Olive, Again: A Novel

Olive, Again: A Novel

by Elizabeth Strout

Narrated by Kimberly Farr

Unabridged — 12 hours, 14 minutes

Olive, Again: A Novel

Olive, Again: A Novel

by Elizabeth Strout

Narrated by Kimberly Farr

Unabridged — 12 hours, 14 minutes

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Overview

Oprah's Book Club pick

Number one New York Times best-selling author and Pulitzer Prize winner Elizabeth Strout continues the life of her beloved Olive Kitteridge, a character who has captured the imaginations of millions of readers.

Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is “a compelling life force” (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout “animates the ordinary with an astonishing force”, and she has never done so more clearly than in this audiobook, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine.

Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspire moments of transcendent grace.


Editorial Reviews

OCTOBER 2019 - AudioFile

Kimberly Farr, who performed Elizabeth Strout's previous Olive Kitteridge novel to fine effect, does it again in this newest examination of Crosby, Maine’s, odd and marvelous inhabitants, starting with Olive herself. Awkward, brusque Olive has a beau of sorts, a fellow with a large stomach and large issues. Despite the issues, he makes her feel loved. For more than that, you must listen. We also meet teenagers, pensioners, Olive’s son and daughter-in-law, church ladies, law-breakers, shopkeepers, and other fascinating everyday folks. Farr has the plain accents and often abrupt speech down pat. She hints at personality without overplaying, and reads the stories with sympathy. They are full of tragedy and joy and life’s flotsam and jetsam. Prepare to savor every word. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2019, Portland, Maine

From the Publisher

In the first chapter of Elizabeth Strout’s Olive, Again . . . the man who will become Olive’s second husband writes, ‘Dear Olive Kitteridge, I have missed you and if you would see fit to call me or email me or see me, I would like that very much.’ Jack Kennison might be speaking for fans of Strout’s Pulitzer Prize–winning Olive Kitteridge, which inspired an Emmy-winning HBO mini-series and now this sequel. However, like its iconic heroine, this book is capable of standing alone. . . . [Olive] is as indelible as the ink on Jack Kennison’s paper. If you know Olive, you know how she would respond to the hoopla: with an eye roll and an ‘Oh Godfrey.’ It’s good to have her back.”—Elisabeth Egan, The New York Times Book Review

“Strout dwells with uncanny immediacy inside the minds and hearts of a dazzling range of ages: the young (with their confusion, wonder, awakening sexuality), the middle-aged (envy, striving, compromise), the old (failing bodies, societal shunning, late revelations). . . . I have long and deeply admired all of Strout’s work, but Olive, Again transcends and triumphs. The naked pain, dignity, wit and courage these stories consistently embody fill us with a steady, wrought comfort.”The Washington Post

“In thirteen poignant interconnected stories, Strout follows the cantankerous, truth-telling Mainer as she ages, experiencing a joyful second marriage and the evolution of her difficult relationship with her son. In her blunt yet compassionate way, Olive grapples with loneliness, infidelity, mortality and the question of whether we can ever really know someone—ourselves included.”People (Book of the Week)

“A magnificent achievement on its own terms . . . We see Olive acquiring a view of herself, and coming to recognize as valuable the other people who grant that vision. In the process, she shares in the alchemy that she continues to perform for us and elicits our unexpected, abiding love.”The Boston Globe

“Strout has created one of those rare characters . . . so vivid and humorous that they seem to take on a life independent of the story framing them.”The Guardian

“The lovable, irascible Olive Kitteridge is back. . . . In this novel—set against the backdrop of a rapidly changing Maine, ravaged by opioid addiction and economic neglect—Strout wields great pathos out of life and all its attendant tragedies.”BuzzFeed

“Strout aims the spotlight on her wry heroine and the characters of Crosby, Maine, in another book that’s sure to have you flipping pages long into the night.”Bustle

Olive, Again returns to Olive and the town of Crosby to do what Strout does best: find meaning in the tiniest and most mundane details of everyday life.”Vox

“Strout has said that she doesn’t know why readers like Olive so much, except that she is complicated, like all of us. But I think we all have had an Olive in our lives whom we never got to know. Mine was a teacher named Gertrude. It is Strout’s genius to reveal them to us in all their idiosyncratic glory. Olive, again? Oh yes, I do think so.”—Ann Treneman, The Times (UK)

OCTOBER 2019 - AudioFile

Kimberly Farr, who performed Elizabeth Strout's previous Olive Kitteridge novel to fine effect, does it again in this newest examination of Crosby, Maine’s, odd and marvelous inhabitants, starting with Olive herself. Awkward, brusque Olive has a beau of sorts, a fellow with a large stomach and large issues. Despite the issues, he makes her feel loved. For more than that, you must listen. We also meet teenagers, pensioners, Olive’s son and daughter-in-law, church ladies, law-breakers, shopkeepers, and other fascinating everyday folks. Farr has the plain accents and often abrupt speech down pat. She hints at personality without overplaying, and reads the stories with sympathy. They are full of tragedy and joy and life’s flotsam and jetsam. Prepare to savor every word. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2019, Portland, Maine

Kirkus Reviews

★ 2019-05-07
The thorny matriarch of Crosby, Maine, makes a welcome return.

As in Strout's Pulitzer Prize-winning Olive Kitteridge (2008, etc.), the formidable title character is always a presence but not always onstage in these 13 interconnected tales of loneliness, loss, and love in its many flawed incarnations. Olive has not become any easier to like since her husband, Henry, died two years ago; "stupid" is a favorite adjective, and "phooey to you" a frequent term of dismissal. But over the course of about a decade we see Olive struggling, in her flinty way, to become "oh, just a tiny—tiny—bit better as a person." Her second marriage, to Jack Kennison, helps. "I like you, Olive," he says. "I'm not sure why, really. But I do." Readers will feel the same, as she brusquely comforts a former student with cancer in "Light" and commiserates with the grieving daughter-in-law she has never much liked in "Motherless Child." Yet that story ends with Olive's desolate conclusion that she is largely responsible for her fraught relationship with her son: "She herself had [raised] a motherless child." Parents are estranged from children, husbands from wives, siblings from each other in this keening portrait of a world in which each of us is fundamentally alone and never truly knows even those we love the most. This is not the whole story, Strout demonstrates with her customary empathy and richness of detail. "You must have been a very good mother," Olive's doctor says after observing Christopher in devoted attendance at the hospital after she has a heart attack, and the daughter of an alcoholic mother and dismissive, abusive father finds a nurturing substitute in her parents' lawyer in "Helped." The beauty of the natural world provides a sustaining counterpoint to charged human interactions in which "there were so many things that could not be said." There's no simple truth about human existence, Strout reminds us, only wonderful, painful complexity. "Well, that's life," Olive says. "Nothing you can do about it."

Beautifully written and alive with compassion, at times almost unbearably poignant. A thrilling book in every way.

Product Details

BN ID: 2940171852788
Publisher: Penguin Random House
Publication date: 10/15/2019
Edition description: Unabridged
Sales rank: 1,200,560

Read an Excerpt

Labor

Two days earlier, Olive Kitteridge had delivered a baby.

She had delivered the baby in the backseat of her car; her car had been parked on the front lawn of Marlene Bonney’s house. Marlene was having a baby shower for her daughter, and Olive had not wanted to park behind the other cars lined up on the dirt road. She had been afraid that someone might park behind her and she wouldn’t be able to get out; Olive liked to get out. So she had parked her car on the front lawn of the house, and a good thing she had, that foolish girl—her name was Ashley and she had bright blond hair, she was a friend of Marlene’s daughter—had gone into labor, and Olive knew it before anyone else did; they were all sitting around the living room on folding chairs and she had seen Ashley, who sat next to her, and who was enormously pregnant, wearing a red stretch top to accentuate this pregnancy, leave the room, and Olive just knew.

She’d gotten up and found the girl in the kitchen, leaning over the sink, saying, “Oh God, oh God,” and Olive had said to her, “You’re in labor,” and the idiot child had said, “I think I am. But I’m not due for another week.”

Stupid child.

And a stupid baby shower. Olive, thinking of this as she sat in her own living room, looking out over the water, could not, even now, believe what a stupid baby shower that had been. She said out loud, “Stupid, stupid, stupid, stupid.” And then she got up and went into her kitchen and sat down there. “God,” she said.

She rocked her foot up and down.

The big wristwatch of her dead husband, Henry, which she wore, and had worn since his stroke four years ago, said it was four o’clock. “All right then,” she said. And she got her jacket—it was June, but not warm today—and her big black handbag and she went and got into her car—which had that gunky stuff still left on the backseat from that foolish girl, although Olive had tried to clean it as best she could—and she drove to Libby’s, where she bought a lobster roll, and then she drove down to the Point and sat in her car there and ate the lobster roll, looking out at Halfway Rock.

A man in a pickup truck was parked nearby, and Olive waved through her window to him but he did not wave back. “Phooey to you,” she said, and a small piece of lobster meat landed on her jacket. “Oh, hell’s bells,” she said, because the mayonnaise had gotten into the jacket—she could see a tiny dark spot—and would spoil the jacket if she didn’t get it to hot water fast. The jacket was new, she had made it yesterday, sewing the pieces of quilted blue-and-white swirling fabric on her old machine, being sure to make it long enough to go over her hind end.

Agitation ripped through her.

The man in the pickup truck was talking on a cellphone, and he suddenly laughed; she could see him throwing his head back, could even see his teeth as he opened his mouth in his laughter. Then he started his truck and backed it up, still talking on his cellphone, and Olive was alone with the bay spread out before her, the sunlight glinting over the water, the trees on the small island standing at attention; the rocks were wet, the tide was going out. She heard the small sounds of her chewing, and a loneliness that was profound assailed her.

It was Jack Kennison. She knew this is what she had been thinking of, that horrible old rich flub-dub of a man she had seen for a number of weeks this spring. She had liked him. She had even lain down on his bed with him one day, a month ago now, right next to him, could hear his heart beating as her head lay upon his chest. And she had felt such a rush of relief—and then fear had rumbled through her. Olive did not like fear.

And so after a while she had sat up and he had said, “Stay, Olive.” But she did not stay. “Call me,” he had said. “I would like it if you called me.” She had not called. He could call her if he wanted to. And he had not called. But she had bumped into him soon after, in the grocery store, and told him about her son who was going to have another baby any day down in New York City, and Jack had been nice about that, but he had not suggested she come see him again, and then she saw him later (he had not seen her) in the same store, talking to that stupid widow Bertha Babcock, who for all Olive knew was a Republican like Jack was, and maybe he preferred that stupid woman to Olive. Who knew? He had sent one email with a bunch of question marks in the subject line and nothing more. That was an email? Olive didn’t think so.

“Phooey to you,” she said now, and finished her lobster roll. She rolled up the paper it had come in and tossed it onto the backseat, where that mess still showed in a stain from that idiot girl. 



“I delivered a baby today,” she had told her son on the telephone.

Silence.

“Did you hear me?” Olive asked. “I said I delivered a baby today.”

“Where?” His voice sounded wary.

“In my car outside Marlene Bonney’s house. There was a girl—” And she told him the story.

“Huh. Well done, Mom.” Then in a sardonic tone he said, “You can come here and deliver your next grandchild. Ann’s having it in a pool.”

“A pool?” Olive could not understand what he was saying.

Christopher spoke in a muffled tone to someone near him.

“Ann’s pregnant again? Christopher, why didn’t you tell me?”

“She’s not pregnant yet. We’re trying. But she’ll get pregnant.”

Olive said, “What do you mean, she’s having it in a pool? A swimming pool?”

“Yeah. Sort of. A kiddie pool. The kind we had in the backyard. Only this one is bigger and obviously super clean.”

“Why?”

“Why? Because it’s more natural. The baby slides into the water. The midwife will be here. It’s safe. It’s better than safe, it’s the way babies should be born.”

“I see,” said Olive. She didn’t see at all. “When is she having this baby?”

“As soon as we know she’s pregnant, we’ll start counting. We’re not telling anyone that we’re even trying, because of what just happened to the last one. But I just told you. So there.”

“All right then,” Olive said. “Goodbye.”

Christopher—she was sure of this—had made a sound of disgust before he said, “Goodbye, Mom.”

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