The Unlikely Pilgrimage of Harold Fry

The Unlikely Pilgrimage of Harold Fry

by Rachel Joyce
The Unlikely Pilgrimage of Harold Fry

The Unlikely Pilgrimage of Harold Fry

by Rachel Joyce

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Overview

NEW YORK TIMES BESTSELLER • “Joyce’s beguiling debut is [a] modest-seeming story of ‘ordinary’ English lives that enthralls and moves you as it unfolds.”—People (four stars)
 
IN DEVELOPMENT AS A MAJOR MOTION PICTURE • LONGLISTED FOR THE MAN BOOKER PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST

Meet Harold Fry, recently retired. He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does. Little differentiates one day from the next. Then one morning a letter arrives, addressed to Harold in a shaky scrawl, from a woman he hasn’t heard from in twenty years. Queenie Hennessy is in hospice and is writing to say goodbye. But before Harold mails off a quick reply, a chance encounter convinces him that he absolutely must deliver his message to Queenie in person. In his yachting shoes and light coat, Harold Fry embarks on an urgent quest. Determined to walk six hundred miles to the hospice, Harold believes that as long as he walks, Queenie will live. A novel of charm, humor, and profound insight into the thoughts and feelings we all bury deep within our hearts, The Unlikely Pilgrimage of Harold Fry introduces Rachel Joyce as a wise—and utterly irresistible—storyteller.

Product Details

ISBN-13: 9780679645115
Publisher: Random House Publishing Group
Publication date: 07/24/2012
Sold by: Random House
Format: eBook
Pages: 368
Sales rank: 51,865
File size: 5 MB

About the Author

Rachel Joyce is the author of Miss Benson’s Beetle, The Music Shop, the Sunday Times and international bestsellers The Unlikely Pilgrimage of Harold Fry, Perfect, and The Love Song of Miss Queenie Hennessy, as well as the digital short story A Faraway Smell of Lemon and a story collection, A Snow Garden & Other Stories. Her books have been translated into thirty-six languages and two are in development for film. The Unlikely Pilgrimage of Harold Fry was shortlisted for the Commonwealth Book Prize and longlisted for the Booker Prize. Joyce was named the Specsavers National Book Awards “New Writer of the Year” in December 2012 and shortlisted for the “UK Author of the Year” 2014. Joyce has also written more than thirty original afternoon plays and adaptations of the classics for BBC Radio 4, including all the Brontë novels. She moved to writing after a long career as an actor, performing leading roles for the RSC, the National Theatre, and Cheek by Jowl. She lives with her family in Gloucestershire.

Read an Excerpt

1

Harold and the Letter

The letter that would change everything arrived on a Tuesday. It was an ordinary morning in mid-April that smelled of clean washing and grass cuttings. Harold Fry sat at the breakfast table, freshly shaved, in a clean shirt and tie, with a slice of toast that he wasn’t eating. He gazed beyond the kitchen window at the clipped lawn, which was spiked in the middle by Maureen’s telescopic washing line, and trapped on all three sides by the neighbors’ stockade fencing.

“Harold!” called Maureen above the vacuum cleaner. “Post!”

He thought he might like to go out, but the only thing to do was mow the lawn and he had done that yesterday. The vacuum tumbled into silence, and his wife appeared, looking cross, with a letter. She sat opposite Harold.

Maureen was a slight woman with a cap of silver hair and a brisk walk. When they first met, nothing had pleased him more than to make her laugh. To watch her neat frame collapse into unruly happiness. “It’s for you,” she said. He didn’t know what she meant until she slid an envelope across the table, and stopped it just short of Harold’s elbow. They both looked at the letter as if they had never seen one before. It was pink. “The postmark says Berwick-upon-Tweed.”

He didn’t know anyone in Berwick. He didn’t know many people anywhere. “Maybe it’s a mistake.”

“I think not. They don’t get something like a postmark wrong.” She took toast from the rack. She liked it cold and crisp.

Harold studied the mysterious envelope. Its pink was not the color of the bathroom suite, or the matching towels and fluffed cover for the toilet seat. That was a vivid shade that made Harold feel he shouldn’t be there. But this was delicate. A Turkish Delight pink. His name and address were scribbled in ballpoint, the clumsy letters collapsing into one another as if a child had dashed them off in a hurry: Mr. H. Fry, 13 Fossebridge Road, Kingsbridge, South Hams. He didn’t recognize the handwriting.

“Well?” said Maureen, passing a knife. He held it to the corner of the envelope, and tugged it through the fold. “Careful,” she warned.

He could feel her eyes on him as he eased out the letter, and prodded back his reading glasses. The page was typed, and addressed from a place he didn’t know: St. Bernadine’s Hospice. Dear Harold, This may come to you as some surprise. His eyes ran to the bottom of the page.

“Well?” said Maureen again.

“Good lord. It’s from Queenie Hennessy.”

Maureen speared a nugget of butter with her knife and flattened it the length of her toast. “Queenie who?”

“She worked at the brewery. Years ago. Don’t you remember?”

Maureen shrugged. “I don’t see why I should. I don’t know why I’d remember someone from years ago. Could you pass the jam?”

“She was in finances. She was very good.”

“That’s the marmalade, Harold. Jam is red. If you look at things before you pick them up, you’ll find it helps.”

Harold passed her what she needed and returned to his letter. Beautifully set out, of course; nothing like the muddled writing on the envelope. Then he smiled, remembering this was how it always was with Queenie: everything she did so precise you couldn’t fault it. “She remembers you. She sends her regards.”

Maureen’s mouth pinched into a bead. “A chap on the radio was saying the French want our bread. They can’t get it sliced in France. They come over here and they buy it all up. The chap said there might be a shortage by summer.” She paused. “Harold? Is something the matter?”

He said nothing. He drew up tall with his lips parted, his face bleached. His voice, when at last it came, was small and far away. “It’s—cancer. Queenie is writing to say goodbye.” He fumbled for more words but there weren’t any. Tugging a handkerchief from his trouser pocket, Harold blew his nose. “I um. Gosh.” Tears crammed his eyes.

Moments passed; maybe minutes. Maureen gave a swallow that smacked the silence. “I’m sorry,” she said.

He nodded. He ought to look up, but he couldn’t.

“It’s a nice morning,” she began again. “Why don’t you fetch out the patio chairs?” But he sat, not moving, not speaking, until she lifted the dirty plates. Moments later the vacuum cleaner took up from the hall.



Harold felt winded. If he moved so much as a limb, a muscle, he was afraid it would trigger an abundance of feeling he was doing his best to contain. Why had he let twenty years pass without trying to find Queenie Hennessy? A picture came of the small, dark-haired woman with whom he had worked all that time ago, and it seemed inconceivable that she was—what? Sixty? And dying of cancer in Berwick. Of all the places, he thought; he’d never traveled so far north. He glanced out at the garden and saw a ribbon of plastic caught in the laurel hedging, flapping up and down, but never pulling free. He tucked Queenie’s letter into his pocket, patted it twice for safekeeping, and rose to his feet.

Upstairs Maureen shut the door of David’s room quietly and stood a moment, breathing him in. She pulled open his blue curtains that she closed every night, and checked that there was no dust where the hem of the net drapes met the windowsill. She polished the silver frame of his Cambridge portrait, and the black-and-white baby photograph beside it. She kept the room clean because she was waiting for David to come back, and she never knew when that would be. A part of her was always waiting. Men had no idea what it was like to be a mother. The ache of loving a child, even when he had moved on. She thought of Harold downstairs, with his pink letter, and wished she could talk to their son. Maureen left the room as softly as she had entered it, and went to strip the beds.

Harold Fry took several sheets of Basildon Bond from the sideboard drawer and one of Maureen’s rollerball pens. What did you say to a dying woman with cancer? He wanted her to know how sorry he felt, but it was wrong to put In Sympathy because that was what the cards in the shops said after, as it were, the event; and anyway it sounded formal, as if he didn’t really care. He tried Dear Miss Hennessy, I sincerely hope your condition improves, but when he put down the pen to inspect his message, it seemed both stiff and unlikely. He crumpled the paper into a ball and tried again. He had never been good at expressing himself. What he felt was so big it was difficult to find the words, and even if he could, it was hardly appropriate to write them to someone he had not contacted in twenty years. Had the shoe been on the other foot, Queenie would have known what to do.

“Harold?” Maureen’s voice took him by surprise. He thought she was upstairs, polishing something, or speaking to David. She had her rubber gloves on.

“I’m writing Queenie a note.”

“A note?” She often repeated what he said.

“Yes. Would you like to sign?”

“I think not. It would hardly be appropriate to sign a note to someone I don’t know.”

It was time to stop worrying about expressing anything beautifully. He would simply have to set down the words in his head: Dear Queenie, Thank you for your letter. I am very sorry. Yours Best wishes—Harold (Fry). It was limp, but there it was. Sliding the letter into an envelope, he sealed it quickly, and copied the address of St. Bernadine’s Hospice onto the front. “I’ll nip to the postbox.”

It was past eleven o’clock. He lifted his waterproof jacket from the peg where Maureen liked him to hang it. At the door, the smell of warmth and salt air rushed at his nose, but his wife was at his side before his left foot was over the threshold.

“Will you be long?”

“I’m only going to the end of the road.”

She kept on looking up at him, with her moss-green eyes and her fragile chin, and he wished he knew what to say but he didn’t; at least not in a way that would make any difference. He longed to touch her like in the old days, to lower his head on her shoulder and rest there. “Cheerio, Maureen.” He shut the front door between them, taking care not to let it slam.

Built on a hill above Kingsbridge, the houses of Fossebridge Road enjoyed what estate agents called an elevated position, with far-reaching views over the town and countryside. Their front gardens, however, sloped at a precarious angle toward the pavement below, and plants wrapped themselves round bamboo stakes as if hanging on for dear life. Harold strode down the steep concrete path a little faster than he might have wished and noticed five new dandelions. Maybe this afternoon he would get out the Roundup. It would be something.

Reading Group Guide

QUESTIONS FOR READERS

1. Harold’s journey is both physical and metaphorical. He is not the only character in the novel to go on a journey and Rachel Joyce has said that writing the book was in itself a journey. What other literary journeys does this novel call to mind?

2. Harold says he is not a religious man but his journey is called a pilgrimage and it is undoubtedly a leap of faith. How much and how consciously do you feel RJ draws on Christian tenets and/ or other belief systems in the novel.

3. Harold is a man with many flaws. Despite, or perhaps because of this, do you see him as an archetypal Englishman? Or is he an Everyman?

4. When we first meet Harold and Maureen, while they share breakfast they seem in different worlds. To what extent did you see Maureen as the cause of Harold’s departure?

5. The mental health of several characters is called into question in the novel. Depression, Alzheimers, addiction are all diseases that touch many of us and yet mental illness remains to a great extent taboo in our society. How is RJ using this? Do you find it effective?
Harold and Maureen are married but both are lonely. The couple Harold meets at Buckfast Abbey travel together but have also lost sight of what holds them together. What makes a marriage happy? How much is romantic happiness about being a pair and how much about other people and interests?

6. At the start of the book both Harold and Maureen have allowed friends to fall by the wayside. This story is all about how we all connect with one another. What makes someone a true friend and how does RJ represent friendship?

7. Regret is an emotion that plays a key part in the novel. Do you think RJ sees it as a positive or negative force?

8. Is Harold’s relationship with David the inevitable result of Harold’s own upbringing?

9. Rachel Joyce writes beautifully about the English countryside – but how crucial to the telling of her story is the actual landscape she describes? How would it change the novel if it was set in Scotland, perhaps, or France, or..?

10. The sea provides bookends for the novel and plays a vivid part in Harold’s memories. Is this significant?

11. How does RJ use food, and the sharing of food in the novel?

12. How much are Harold’s responses to his fellow pilgrims dic- tated by his past?

13. Was the ending of the novel a shock or the inevitable conclusion?

14. Who saves who in this novel?

15. Has The Unlikely Pilgrimage of Harold Fry inspired you to do something out of the ordinary – take a journey? Renew contact with someone? Look at strangers with a new perspective? Do share your response with us at www.facebook.com/unlikelypilgrimageofharoldfry

RACHEL JOYCE ON WRITING THE UNLIKELY PILGRIMAGE OF HAROLD FRY

“Six years ago ‘The Unlikely Pilgrimage of Harold Fry’ began as a play for BBC Radio 4 that I wrote for my dad as he died of adenoid cystic cancer of the head and neck. I knew he would never hear it – and he didn’t. The last play of mine that he heard, he came to me afterwards and said, “You’ve done it again. You’ve made me cry.”

I was never sure if he was happy or sad about that.
The play won an award for best radio play. He didn’t know that either.

I had wanted for many years to write a book, but never had the courage it would work. I tried several times, and they came to nothing. (For a start, I didn’t show them to anyone.) So I enrolled on a novel writing course as a way of gaining confidence and also making a commitment.

I started writing through the night when my family were asleep. Or I’d have to stop the car on the way to school and jot something down on a bit of paper or the back of a receipt. My children got very good at taking notes as I dictated them. The other day I found one in my bag jotted down by my youngest daughter. It says: ‘what is Harold’s atitud to alcool?’

In writing the book, I listened a lot to other people. I wove a lot in of what I saw as I passed. People move me very much. Sometimes I think I feel more for them than I can say; it goes into what I write. It was the same when I used to work as an actress. I felt able to express the things inside me that didn’t have a place anywhere else.

The book isn’t about my dad. But it maybe (somehow) is about me wanting him not to die. He was a very fit and sharp man. His battle against cancer took four years and was very distressing to witness. He was reduced and reduced and reduced. We didn’t talk about it because he didn’t want us to. He insisted on doing the London – Brighton cycle race shortly after one operation. After another, I’d go to visit him in hospital and he was in an awful way, but still wearing a shirt and tie. Just like Harold.

This book has my heart in it. I tried to write a story that wouldn’t quite fit the rules. So that the reader might think they knew where they were, and then discover they weren’t there after all. I wanted to make the implausible, plausible after all.”

ABOUT RACHEL JOYCE

The author, Rachel Joyce, has written    over    twenty    original afternoon plays for BBC Radio 4, and has created major adaptations for the Classic series and Woman’s Hour, as well as a TV drama adaptation for BBC2. In 2007 she won the Tinniswood Award for Best Radio Play. Joyce moved to writing after a twenty-year career in theatre and television, performing leading roles for the RSC, the Royal National Theatre, The Royal Court and Cheek by Jowl; and winning a Time Out Best Actress Award and the Sony Silver. She currently lives in Gloucestershire with her family and is at work on her second novel.

PRODUCED BY TRANSWORLD PUBLISHERS FOR READING GROUPS 2012

Interviews

A Conversation with Rachel Joyce, Author of The Unlikely Pilgrimage of Harold Fry
What inspired you to write The Unlikely Pilgrimage of Harold Fry?
This story began as a radio play that I wrote (in secret) for my father when I knew he was dying of cancer. I never told my dad I was doing this for him - and I think I knew he would never find out. But I suppose I wanted to write about a man keeping alive a person he cared for, at the point that I was losing someone I very much wanted to keep. I loved making my dad laugh too. He was an extremely witty man. I also wanted to write a story about the things I believe in - about the very simple and complicated business of being human, I suppose.
Some of the locations Harold passes through are based on your own favorite places. What are two of those places?
The barn where Harold first sleeps out is very near our house, which is on the edge of a valley near Stroud. I pass this barn every day and it is a very average old thing - corrugated iron, tarpaulin, bricks. But I love it because it is what it is. It hasn't been converted to a house with wide -reaching views. It smells of diesel and hay and if you peep through the bars you can see right across the valley. I also have a special affinity with Kingsbridge, in South Devon, where Harold begins his walk - and Maureen waits for him - because my husband was brought up there. Whenever we visit we have crab sandwiches by the sea.
What was the hardest part of writing this story?
The hardest part was going back to it every day and writing; to keep believing in a story only you know and to give all that time, all that thought, all that spirit to it, when you don't even know anyone will pick it up and read it. In that way, Harold's journey and mine are very similar. They were both about putting your faith in something unlikely.
You say you want readers to think of Harold as an "every man." In what way can his journey relate to every person?
I think there is a part in all of us that is looking for something bigger - maybe it is the nature of being human that we seek to make sense of things that don't make sense at all. I also think that we all know what it means to lose people and things you want to keep. We know what remorse is and we also know how good it feels to connect. Essentially Harold sees himself as ordinary. I think that is true for most of us.
Who have you discovered lately?
Elizabeth Stroutt is just about my favourite discovery recently. This year I have also discovered several books by favourite authors of mine - including Jeanette Winterson's Why Be Happy When You Could Be Normal? and The Return of the Native by Thomas Hardy. My husband is reading James Hillman and can't resist quoting me excerpts when I am trying to concentrate on reading of my own. I find Hillman's ideas fill my head to bursting.

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