Frankenstein

Frankenstein

by Mary Shelley
Frankenstein

Frankenstein

by Mary Shelley

eBook

$3.99 

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

Notes From Your Bookseller

The birth of the monster genre? Yes. The birth of modern science fiction? Also yes. Mary Shelley’s masterpiece is as timeless as it is tantalizing. On its surface the story of a scientist bent on creating life, while underneath a criticism of human nature, this story is required in all minds and on all shelves.

At the age of eighteen, Mary Shelley, while staying in the Swiss Alps with her lover Percy Shelley, Lord Byron, and others, conceived the tale of Dr. Victor Frankenstein and the monster he brings to life. The resulting book, Frankenstein; or, The Modern Prometheus, is a dark parable warning against the risks of scientific and creative endeavor, the corrupting influence of technology and progress, and the dangers of knowledge without understanding. Frankenstein was an instant bestseller on publication in 1818 and has long been regarded as a masterpiece of suspense, a classic of nineteenth-century Romanticism and Gothic horror, and the prototype of the science fiction novel. Though it has spawned countless imitations and adaptations, it remains the most powerful story of its kind.


From the Trade Paperback edition.

Product Details

ISBN-13: 9780679640066
Publisher: Random House Publishing Group
Publication date: 01/05/1999
Sold by: Random House
Format: eBook
Pages: 352
Sales rank: 841,033
File size: 485 KB

About the Author

Mary Shelley was born Mary Wollstonecraft Godwin on August 30, 1797, in London. Her father, William Godwin, was a radical philosopher and novelist. Her mother, Mary Wollstonecraft, a renowned feminist and the author of A Vindication of the Rights of Woman (1792), died of sepsis ten days after giving birth to her. Godwin married Mary Jane Clairmont, their next-door neighbor, when Mary was four, and she was raised in an extended family that included a stepsister, Jane, and a half sister, Fanny Imlay. Largely self-educated--a source of some mortification to her--she was made aware from an early age that she was destined for, if not greatness, a respectable writing career. Her father founded a publishing company that he operated out of their house, and frequent visitors included Percy Bysshe Shelley and his wife, Harriet; the essayists William Hazlitt and Charles Lamb; and Samuel Taylor Coleridge, who read The Rime of the Ancient Mariner in their living room very late one night. Mary and Jane, ignoring their curfew, hid behind the couch to listen.

She spent part of her early teens in the Scottish countryside with family friends. On one return from Scotland to London, in May 1814, three months before her seventeenth birthday, she fell in love with Shelley. They eloped to France, accompanied by Jane. Godwin, despite lifelong professions of his belief in free love, protested; on their first day abroad, in Calais, "a fat lady . . . arrived," Shelley wrote, in a diary he and Mary kept jointly, "who said that I had run away with her daughter." Mrs. Godwin could not persuade either girl to go back to London with her, and left alone after a night's argument. Mary, Shelley, and Jane (who now called herself "Claire") went to Paris and continued on to Switzerland by mule, returning in September to London, where they rented an apartment. Shelley continued intermittently to see Harriet, who was pregnant with their second child.

Shelley had to hide from bill collectors through the fall and winter, and apart from various clandestine assignations, Mary saw very little of him. Early in 1815 she began an affair with a lawyer, friend, and creditor, Thomas Jefferson Hogg. Shelley, who had become involved with Claire, approved of the liaison. On February 22, 1815, while Shelley was away, Mary give birth prematurely to her first child, a girl, who died twelve days later, shortly after Hogg had helped Mary and the infant move to a different apartment. Mary became pregnant again almost immediately by Shelley; her second child, William, was born on January 24, 1816.

In the spring of 1816 Mary, Shelley, William, and Claire set up house near Lake Geneva, below the Villa Diodati, which was occupied by the poet Lord Byron, with whom Claire had had a brief affair earlier in the year, and whose child she eventually bore. It was a rainy summer, and they spent long nights with Byron and Polidori, his doctor, talking about the supernatural and science, and challenging one another to write ghost stories. One such conversation in mid-June--mostly about galvanism being used to reanimate a corpse--stretched almost until dawn, and when Mary finally got to bed, she dreamed a student built a human being and--as she put it--woke him up with machinery. The dream inspired her first novel, Frankenstein. Its composition was interrupted by a move back to England, intermittent sickness from a third pregnancy, and the suicides of her half sister Fanny and of Harriet Shelley, in October and November, respectively. Harriet, also pregnant by Shelley, drowned herself in the Serpentine.

Mary married Shelley on December 30, 1816. Five months later she finished
>Frankenstein, and on September 2, 1817, she gave birth to her third child, Clara, and published Journal of a Six Weeks' Tour, a travel book. Frankenstein was published on January 1, 1818, and immediately became a bestseller, although she never made much money from it.

Several months later the Shelleys moved permanently to Italy. On September 24, 1818, Clara died in Venice, of an illness that originated with a tooth infection; on June 7, 1819, William died in Rome of malaria while Mary was expecting her fourth child. Consumed by feelings of hopelessness, she wrote Matilda, a melodramatic novel whose theme is father-daughter incest. Her father, who, having become destitute, had begun to beg money from her, advised her not to publish it, and she agreed. On November 12, 1819, she gave birth to a son, Percy, in Florence. The following year she began work on a medieval Italian romance, Valperga, intending to donate royalties to her father, and became pregnant for the fifth time. She suffered a miscarriage in June 1821.

Shelley drowned in a storm on July 8, 1822, in the bay of Spezzia. His body washed ashore about ten days later and was cremated on the beach in the presence of Mary; the poet, critic, and essayist Leigh Hunt; Edward John Trelawny, a friend of the Shelleys' from Cornwall; and Byron, who asked for the skull. Hunt, remembering how Byron had treated the skull of a Franciscan monk found in a Spanish abbey--he made it into an ashtray--declined to see the great Romantic poet's skull thus treated, and refused. Trelawny snatched Shelley's heart from the funeral pyre, causing permanent damage to his hand, and gave it to Mary, who carried it in her purse, some say, for the rest of her life. She buried Shelley's ashes in Rome and returned to England.

Valperga was published in 1823 and, in the following year, the Posthumous Poems of Percy Bysshe Shelley, which Mary edited. In the next few years she briefly considered two essentially loveless marriages to Americans--the actor-dramatist John Howard Payne and the writer Washington Irving--but ultimately rejected both men. In 1826 she published The Last Man, a tragic-ironic novel in the Gothic tradition that fused fantasy and realism and whose three central characters are based loosely on herself, Shelley, and Byron. She contracted smallpox in 1828.

The Fortunes of Perkin Warbeck, a historical novel, was published in 1830, and in 1831, she revised Frankenstein for republication. Lardner's Cabinet Cyclopaedia commissioned a series of biographical and critical essays on Italian, French, and Spanish writers in 1832 that were published separately as Lives of the Most Eminent Literary and Scientific Men of Italy, Spain & Portugal (1835) and Lives of the Most Eminent Literary and Scientific Men of France (1838). A semiautobiographical novel, Lodore, was published in 1835.

Her last novel, Falkner, partially an attempt to absolve Shelley of charges of causing Harriet's suicide, was published in 1837; its eponymous hero was based on Trelawny. She released Shelley's Poetical Works and Letters in 1839. Thereafter she underwent periods of severe illness, with recoveries spent on the Continent with her son, Percy, and his friends. Her last book was Rambles in Germany and Italy. She died on February 21, 1851, in London after a series of strokes, and was buried in Bournemouth.

Read an Excerpt

Did I request thee, Maker, from my clay
To mould me man, Did I solicit thee
From darkness to promote me?


Paradise Lost, X, 743-745



LETTER I
_____________________


To Mrs. Saville, England


ST. PETERSBURGH, Dec. 11th, 17--

YOU WILL rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday; and my first task is to assure my dear sister of my welfare, and increasing confidence in the success of my undertaking.

I am already far north of London; and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves, and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my day dreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is for ever visible; its broad disk just skirting the horizon, and diffusing a perpetual splendour. There--for with your leave, my sister, I will put some trust in preceding navigators--there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle; and may regulate a thousand celestial observations, that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements and they are sufficient to conquer all fear of danger or death, and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But, supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet which, if at all possible, can only be effected by an undertaking such as mine.

These reflections have dispelled the agitation with which I began my letter, and I feel my heart glow with an enthusiasm which elevates me to heaven; for nothing contributes so much to tranquillise the mind as a steady purpose--a point on which the soul may fix its intellectual eye. This expedition has been the favourite dream of my early years. I have read with ardour the accounts of the various voyages which have been made in the prospect of arriving at the North Pacific Ocean through the seas which surround the pole. You may remember that a history of all the voyages made for purposes of discovery composed the whole of our good uncle Thomas's library. My education was neglected, yet I was passionately fond of reading. These volumes were my study day and night, and my familiarity with them increased that regret which I had felt, as a child, on learning that my father's dying injunction had forbidden my uncle to allow me to embark in a seafaring life.

These visions faded when I perused, for the first time, those poets whose effusions entranced my soul, and lifted it to heaven. I also became a poet, and for one year lived in a Paradise of my own creation; I imagined that I also might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated. You are well acquainted with my failure, and how heavily I bore the disappointment. But just at that time I inherited the fortune of my cousin, and my thoughts were turned into the channel of their earlier bent.

Six years have passed since I resolved on my present undertaking. I can, even now, remember the hour from which I dedicated myself to this great enterprise. I commenced by inuring my body to hardship. I accompanied the whale-fishers on several expeditions to the North Sea; I voluntarily endured cold, famine, thirst, and want of sleep; I often worked harder than the common sailors during the day, and devoted my nights to the study of mathematics, the theory of medicine, and those branches of physical science from which a naval adventurer might derive the greatest practical advantage. Twice I actually hired myself as an under-mate in a Greenland whaler, and acquitted myself to admiration. I must own I felt a little proud when my captain offered me the second dignity in the vessel, and entreated me to remain with the greatest earnestness; so valuable did he consider my services.

And now, dear Margaret, do I not deserve to accomplish some great purpose? My life might have been passed in ease and luxury; but I preferred glory to every enticement that wealth placed in my path. Oh, that some encouraging voice would answer in the affirmative! My courage and my resolution is firm; but my hopes fluctuate and my spirits are often depressed. I am about to proceed on a long and difficult voyage, the emergencies of which will demand all my fortitude: I am required not only to raise the spirits of others, but sometimes to sustain my own, when theirs are failing.

This is the most favourable period for travelling in Russia. They fly quickly over the snow in their sledges; the motion is pleasant, and, in my opinion, far more agreeable than that of an English stage-coach. The cold is not excessive, if you are wrapped in furs--a dress which I have already adopted; for there is a great difference between walking the deck and remaining seated motionless for hours, when no exercise prevents the blood from actually freezing in your veins. I have no ambition to lose my life on the post-road between St. Petersburgh and Archangel.

I shall depart for the latter town in a fortnight or three weeks; and my intention is to hire a ship there, which can easily be done by paying the insurance for the owner, and to engage as many sailors as I think necessary among those who are accustomed to the whale-fishing. I do not intend to sail until the month of June; and when shall I return? Ah, dear sister, how can I answer this question? If I succeed, many, many months, perhaps years, will pass before you and I may meet. If I fail, you will see me again soon, or never.

Farewell, my dear, excellent Margaret. Heaven shower down blessings on you, and save me, that I may again and again testify my gratitude for all your love and kindness.--Your affectionate brother,

R. WALTON

Table of Contents

Preface.

Monsters, Visionaries, and Mary Shelley.
Aesthetic Adventures.
Edmund Burke, “On the Sublime and the Beautiful,” from A Philosophical Inquiry into the Origins of Our Ideas of the Sublime and the Beautiful.
Mary Wollstonecraft, from A Vindication of the Rights of Men.
William Gilpin, from Picturesque Travel.
Samuel Taylor Coleridge, from The Rime of the Ancyent Marinere, 1798.
Mary Wollstonecraft, Jemima's Story from Maria, or The Wrongs of Woman.
Mary Godwin (Shelley), journal entries.
Percy Shelley, from Alastor, or the Spirit of Solitude.
Mary Shelley, from History of a Six Weeks' Tour.
Percy Shelley, Mont Blanc.
George Gordon, Lord Byron, Canto 3 from Childe Harold's Pilgrimage III.
George Gordon, George Gordon, Lord Byron, A Fragment.
Richard Brinsley Peake, from Frankenstein, A Romantic Drama.
Mary Shelley, from a letter to E. J. Trelawny.
Dr. Benjamin Spock, “Enjoy Your Baby,” from Baby and Child Care.

Milton's Satan and Romantic Imaginations.
The King James Bible, Genesis, Chapters 2 and 3.
John Milton, from Paradise Lost.
William Godwin, from “An Enquiry Concerning Political Justice.
George Gordon, Lord Byron, “Prometheus.”
John Keats, To One Who Has Been Long in City Pent.
John Keats, Marginalia to Paradise Lost.
William Hazlitt, “On Shakespeare and Milton,” from Lectures on the English Poets.
Percy Bysshe Shelley, Preface Prometheus Unbound.
Percy Bysshe Shelley, from A Defence of Poetry.
Thomas De Quincey, “What Do We Mean by Literature?”

What the Reviews Said.
John Wilson Croker, Quarterly Review, January 1818.
Walter Scott, Blackwood's Edinburgh Magazine, March 1818.
Edinburgh Magazine and Literary Miscellany, March 1818.
Belle Assemblàe, March 1818.
The British Critic, April 1818.
Gentleman's Magazine, April 1818.
Monthly Review, April 1818.
The Literary Panorama and National Register, June 1818.
Knight's Quarterly Magazine, August 1824.
Blackwood's Edinburgh Magazine, March 1823.
London Morning Post, July 1823.
George Canning, remarks in the House of Commons, March 1824.
Knight's Quarterly Magazine, August 1824.
Percy Bysshe Shelley, Anthenfum, November 1832.

Further Reading and Viewing.

What People are Saying About This

Muriel Spark

Out of that vampire-laden fug of gruesomeness known as the English Gothic Romance, only the forbidding acrid name of Frankenstein remains in general usage... Mary Shelley had courage, she was inspired. Frankenstein has entertained, delighted and harrowed generations of readers to this day.

From the Publisher

Praise for Penguin Horror Classics:

“The new Penguin Horror editions, selected by Guillermo del Toro, feature some of the best art-direction (by Paul Buckley) I've seen in a cover in quite some time.” – Cory Doctorow, Boing Boing

"Each cover does a pretty spectacular job of evoking the mood of the title in bold, screenprint-style iconography." – Dan Solomon, Fast Company

From the B&N Reads Blog

Customer Reviews