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Artemis: A Novel Hardcover – November 14, 2017
Purchase options and add-ons
Jasmine Bashara never signed up to be a hero. She just wanted to get rich.
Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time.
So when a chance at a huge score finally comes her way, Jazz can’t say no. Sure, it requires her to graduate from small-time smuggler to full-on criminal mastermind. And it calls for a particular combination of cunning, technical skills, and large explosions—not to mention sheer brazen swagger. But Jazz has never run into a challenge her intellect can’t handle, and she figures she’s got the ‘swagger’ part down.
The trouble is, engineering the perfect crime is just the start of Jazz’s problems. Because her little heist is about to land her in the middle of a conspiracy for control of Artemis itself.
Trapped between competing forces, pursued by a killer and the law alike, even Jazz has to admit she’s in way over her head. She’ll have to hatch a truly spectacular scheme to have a chance at staying alive and saving her city.
Jazz is no hero, but she is a very good criminal.
That’ll have to do.
Propelled by its heroine’s wisecracking voice, set in a city that’s at once stunningly imagined and intimately familiar, and brimming over with clever problem-solving and heist-y fun, Artemis is another irresistible brew of science, suspense, and humor from #1 bestselling author Andy Weir.
- Print length320 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateNovember 14, 2017
- Dimensions6.3 x 1.1 x 9.6 inches
- ISBN-100553448129
- ISBN-13978-0553448122
- Lexile measureHL580L
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From the Publisher
Artemis: A Novel
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Editorial Reviews
Review
“An action-packed techno-thriller of the first order…the perfect vehicle for humans who want to escape, if only for a time, the severe gravity of planet earth. The pages fly by.”—USA Today
“Revitalizes the Lunar-colony scenario, with the author’s characteristic blend of engineering know-how and survival suspense...Jazz is a great heroine, tough with a soft core, crooked with inner honesty.”—Wall Street Journal
“Smart and sharp…Weir has done it again [with] a sci-fi crowd pleaser made for the big screen.”—Salon.com
“Makes cutting-edge science sexy and relevant…Weir has created a realistic and fascinating future society, and every detail feels authentic and scientifically sound.” —Associated Press
“Out-of-this-world storytelling.”—Houston Chronicle
"Weir excels when it comes to geeky references, snarky humour and scenes of ingenious scientific problem-solving.” —Financial Times
“Weir has done the impossible—he’s topped The Martian with a sci-fi-noir-thriller set in a city on the moon. What more do you want from life? Go read it!”– Blake Crouch, New York Times bestselling author of Dark Matter
“Everything you could hope for in a follow-up to The Martian: another smart, fun, fast-paced adventure that you won’t be able to put down.” – Ernest Cline, New York Times bestselling author of Ready Player One
“A superior near-future thriller…with a healthy dose of humor.” —Publishers Weekly (starred review)
“An exciting, whip-smart, funny thrill-ride…one of the best science fiction novels of the year.” —Booklist (starred review)
“Narrated by a kick-ass leading lady, this thriller has it all – a smart plot, laugh-out-loud funny moments, and really cool science.” —Library Journal (starred review)
Praise for The Martian:
“Brilliant…a celebration of human ingenuity [and] the purest example of real-science sci-fi for many years.” —Wall Street Journal
“A gripping survival story.” —New York Times
“Terrific…a crackling good read.”—USA Today
“A marvel…Robinson Crusoe in a space suit.”—Washington Post
“Impressively geeky…the technical details keep the story relentlessly precise and the suspense ramped up.” —Entertainment Weekly
“A story for readers who enjoy thrillers, science fiction, non-fiction, or flat-out adventure.” —Associated Press
“Utterly nail-baiting and memorable.”—Financial Times
“A hugely entertaining novel that reads like a rocket ship afire.”—Chicago Tribune
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
I bounded over the gray, dusty terrain toward the huge dome of Conrad Bubble. Its airlock, ringed with red lights, stood distressingly far away.
It’s hard to run with a hundred kilograms of gear on--even in lunar gravity. But you’d be amazed how fast you can hustle when your life is on the line.
Bob ran beside me. His voice came over the radio: “Let me connect my tanks to your suit!”
“That’ll just get you killed too.”
“The leak’s huge,” he huffed. “I can see the gas escaping your tanks.”
“Thanks for the pep talk.”
“I’m the EVA master here,” Bob said. “Stop right now and let me cross-connect!”
“Negative.” I kept running. “There was a pop right before the leak alarm. Metal fatigue. Got to be the valve assembly. If you cross-connect you’ll puncture your line on a jagged edge.”
“I’m willing to take that risk!”
“I’m not willing to let you,” I said. “Trust me on this, Bob. I know metal.”
I switched to long, even hops. It felt like slow motion, but it was the best way to move with all that weight. My helmet’s heads-up display said the airlock was fifty-two meters away. I glanced at my arm readouts. My oxygen reserve plummeted while I watched. So I stopped watching.
The long strides paid off. I was really hauling ass now. I even left Bob behind, and he’s the most skilled EVA master on the moon. That’s the trick: Add more forward momentum every time you touch the ground. But that also means each hop is a tricky affair. If you screw up, you’ll face-plant and slide along the ground. EVA suits are tough, but it’s best not to grind them against regolith.
“You’re going too fast! If you trip you could crack your faceplate!”
“Better than sucking vacuum,” I said. “I’ve got maybe ten seconds.”
“I’m way behind you,” he said. “Don’t wait for me.”
I only realized how fast I was going when the triangular plates of Conrad filled my view. They were growing very quickly.
“Shit!” No time to slow down. I made one final leap and added a forward roll. I timed it just right--more out of luck than skill--and hit the wall with my feet. Okay, Bob was right. I’d been going way too fast.
I hit the ground, scrambled to my feet, and clawed at the hatch crank.
My ears popped. Alarms blared in my helmet. The tank was on its last legs--it couldn’t counteract the leak anymore.
I pushed the hatch open and fell inside. I gasped for breath and my vision blurred. I kicked the hatch closed, reached up to the emergency tank, and yanked out the pin.
The top of the tank flew off and air flooded into the compartment. It came out so fast, half of it liquefied into fog particles from the cooling that comes with rapid expansion. I fell to the ground, barely conscious.
I panted in my suit and suppressed the urge to puke. That was way the hell more exertion than I’m built for. An oxygen-deprivation headache took root. It’d be with me for a few hours, at least. I’d managed to get altitude sickness on the moon.
The hiss died to a trickle, then finished.
Bob finally made it to the hatch. I saw him peek in through the small round window.
“Status?” he radioed.
“Conscious,” I wheezed.
“Can you stand? Or should I call for an assist?”
Bob couldn’t come in without killing me--I was lying in the airlock with a bad suit. But any of the two thousand people inside the city could open the airlock from the other side and drag me in.
“No need.” I got to my hands and knees, then to my feet. I steadied myself against the control panel and initiated the cleanse. High-pressure air jets blasted me from all angles. Gray lunar dust swirled in the airlock and got pulled into filtered vents along the wall.
After the cleanse, the inner hatch door opened automatically.
I stepped into the antechamber, resealed the inner hatch, and plopped down on a bench.
Bob cycled through the airlock the normal way--no dramatic emergency tank (which now had to be replaced, by the way). Just the normal pumps-and-valves method. After his cleanse cycle, he joined me in the antechamber.
I wordlessly helped Bob out of his helmet and gloves. You should never make someone de-suit themselves. Sure, it’s doable, but it’s a pain in the ass. There’s a tradition to these things. He returned the favor.
“Well, that sucked,” I said as he lifted my helmet off.
“You almost died.” He stepped out of his suit. “You should have listened to my instructions.”
I wriggled out of my suit and looked at the back. I pointed to a jagged piece of metal that was once a valve. “Blown valve. Just like I said. Metal fatigue.”
He peered at the valve and nodded. “Okay. You were right to refuse cross-connection. Well done. But this still shouldn’t have happened. Where the hell did you get that suit?”
“I bought it used.”
“Why would you buy a used suit?”
“Because I couldn’t afford a new one. I barely had enough money for a used one and you assholes won’t let me join the guild until I own a suit.”
“You should have saved up for a new one.” Bob Lewis is a former US Marine with a no-bullshit attitude. More important, he’s the EVA Guild’s head trainer. He answers to the guild master, but Bob and Bob alone determines your suitability to become a member. And if you aren’t a member, you aren’t allowed to do solo EVAs or lead groups of tourists on the surface. That’s how guilds work. Dicks.
“So? How’d I do?”
He snorted. “Are you kidding me? You failed the exam, Jazz. You super-duper failed.”
“Why?!” I demanded. “I did all the required maneuvers, accomplished all the tasks, and finished the obstacle course in under seven minutes. And, when a near-fatal problem occurred, I kept from endangering my partner and got safely back to town.”
He opened a locker and stacked his gloves and helmet inside. “Your suit is your responsibility. It failed. That means you failed.”
“How can you blame me for that leak?! Everything was fine when we headed out!”
“This is a results-oriented profession. The moon’s a mean old bitch. She doesn’t care why your suit fails. She just kills you when it does. You should have inspected your gear better.” He hung the rest of his suit on its custom rack in the locker.
“Come on, Bob!”
“Jazz, you almost died out there. How can I possibly give you a pass?” He closed the locker and started to leave. “You can retake the test in six months.”
I blocked his path. “That’s so ridiculous! Why do I have to put my life on hold because of some arbitrary guild rule?”
“Pay more attention to equipment inspection.” He stepped around me and out of the antechamber. “And pay full price when you get that leak fixed.”
I watched him go, then slumped onto the bench.
“Fuck.”
I plodded through the maze of aluminum corridors to my home. At least it wasn’t a long walk. The whole city is only half a kilometer across.
I live in Artemis, the first (and so far, only) city on the moon. It’s made of five huge spheres called “bubbles.” They’re half underground, so Artemis looks exactly like old sci-fi books said a moon city should look: a bunch of domes. You just can’t see the parts that are belowground.
Armstrong Bubble sits in the middle, surrounded by Aldrin, Conrad, Bean, and Shepard. The bubbles each connect to their neighbors via tunnels. I remember making a model of Artemis as an assignment in elementary school. Pretty simple: just some balls and sticks. It took ten minutes.
It’s pricey to get here and expensive as hell to live here. But a city can’t just be rich tourists and eccentric billionaires. It needs working-class people too. You don’t expect J. Worthalot Richbastard III to clean his own toilet, do you?
I’m one of the little people.
I live in Conrad Down 15, a grungy area fifteen floors underground in Conrad Bubble. If my neighborhood were wine, connoisseurs would describe it as “shitty, with overtones of failure and poor life decisions.”
I walked down the row of closely spaced square doors until I got to my own. Mine was a “lower” bunk, at least. Easier to get into and out of. I waved my Gizmo across the lock and the door clicked open. I crawled in and closed it behind me.
I lay in the bunk and stared at the ceiling--which was less than a meter from my face.
Technically, it’s a “capsule domicile” but everyone calls them coffins. It’s just an enclosed bunk with a door I can lock. There’s only one use for a coffin: sleep. Well, okay, there’s another use (which also involves being horizontal), but you get my point.
I have a bed and a shelf. That’s it. There’s a communal bathroom down the hall and public showers a few blocks away. My coffin isn’t going to be featured in Better Homes and Moonscapes anytime soon, but it’s all I can afford.
I checked my Gizmo for the time. “Craaaap.”
No time to brood. The KSC freighter was landing that afternoon and I’d have work to do.
To be clear: The sun doesn’t define “afternoon” for us. We only get a “noon” every twenty-eight Earth days and we can’t see it anyway. Each bubble has two six-centimeter-thick hulls with a meter of crushed rock between them. You could shoot a howitzer at the city and it still wouldn’t leak. Sunlight definitely can’t get in.
So what do we use for time of day? Kenya Time. It was afternoon in Nairobi, so it was afternoon in Artemis.
I was sweaty and gross from my near-death EVA. There was no time to shower, but I could change, at least. I lay flat, stripped off my EVA coolant-wear, and pulled on my blue jumpsuit. I fastened the belt then sat up, cross-legged, and put my hair in a ponytail. Then I grabbed my Gizmo and headed out.
We don’t have streets in Artemis. We have hallways. It costs a lot of money to make real estate on the moon and they sure as hell aren’t going to waste it on roads. You can have an electric cart or scooter if you want, but the hallways are designed for foot traffic. It’s only one-sixth Earth’s gravity. Walking doesn’t take much energy.
The shittier the neighborhood, the narrower the halls. Conrad Down’s halls are positively claustrophobic. They’re just wide enough for two people to pass each other by turning sideways.
I wound through the corridors toward the center of Down 15. None of the elevators were nearby, so I bounded up the stairs three at a time. Stairwells in the core are just like stairwells on Earth--short little twenty-one-centimeter-high steps. It makes the tourists more comfortable. In areas that don’t get tourists, stairs are each a half meter high. That’s lunar gravity for you. Anyway, I hopped up the tourist stairs until I reached ground level. Walking up fifteen floors of stairwell probably sounds horrible, but it’s not that big a deal here. I wasn’t even winded.
Ground level is where all the tunnels connecting to other bubbles come in. Naturally, all the shops, boutiques, and other tourist traps want to be there to take advantage of the foot traffic. In Conrad, that mostly meant restaurants selling Gunk to tourists who can’t afford real food.
A small crowd funneled into the Aldrin Connector. It’s the only way to get from Conrad to Aldrin (other than going the long way around through Armstrong), so it’s a major thoroughfare. I passed by the huge circular plug door on my way in. If the tunnel breached, the escaping air from Conrad would force that door closed. Everyone in Conrad would be saved. If you were in the tunnel at the time . . . well, it sucks to be you.
“Well, if it isn’t Jazz Bashara!” said a nearby asshole. He acted like we were friends. We weren’t friends.
“Dale,” I said. I kept walking.
He hurried to catch up. “Must be a cargo ship coming in. Nothing else gets your lazy ass in uniform.”
“Hey, remember that time I gave a shit about what you have to say? Oh wait, my mistake. That never happened.”
“I hear you failed the EVA exam today.” He tsked in mock disappointment. “Tough break. I passed on my first try, but we can’t all be me, can we?”
“Fuck off.”
“Yeah, I got to tell you, tourists pay good money to go outside. Hell, I’m headed to the Visitor Center right now to give some tours. I’ll be raking it in.”
“Make sure to hop on the really sharp rocks while you’re out there.”
“Nah,” he said. “People who passed the exam know better than to do that.”
“It was just a lark,” I said nonchalantly. “It’s not like EVA work is a real job.”
“Yeah, you’re right. Someday I hope to be a delivery girl like you.”
“Porter,” I grumbled. “The term is ‘porter.’ ”
He smirked in a very punchable way. Thankfully we’d made it to Aldrin Bubble. I shouldered past him and out of the connector. Aldrin’s plug door stood vigil, just as Conrad’s did. I hurried ahead and took a sharp right just to get out of Dale’s line of sight.
Aldrin is the opposite of Conrad in every respect. Conrad’s full of plumbers, glass blowers, metalworkers, welding shops, repair shops . . . the list goes on. But Aldrin is truly a resort. It has hotels, casinos, whorehouses, theaters, and even an honest-to-God park with real grass. Wealthy tourists from all over Earth come for two-week stays.
I passed through the Arcade. It wasn’t the fastest route to where I was going, but I liked the view.
New York has Fifth Avenue, London has Bond Street, and Artemis has the Arcade. The stores don’t bother to list prices. If you have to ask, you can’t afford it. The Ritz-Carlton Artemis occupies an entire block and extends five floors up and another five down. A single night there costs 12,000 slugs--more than I make in a month as a porter (though I have other sources of income).
Despite the costs of a lunar vacation, demand always exceeds supply. Middle-class Earthers can afford it as a once-in-a-lifetime experience with suitable financing. They stay at crappier hotels in crappier bubbles like Conrad. But wealthy folks make annual trips and stay in nice hotels. And my, oh my, do they shop.
More than anywhere else, Aldrin is where money enters Artemis.
There was nothing in the shopping district I could afford. But someday, I’d have enough to belong there. That was my plan, anyway. I took one more long look, then turned away and headed to the Port of Entry.
Product details
- Publisher : Ballantine Books; First Edition (November 14, 2017)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 0553448129
- ISBN-13 : 978-0553448122
- Lexile measure : HL580L
- Item Weight : 1.16 pounds
- Dimensions : 6.3 x 1.1 x 9.6 inches
- Best Sellers Rank: #24,486 in Books (See Top 100 in Books)
- #267 in Hard Science Fiction (Books)
- #1,053 in Science Fiction Adventures
- #3,020 in Suspense Thrillers
- Customer Reviews:
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Graham Bradley
About the author

ANDY WEIR built a two-decade career as a software engineer until the success of his first published novel, The Martian, allowed him to live out his dream of writing full-time.
He is a lifelong space nerd and a devoted hobbyist of such subjects as relativistic physics, orbital mechanics, and the history of manned spaceflight. He also mixes a mean cocktail.
He lives in California.
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Crichton with the amount of research and science that went into writing this.
The Martian set a very high standard for Andy Weir. Or, it's a tough act to follow. Artemis doesn't get close to matching The Martian. Period.
There is the "science drives the plot" element seen in The Martian. In Artemis, I think it becomes a case where some piece of technology, or some science fact, suggests where the plot should go, not the plot wants to go in some direction, and there's scientific information to support that choice.
One piece of science connected to basic description of Artemis completely baffles me. The atmosphere there is low pressure oxygen. This in spite of welding, sparking, illicit smoking going on. IIRC the Apollo 1 catastrophe began with a spark in a low pressure, oxygen rich atmosphere. What part of the explanation of Artemis' atmosphere did I sleep through?
Economics plays a significant part of the later part of the story. (no spoiler here -->) At one point, Artemis, the lunar city/colony, is described as a giant Ponzi scheme. It took some thought to work out the reasoning behind that statement (although, once understood, it makes sense). If a "Ponzi scheme" sounds like something from Happy Days, parts of the story will probably be hard sledding.
Andy Weir set himself a significant challenge in writing the story from a female point of view. Having a personal "work in progress" that started with "let me see if I can write a story from a female point of view", I have some sense of how challenging that is for a male writer.
The few people, my wife included, who read pieces of the novel, said, "You? Write as a female? Hah! Never going to happen!". I never got back a "no woman would ever do that", or "yeah, that makes sense". I wonder what input Andy Weir got from the women he listed. OK, enough about that.
The start of the story, looked good in the excerpt, turned into "get on with it, do something that matters!". The story wanders around, trying to lay out a foundation for the ending, but doesn't move the story in the process. Most of the story is that way. Elements move in one direction, then move in another direction, and in yet another direction, while the overall story takes too much time to advance.
Usually, when I start a book that's caught my attention, I tend to binge on the book. At one point I set Artemis down, and didn't feel a need to immediately pick it up again. Not a good sign...
I like The Martian. Project Hail Mary (released after Artemis) got four stars (see my review there). Artemis lags far behind the two other books.
Overall, would I recommend this book to someone interested in science fiction with a strong amount of science fact? I guess so.
SPOILER ALERT!!! SPOILER ALERT!!! SPOILER ALERT!!! SPOILER ALERT!!! SPOILER ALERT!!!
Jazz... I'd like to like her, but there's far too much "smartass" to really warm up to. There are some points, notably with her father, that do move Jazz towards being relatable. Her behavior with Dale and Svoboda (read the book to know who they are) is far too "smartass".
The interactions with Rudy (Artemis' constable) don't hold together - if this is so, than that must follow, but instead the interaction, again, wanders around. Why does Administrator Ngugi often refer to Jazz as "dear". It's like a king or queen calling a subject "pal" or "dear". It doesn't hold together.
Why, why, why does Svoboda invent a technological condom(!)? Does it save the day for Artemis? No. Is it a running joke? Vaguely. It's... "why are we spending time on this?".
"Lefty", the mob hitman, essentially materializes, with no back-story filling in "how did he get here in the first place".
The handling of the story about Jazz and Kelvin is... each message exchange just doesn't fit into how the story's running. At the end of the book, the Jazz/Kelvin messages, and the main story line meet, but it takes a long time to get there. The basic plot line of Jazz and Kelvin is, in some regards, handled better than the main plot line.
A plot point that had my "Oh, really, c'mon, that doesn't make sense" alarm ringing is Trond's giving Jazz the job of destroying four autonomous ore harvesters. The "why" sort of makes sense, maybe, the "who" and "how"? Doesn't make sense or lacks plausibility. A) this plot element is too early in the story, B) it's far too "our plucky 'smartass' gal is going to take a walk across the moon to blow the harvesters up with some clever science factoids". The story unravels from there. The story does get pulled back together, mostly, later. The "Jazz blows up stuff" doesn't really work.
One last point that bugs me. Through an unfortunate set of events and circumstances, far too "deus ex machina", Artemis' atmosphere is contaminated with chloroform. Of course there are only X minutes to save Artemis. After "The Nap", it's reported that nobody died, and there were only a few cardiac cases, all now OK, but need watching. Really???
H U G E S P O I L E R ! !
Points to Jazz for Taking A Bullet for Artemis. Why am I not surprised that Science saves her, even though she was, for three minutes, on the moon's surface without a suit. The book's like that.
There's a lot more I could say (I'm told it's one of my better traits NOT), but I think the above supports my conclusion that Artemis is just not a book with a compelling story, and characters worth wanting to know more about. (Exception: Billy the bartender- what's his story? It's probably a good one.)
Here are the problems: 1) It doesn’t live up to Weir’s other work. It’s not really fair to judge a book that way, but we do it. 2) The protagonist is a stereotypical pain in the butt and reminds of it every page or two. 3) The “sciency” stuff that Weir’s known for just wasn’t as compelling to me in this one.
With that out of the way, it’s a fun book. It’s really a caper story dressed in sci-fi clothes.
Recommended - just don’t expect another “Project Hail Mary”.
As with The Martian, the book does contain a lot of the author's trademark detail (ie. technical explanations etc), which I think is an asset in adding authenticity to the plot. It shows that the content is well researched and that what is happening is scientifically and technically possible.
Artemis is a settlement on the moon, which comprises of a number of domes (named after famous astronauts) where a sizeable population of 2000 people live.
Aside from the local mining industry, part of its economy is fed by tourism, where people wealthy enough come from Earth to visit the Moon for a vacation. Besides the obvious attraction of being on the Moon, the other main tourist spot is the site of the lunar landing. It reminded me of the mock-up that I went to at NASA in Florida, but instead of sitting in a theatre with a replica lander and special effects, the space tourists are at the real site looking through a thick glass wall at the actual landing module and astronaut footprints.
The main character, Jazz, is a young woman who is making her humble living as a courier/ deliverer/ small-time smuggler. Although she seemed nice enough, I don't think I really got onboard with her. Maybe it's just me, but I think it's easier to connect with someone who is on the side of good, rather than someone who is on the side that we normally oppose. That said, we do love Han Solo, and he was a smuggler!
I found the first half of the book very slow. I realize that it was all about setting up for the second half, but I didn't find it that engaging. Perhaps I was expecting too much, given how much I liked The Martian. I think that my memories of Weir's first book kept me going to see where it was all leading. Jazz is a strong woman, driven mainly by her need for cash and a want to improve her life. Maybe it was her self-focus that failed to click with me. In the first half of the book she makes some questionable decisions that definitely make her some enemies, and as such, it sets up for the ensuing plot line.
Once we moved into the second half things got much better. The plot was thickening, the pace quickened, thrilling arrived, and there was a lot more happening. In order to move forward and try to fix things, Jazz needed to dig deep and find unique ways to deal with the situation she was in. This was reminiscent of what I liked about The Martian - making the most of what you have to keep going.
Without giving too much away, there was a section of the plot in the second half that I thought would have been a much more exciting area to focus on and expand, instead of the amount of time allocated to the first half. I hope that makes sense. In my opinion, it would have made for a more exciting and thrilling story.
In a Nutshell - Artemis is a good book, which gets better as you read more. If you find yourself lagging during the first half, hang in there and keep reading. Although it's not as good as The Martian, it should keep sci-fi fans entertained.
Top reviews from other countries




I liked all the details about moon exploration. Overall a good read.
