The Life and Death of Sophie Stark

The Life and Death of Sophie Stark

by Anna North
The Life and Death of Sophie Stark

The Life and Death of Sophie Stark

by Anna North

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Overview

Winner of the 2016 Lambda Literary Award for Bisexual Fiction

“I read The Life and Death of Sophie Stark with my heart in my mouth. Not only a dissection of genius and the havoc it can wreak, but also a thunderously good story.”—Emma Donoghue, New York Times bestselling author of Room

“This novel is perceptive, subtle, funny and lingers in unexpected ways. The analysis of a woman who puts her art above all else is equal parts inspiration and warning story. Anna North makes prose look easy.”—Lena Dunham

Gripping and provocative, The Life and Death of Sophie Stark is a haunting story of fame, love, and legacy told through the propulsive rise of an iconoclastic artist. Sophie Stark begins her filmmaking career by creating a documentary about her obsession, Daniel, a college basketball star. But when she becomes too invasive, she finds herself the victim of a cruel retribution. The humiliation doesn’t stop her. Visionary and unapologetic, Sophie begins to use stories from the lives of those around her to create movies, and as she gains critical recognition and acclaim, she risks betraying the one she loves most.

Told in a chorus of voices belonging to those who knew Sophie best, The Life and Death of Sophie Stark is an intimate portrait of an elusive woman whose monumental talent and relentless pursuit of truth reveal the cost of producing great art. It is “not only a dissection of genius and the havoc it can wreak, but also a thunderously good story” (Emma Donoghue).

Product Details

ISBN-13: 9780698185579
Publisher: Penguin Publishing Group
Publication date: 05/19/2015
Sold by: Penguin Group
Format: eBook
Pages: 288
File size: 728 KB
Age Range: 18 Years

About the Author

About The Author

Anna North is a graduate of the Iowa Writers’ Workshop, and her writing has appeared in the San Francisco Chronicle, The Atlantic, Glimmer Train, Nautilus, and Salon; on Jezebel and BuzzFeed; and in the New York Times, where she is a staff editor. The author of America Pacifica, she lives in Brooklyn, New York.

Read an Excerpt

Allison
 

When Sophie first saw me, I was onstage. This girl Irina who I lived with at the time had organized a storytelling series at a bar in Bushwick, and after a couple weeks of watching I decided I wanted to tell a story too. I wasn’t like the other kids in the house; I’d never assumed I’d be an actor or a writer or anything creative. When I was growing up, everybody figured I’d stay in Burnsville, West Virginia, and have some kids. But there I was in New York and for ten minutes I could make people listen to me and treat me like I was important. The theme that week was “scary camping stories.” I was wearing my only pretty dress, a blue halter with a full skirt that I’d bought for seven dollars at a vintage store, and I got up onstage after some girl talked for twenty minutes about seeing a possum. Here’s the story I told, the one that started everything for Sophie and me.


My school had some good kids, Christian kids, kids who got married at eighteen before they started popping out babies. But my family was one hundred percent trash for five generations back, and I didn’t fit in real well with the church crowd. Instead I used to hang out with this guy named Bean.
 
Bean was a couple years older than me, and he’d dropped out of high school to sell weed, and he made enough money to rent half a run-down old farmhouse outside of town. He was nice—he always shared his weed, especially with girls, and he’d give me a place to stay when things got bad at home. But he had an edge to him—his dad was a Marine and he had taught Bean this trick where you snap someone’s neck in a single motion. And Bean always made you feel like you were so cool, part of this secret club with just him, and you wanted to do exactly what he said so you could be in the club forever.
 
I never saw a girl turn Bean down until he decided he was into Stacey Ashton. Stacey was my only friend who was a good girl. She was in the French club and she didn’t smoke weed and she wanted to go to Emory someday—she had a sweatshirt from there and everything.
 
Maybe that’s why Bean liked her, because she was so different. But she wasn’t interested. He’d go up to her at a party and she’d just be polite and then turn away, talk to some other guy. It made Bean really angry. I’d never seen him mad before—things usually went so well for him. But now every time Stacey turned her back on him, he got that look on his face like pressure building up.
 
Bean convinced me to talk to Stacey for him—he said maybe she’d go out with him if we double-dated. I didn’t like the weird, angry Bean, and I wanted to bring the happy one back. Plus, he promised me an eighth of weed. Stacey wasn’t easy to sway—she kept saying he creeped her out, there was something off about him. I said she was crazy, everybody loved him—anyway, me and Tommy, this guy I was sort of dating, would be there the whole time. Finally I told her that if she didn’t have fun, I’d buy her these butterfly earrings she liked at the mall. Stacey loved all that girly shit.
 
So Bean showed up that Friday and him and Stacey and me and Tommy drove to the campground where we usually went to drink and make out without anybody bothering us. There had been a lot of stories about this serial killer that summer, not in our area but in Virginia and North Carolina. He used a bowie knife to kill his victims, mostly girls in their teens or twenties. The paper called him “The Charlottesville Stabber,” but we called him “Stabby,” and whenever we went out in the woods, we’d tease each other that Stabby was going to get us. On the car ride I kept poking Stacey in the ribs to make her shriek, and then I’d yell “Stabby!” When we got there, we roasted hot dogs and drank beer and had a good time, and I could tell Stacey was kind of loosening up. Bean moved closer to her, and she didn’t move away, and then he put his arm around her, and she didn’t stop him. The night got colder, and she actually snuggled up against him a little bit. Then Bean winked at me, and I turned and started kissing Tommy, and I heard Bean say, “Let’s go for a walk and give them a little privacy.” Then I heard them both walk off toward the creek.
 
I didn’t love Tommy but I liked fucking him, and since we both lived in houses full of kids and stepdads we were pretty used to doing it on the ground at the campsite or in the backs of pick-up trucks or on football fields or wherever we could get a minute to ourselves. So we were all sweaty and happy and pulling on our clothes when Bean came walking out of the bushes by himself with a look on his face I’d never seen before.
 
“We need to leave,” he said.
 
“Why?” I asked. “What’s the matter? Where’s Stacey?”
 
“She went off to pee,” he said, “and then I couldn’t find her. I called and called. I looked all over.”
 
“We can’t just leave,” I said.
 
I started calling Stacey’s name.
 
Bean took my arm. He looked at me, and I saw fear in his eyes for the first time.
 
“I think we need to get the police,” he said. “I mean, I’m sure she just got lost or something, but in case . . .”
 
He trailed off, but I knew what he meant. None of us wanted to bring up the Stabber’s silly nickname. I told Bean to give me another minute, and I walked just a few steps outside the campsite, but I started to get scared, and we all drove to the police station where we told our stories to Officer Gray, who spent most of his time breaking up our parties or arresting my stepdad when he tried to drive home drunk from Red’s on a Tuesday night.
 
The police searched with dogs for miles around the campsite, but they didn’t find her body. Sometimes a thing like that brings people together, but this just blew the three of us apart. Tommy and I didn’t hook up anymore after that night. Bean didn’t come to high school parties anymore, and then he moved away without telling anybody or saying good-bye. The Stabber killed another victim, this one in South Carolina. I felt the joy drain out of me. I dropped out of high school, left my sisters and my brother to fend for themselves, and took a job waiting tables at a pasta restaurant in Charlottesville.
 
I’d been working there about six months when I saw in the news that they’d found Stacey’s body. She’d washed up on the shore of Moncove Lake, about a half mile from the campsite. The police said it was probably the work of the Stabber, since Stacey fit the profile of his other victims. But they noticed a change in his MO—Stacey’s neck had been snapped.
 
Another year passed. I turned twenty. I was just marking time in my life. And then—I remember it was a Friday, the restaurant was crowded with students ordering carafes of our gross wine—he showed up. He had a woman with him, a pretty, thin girl with strawberry-blond hair. She was well dressed, well cared for, nice skin and expensive shoes. She looked the way people look at that time in their relationship when they’re absolutely sure the other person loves them and they haven’t started to love that person any less yet. The hostess seated them at one of my tables, and I went to take their drink orders. I didn’t even think about running away. I wanted to see what Bean ordered, what his girlfriend’s voice sounded like. It was more than curiosity—as I walked over, I had the feeling of finishing something.
 
And then he saw me, and we looked right at each other for just a moment, and he didn’t look frightened all. His face had no expression on it. For a second I thought he might pretend not to know me, but instead he smiled wide and said, “Allison! It’s been forever.”
 
“It has,” I said. I didn’t know what to say next. I hadn’t thought beyond walking up to the table, looking at Bean, and seeing what he did.
 
“Allison was my best friend back in Burnsville. Allison, this is my fiancée, Sarah Beth.”
 
Sarah Beth extended her hand and I saw the ring sparkling on the other one. Bean had come up in the world. He was wearing a sweater and a collared shirt. He looked like he had stopped dealing drugs.
 
“What are you doing here?” I asked him.
 
“Sarah Beth and I just bought a house in Sunflower Court,” he said. “I’m working at Alton Kenney.”
 
Alton Kenney was the biggest real-estate agency in Charlottesville. I looked at Sarah Beth and then back at Bean and thought: rich father-in-law, job, house, wife, life. I wasn’t disgusted—I just felt like I’d slipped into some other universe, one that had even less justice than the one I’d grown up in. I felt like I was moving through water. I took their drink orders and told them about our specials and even remembered to smile. Bean smiled back. I went back and got the drinks—white wine for her, red for him— and I took their meal orders and brought them their pasta, and then I went in the kitchen and stood for a minute staring at the wall.
 
That’s when Bean found me. He touched my elbow—not hard, not a grab, just a tap—and he asked me if I’d come outside with him for a minute. I thought about whether he would kill me too, just snap my neck the way he’d snapped hers, but I didn’t think he’d do that with his fiancée so close, sipping her wine and thinking he was normal. And I wanted to hear what he had to say. I let him lead me out to the parking lot.
 
“You know why I wasn’t surprised to see you?” he asked. “Why?”
 
I kept my back against the kitchen door so I could let myself in quickly if I needed to.
 
“Because I’ve been keeping track of you. I knew when you moved here, and I knew where you worked, and I came here to see you.”
 
“Why?” I asked again.
 
“Because I wanted you to know that I can always find you.” And then he reached behind me and opened the door and went back inside.
 
That was three years ago. I quit that job, I changed my name, I moved here. But I still check behind me every time I let myself in my apartment. I still have a panic attack every time I see someone his height, his build. I’ve never told anyone this story before. I guess I keep hoping I’ll forget it, but I never do.
 
 
After I finished, everyone applauded. A blond girl with perfect teeth came up to tell me how great I was. A guy who said he had a magazine gave me a homemade business card and told me to send my story to him. I was sleeping with this guy Barber at the time, who was in a band and who everyone thought was going places, and he put his arm around me and kissed me on the head and said, “That was so powerful, dude.”
 
Sophie waited until I was alone—Barber and Irina had gone off to get drinks when she came over. She was tiny, wearing a boy’s button-down shirt and jeans rolled up above scrawny ankles. Her hair was slicked back and her face was pale, pointy, wide-eyed. She looked about sixteen years old.
 
“That’s not a true story,” was the first thing she said to me. “Is it?”

What People are Saying About This

From the Publisher

Praise for AMERICA PACIFICA

“A dark, gripping, and wildly creative debut with a futuristic end-of-days setting.” –BookPage

"Anna North's fluid prose moves this story along with considerable force and velocity. The language in America Pacifica seeps into you, word by word, drop by drop, until you are saturated in the details of this vivid and frightening world." —Charles Yu, author of How to Live Safely in a Science Fictional Universe

"Anna North has crafted a dangerous, wise, and deeply affecting vision of the future that is also a dark mirror held to our present. At once thrilling and heartbreaking, America Pacifica suggests how we shape ourselves by shaping the world." —Jedediah Berry, author of The Manual of Detection

“Richly imagined… North, a recent graduate of the Iowa Writers' Workshop, is a stylish writer and a good storyteller who keeps the pages turning…. An entertaining, stylishly written doomsday novel.” –Kirkus

“A dark, page-turning debut… North cleverly combines elements from other popular modern stories—a brave young heroine on an against-all-the-odds quest on a strange island with shocking secrets…The story—and the wealth of detail in a vividly imagined world—is memorable.” –Publishers Weekly

“A thrilling and often very gripping read, expanding beyond its basic quest narrative to comment on society and the politics of control….North weaves in black humor, frank sex scenes, and bittersweet memories…. An enjoyable and intriguing read.” –Time Out London

“A richly rendered post-apocalyptic novel set on a Pacific island…. In her debut novel, Anna North shows us a disturbing vision of the future that is disturbingly similar to our present.” –Daily Beast

Reading Group Guide

Reading Group Guide for The Life and Death of Sophie Stark by Anna North

1. On page 15, Sophie tells Allison that “movies are how I get to know people.” Discuss this assertion. Given what readers learn about Sophie’s motivations over the course of the novel, do you think this is an accurate or truthful statement?

2. Describe Allison’s relationship with Sophie. Why do you think Allison is initially attracted to Sophie? What sustains their relationship?

3. Discuss the structure of The Life and Death of Sophie Stark. What is the author’s purpose in using multiple perspectives as a means of discussing Sophie’s life? How does it relate to Sophie’s filmmaking career?

4. Why do you think Daniel reached out to Sophie in his adulthood? Discuss their meeting in Chicago. Why do you think Sophie accepted his invitation?

5. How would you characterize Sophie’s relationship with Robbie? How does it change or evolve over the course of the novel?

6. When is Sophie most vulnerable? To whom does she reveal her truest self?

7. The incident in which Sophie’s head gets shaved is a disturbing and emotionally volatile moment in this novel. How does this incident change her? Discuss its repercussions in her relationship with Robbie and Daniel, and how it changes Sophie’s interactions with her peers.

8. Discuss the author’s decision to intersperse critical reviews of Sophie’s work amongst personal narrative accounts. What effect did this have on you as a reader?

9. What was the most surprising aspect of this novel for you? Which characters, if any, did you relate to? Feel sympathetic toward?

10. Discuss how the filmic experience of Marianne differs from that of Isabella. How does Sophie’s filmmaking evolve over the course of the novel? Are there any habits of hers on set that remain constant? How does Allison’s understanding of her craft change because of Sophie?

11. How does manipulation factor into Sophie’s relationships? When does she elide the truth in order to advance her own professional or personal goals?

12. The Life and Death of Sophie Stark takes place over the course of several years. How is Sophie’s growth and development tracked in the novel? Which character, if any, changes the most over the course of the narrative?

13. The last few chapters of the novel reveal Sophie’s plan for her last film project. What does the documentary’s format—sharing her life via other people’s perspectives—assert about Sophie’s own body of work? How is it a response to her critics?

Questions for Anna North, author of The Life and Death of Sophie Stark

1. What inspired The Life and Death of Sophie Stark? Why did filmmaking capture your imagination? 
I had wanted to write about a female filmmaker for a long time; I actually started a project about a director named Sophie Stark years ago, and then put it on hold when I wrote America Pacifica. I don’t know if I was fascinated specifically with filmmaking as much as with this particular character, who is a filmmaker — she seemed to come into my head almost fully formed. For her, I think filmmaking is appealing because it allows her to approach life at a remove; she can tell the stories of people close to her without being part of them, exactly. It’s also a visual medium, and she thinks much more visually than verbally — she’s interested in qualities of light and space, and not especially good at expressing herself in words. I enjoyed the challenge of thinking about things the way Sophie would; it forced me to approach the events and settings in the book from a different angle than I, as a writer, ordinarily would.

2. What was the most challenging aspect of the writing process for you? How did it differ from writing your previous novel?
Probably the hardest thing was getting the points of view right. At the beginning I thought the book would have just one point of view, and I spent a lot of time trying to figure out which one it would be. But no matter how many I tried out — Robbie, Allison, a film-student character who ended up having some things in common with the critic Ben Martin — none of them felt like they could tell the whole story. When I realized I could include them all, things got easier. But still, some of the voices came to me more easily than others, and I had to spend a lot of time thinking about each person and how she or he would talk and see the world.

3. The Life and Death of Sophie Stark features some admittedly dark and tragic scenes. Was it difficult to immerse yourself in the characters’ interior lives during the writing process?
At times it was. It was especially hard to write about Allison’s assault by Bean, Jacob’s mother’s illness, and Sophie’s last days, when Robbie is powerless to help her. I had very different attitudes toward the characters when I was writing them through hard times, also. I felt really sorry for Robbie — he loves his sister so much, and even though she loves him too, she doesn’t always treat him very well. Robbie’s sort of figured his life out by the end of the book, but I also think of him as a little bit fragile — his sense of self, outside of Sophie, isn’t that strong. So I felt especially sad for him when he lost her. Allison is stronger; everything that happens between her and Sophie hurts her, but it won’t break her. I like thinking about her going on after the book is over, raising her child and living her life. Even though she’s done some cruel things herself, I find myself feeling proud of her.

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