The Unwitting
A Novel
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- $7.99
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- $7.99
Publisher Description
In CIA parlance, those who knew were “witting.” Everyone else was among the “unwitting.”
On a bright November day in 1963, President Kennedy is shot. That same day, Nell Benjamin receives a phone call with news about her husband, the influential young editor of a literary magazine. As the nation mourns its public loss, Nell has her private grief to reckon with, as well as a revelation about Charlie that turns her understanding of her marriage on its head, along with the world she thought she knew.
With the Cold War looming ominously over the lives of American citizens in a battle of the Free World against the Communist powers, the blurry lines between what is true, what is good, and what is right tangle with issues of loyalty and love. As the truths Nell discovers about her beloved husband upend the narrative of her life, she must question her own allegiance: to her career as a journalist, to her country, but most of all to the people she loves.
Set in the literary Manhattan of the 1950s, at a journal much like the Paris Review, The Unwitting evokes a bygone era of burgeoning sexual awareness and intrigue and an exuberance of ideas that had the power to change the world. Resonant, illuminating, and utterly absorbing, The Unwitting is about the lies we tell, the secrets we keep, and the power of love in the face of both.
Praise for The Unwitting
“Much of the fun comes from the literary cameos (think: Mary McCarthy, Richard Wright and Robert Lowell), but it’s [Ellen Feldman’s] haunting portrait of a marriage that make this Cold War novel so resonant for readers of any time period, including our own.”—O: The Oprah Magazine
“The first notable thing about this book is the narrator’s voice: it is snappish, confident, argumentative, literate. I fell for it from the beginning. . . . The Unwitting is vibrant, sassy, informative, a page-turner, absorbing, and swift. I am a woman, so maybe it is a women’s book, but I seriously doubt it, and hope that male readers will give it a shot. Surely they too will appreciate the research that went into it. Surely they too will be fascinated by its bold and thorough review of the American twentieth century.”—Kelly Cherry, The Los Angeles Review of Books
“Compelling enough to take its place with the best of crime fiction, Feldman’s language is loving, bright and sharp while her storytelling abilities are unquestionable. . . . The Unwitting cuts us into an interesting time, then ramps things up. . . . Feldman is clearly a writer who is going places, [and] The Unwitting brings that home: it’s a terrific book.”—January Magazine
“A story of love and intrigue during the Cold War, The Unwitting plumbs not only the secrets of spies, but those of the human heart. Moving, witty, and thoroughly intelligent, it is an absorbing and deeply satisfying read.”—Kevin Baker, author of The Big Crowd
“Unforgettable . . . The Unwitting compelled me from the first page and through every unexpected twist and turn. This look into the dark places in human nature cries out to be read, re-ead, and discussed.”—Lynn Cullen, author of the national bestseller Mrs. Poe
“Through the lens of a passionate, complex marriage, Ellen Feldman brings the Cold War back to life. The Unwitting is a wise and irresistible portrait of fascinating people in a tumultuous time.”—Roger Straus III, former managing director, Farrar, Straus and Giroux
PUBLISHERS WEEKLY
The witch hunts of McCarthyism and the Cold War provide an appropriate backdrop for the this intelligent but overly detached novel from Feldman (Next to Love) about the betrayals and secrets of a marriage. Cornelia and Charlie Benjamin are part of New York City's liberal intelligentsia: he edits Compass, a left-wing magazine in which her writing often appears. But when Charlie is killed in an apparent mugging on the day of John F. Kennedy's assassination, Cornelia learns he was living a double life. She narrates the story of their relationship in retrospect, hinting at but not disclosing Charlie's secret, relying on clumsy foreshadowing to supply tension: "Looking back at it now..."; "Later I found out..."; "We should have known " The novel moves from 1948 to 1971, and its impressive scope keeps the story emotionally distant readers familiar with the era may appreciate the many high points mentioned, but Cornelia often seems to be recounting historical events rather than personal ones, telling her own story with the distance of a historian rather than the involvement of a participant. Still, there are poignant moments when she considers the way both personal and political memories shift with revealed knowledge, comparing recollection and truth to a reversible coat: "If I wore it on one side, it looked a certain way. If I turned it inside out, it was an entirely different animal."