‘realism’. We explore a life in a novel that requires 6 hours of reading; there is very little room for the dead space which characterizes our actual lives. An Edna Ferber novel might take a few more hours but could cover multiple generations of ‘experience’. The fact that the Bachelor/Bachelorette covers a search for love in several months worth of series (and then offers forms of ‘follow up’ in their spinoff shows) makes the process look downright leisurely.
The more interesting question is why do viewers study ‘Reality Steve’ Carbone’s spoilers before viewing the show? He was interviewed and he opines that the spoilers don’t really spoil; they simply offer a different way of looking at the show. Once you know the basic plot arcs you can concentrate on the shaping of the show by the producers and editors. I agree with this and would note that we know the end of King Lear and The Great Gatsby before we read them. How does that work in highly-commercial, middlebrow work? And how would we compare the plot arcs from series to series to spinoff to spinoff with other seriocomic shows containing an ensemble cast? The very notion of ‘cast’, commonly used by Chris Harrison, e.g., is suggestive. I’ll spare my readers an academic lecture, but point out that while some of the book is nearly unreadable (the sections concerning the author’s life and attitudes) other sections are informative and suggestive.
Three and a half stars.
Top reviews from other countries
by former Bachelorettes, Courtney and Andi.
There are several chapters entitled , 'Why I'm a Fan' written by US TV personalities. 30% of the book is taken up with acknowledgements and referencing. I paid £9.99 for a Kindle version of the book and it whiled away a few hours but I didnt really learn much about the programme. What I did learn, which has justified the cost of the book, is that there is a mockumentary, spoof, 'behind the scenes' TV show called Unreal which I am currently watching. It's blowing the lid on the Bachelor and its production in a dark, humourous but probably truthful manner.