★ 12/24/2018
In a deeply sensitive story, Eland personifies Sadness as a pear-shaped, mint green–colored character. The “you” in the story is a quiet child rendered in simple lines. Sadness is the child’s constant companion, but after communicating with Sadness (“Listen to it. Ask where it comes from and what it needs.”), the figure no longer seems like a burden. The two take a walk in the forest, listening together to the sounds of trees, and exchange a warm hug. At last, the child wakes to Sadness gone: “Don’t worry—today is a new day.” Sadness, Eland expresses, need not always feel like an intrusive guest—rather, it’s one whose arrival warrants attention, reflection, and care. Ages 3–7. (Jan.)
"Lots of white space on each page keeps the mood soothing and thoughtful as the girl tries to figure out what to do. . . There's lots of useful advice for sad days: going for a walk through the trees, or just sitting quietly together. Best of all, there's the calm reminder that tomorrow, 'when you wake up it might be gone.'" —New York Times
"Children will feel better, too, knowing they have a helpful, honest, and empathetic picture book ready for the next time Sadness shows up for a visit."—Kirkus Reviews, starred review
"Sadness, Eland expresses, need not always feel like an intrusive guest—rather, it’s one whose arrival warrants attention, reflection, and care."—Publishers Weekly, starred review
"By focusing on the feeling, rather than the circumstance, the book speaks to readers of all ages and backgrounds." —School Library Journal
"…invites readers to look at sadness with new perspective and offers potential coping strategies. while offering an affirming way to understand, discuss, and view sadness that children—and their adults—may find helpful." —Booklist
12/01/2018
K-Gr 3—This gentle book portrays sadness as a large pale green visitor that appears at the door, suitcase in hand. "It follows you around…and sits so close to you, you can hardly breathe." The narrator advises the host—a small child—not to hide his sadness or be afraid. "Listen to it. Ask where it comes from and what it needs. If you don't understand each other, just sit together and be quiet for a while." Then, try doing something comforting together like drawing, listening to music, or drinking cocoa. And, just as it came, unexpectedly, one day it will be gone. By focusing on the feeling, rather than the circumstance, the book speaks to readers of all ages and backgrounds. The portrayal of the feeling as so much larger than the boy helps convey the overwhelming nature of the emotion. The front endpapers show people of different ages in sad, thoughtful poses with the green creature interspersed—laying down, crying, staring at the ground, etc. The back endpapers show "sadness" doing yoga, petting a cat, taking a bath, eating an ice cream, getting a hug…finding comfort where it can. The handwritten text and illustrative sketches are rendered in brown on cream paper with pale red and green accents. VERDICT This quiet book is both constructive and reassuring and recommended for any collection with a bibliotherapy section.—Barbara Auerbach, Cairo Public Library, NY
★ 2018-10-16
Many books for young readers tackle terrible tantrums, but few address sadness that surfaces perhaps for no reason at all; this gives that muted malaise a shape, an identity, and love.
A child tentatively opens the door and finds Sadness, a towering, amorphous, pale teal figure, waiting on the other side. It has arm and leg stumps but no neck or waist. Text set in a type that emulates handwriting tells children what they already know: "Sometimes Sadness arrives unexpectedly." The playful interplay between the literal and the figurative makes engaging a tough topic pleasurable. In casting melancholy not as an enemy but as a sometime companion, this powerful picture book inspires empathy and action. The hand-drawn illustrations' extremely limited, three-color palette (a washed-out blue for Sadness' ghostly, blobby body, subdued circles of pink on the child's cheeks, and chocolate brown for the lines that etch their world) similarly channels depression in its constriction of color. The ungendered, light-skinned child trudges alongside Sadness with slumped shoulders as they enact the sound, practical coping tactics introduced by the narrative voice. "Try not to be afraid of Sadness. Give it a name.…Find something that you both enjoy, like drawing." Front endpapers show depressed people ignoring their sadnesses, while back endpapers show these same characters interacting with them and feeling better.
Children will feel better, too, knowing they have a helpful, honest, and empathetic picture book ready for the next time Sadness shows up for a visit. (Picture book. 4-10)