Witch Child

Witch Child

by Celia Rees
Witch Child

Witch Child

by Celia Rees

Paperback(Reprint)

$8.99 
  • SHIP THIS ITEM
    Temporarily Out of Stock Online
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

"With its theme of religious intolerance and its touches of the supernatural, this is sure to be in high demand for a long time." — Kirkus Reviews

Welcome to the world of young Mary Newbury, a world where simply being different can cost a person her life. Hidden until now in the pages of her diary, Mary’s startling story begins in 1659, the year her beloved grandmother is hanged in the public square as a witch. Mary narrowly escapes a similar fate, only to face intolerance and new danger among the Puritans in the New World. How long can she hide her true identity? Will she ever find a place where her healing powers will not be feared?

Product Details

ISBN-13: 9780763642280
Publisher: Candlewick Press
Publication date: 05/12/2009
Edition description: Reprint
Pages: 288
Product dimensions: 5.06(w) x 7.75(h) x 0.74(d)
Lexile: 760L (what's this?)
Age Range: 12 Years

About the Author

Celia Rees is the author of many novels for teens. WITCH CHILD is her first with Candlewick Press. After reading about seventeenth-century witch persecutions and Native American shamanism, she says, "It occurred to me that the beliefs and skills that would have condemned a woman to death in one society would have been revered in another. That got me thinking, what if there was a girl who could move between these two worlds?... Mary came into my head and WITCH CHILD began."

Read an Excerpt

1. Early March 1659

I am Mary.

I am a witch. Or so some would call me. "Spawn of the Devil," "Witch child," they hiss in the street, although I know neither father nor mother. I know only my grandmother, Eliza Nuttall; Mother Nuttall to her neighbors. She brought me up from a baby. If she knew who my parents are, she never told me.

"Daughter of the Erl King and the Elfen Queen, that's who you are."

We live in a small cottage on the very edge of the forest; Grandmother, me, and her cat and my rabbit.

Lived. Live there no more.

Men came and dragged her away. Men in black coats and hats as tall as steeples. They skewered the cat on a pike; they smashed the rabbit's skull by hitting him against the wall. They said that these were not God's creatures but familiars, the Devil himself in disguise. They threw the mess of fur and flesh on to the midden and threatened to do the same to me, to her, if she did not confess her sins to them.

They took her away then.

She was locked in the keep for more than a week. First they "walked" her, marching her up and down, up and down between them for a day and a night until she could no longer hobble, her feet all bloody and swollen. She would not confess. So they set about to prove she was a witch. They called in a woman, a Witch Pricker, who stabbed my grandmother all over with long pins, probing for the spot that was numb, where no blood ran, the place where the familiars fed. The men watched as the woman did this, and my grand-mother was forced to stand before their gloating eyes, a naked old lady, deprived of modesty and dignity, the blood streaming down her withered body, and still she would not confess.

They decided to "float" her. They had plenty of evidence against her, you see. Plenty. All week folk had been coming to them with accusations. How she had overlooked them, bringing sickness to their livestock and families; how she had used magic, sticking pins in wax figures to bring on affliction; how she had transformed herself and roamed the country for miles around as a great hare and how she did this by the use of ointment made from melted corpse fat. They questioned me, demanding, "Is this so?"

She slept in the bed next to me every night, but how do I know where she went when sleep took her?

It was all lies. Nonsense and lies.

These people accusing her, they were our friends, our neighbors. They had gone to her, pleading with her for help with beasts and children, sick or injured, a wife nearing her time. Birth or death, my grand-mother was asked to be there to assist in the passage from one world to the next, for she had the skill - in herbs, potions, in her hands - but the power came from inside her, not from the Devil. The people trusted her, or they had until now; they had wanted her presence.

They were all there for the swimming, standing both sides of the river, lining the bridge, staring down at the place, a wide pool where the water showed black and deep. The men in tall hats dragged my grandmother from the stinking hole where they had been keeping her. They cross-bound her, tying her right toe to her left thumb and vice versa, making sure the cords were thin and taut. Then they threw her in. The crowd watched in silence, the only sound the shuffle of many feet edging forward to see what she would do.

"She floats!"

The chant started with just one person remarking, in a quiet voice almost of wonder, then it spread from one to another until all were shouting, like some monstrous howling thing. To float was a sure proof of guilt. They hooked her, pulling her back to shore like a bundle of old washing. They did not want her drowning, because that would deprive them of a hanging.


2.

It is a cold day, even for the early spring. White

frost on the ground and green barely touching the trees, but folk come from far and near for the hanging. They crowd the market square worse than for a fair.

It is dangerous for me to be there. I see them glancing and whispering, "That's her, the granddaughter," "Daughter of the Devil, more like." Then they turn away, sniggering, hands covering their mouths, faces turning red at the lewd images they conjure in their own mind's eye. The evil is in themselves.

I should flee, get away. They will turn on me next unless I go. But where to? What am I to do? Lose myself. Die in the forest. I look around. Eyes, hard with hatred, slide from mine. Mouths twitch between leering and sneering. I will not run away into the forest, because that is what they want me to do.

I keep my eyes forward now, staring at the gallows. They have hammered away for a night and a day putting it up. You can smell the fresh-cut wood, even from where I stand at the back of the crowd.

What powers do they think we have, my grand-mother and I? If she had real power, would she not be able to undo the locks to their stinking dungeon and fly through the air to safety? Would she not call up her master, Satan, to blast and shrivel them to dust and powder? And if I had any powers, any at all, I would destroy all these people, right here and now. I would turn them into a mass of fornicating toads. I would turn them into leprous blind newts and set them to eating themselves. I would cover their bodies with suppurating sores. I would curse them from generation to generation, down through the ages, so their children and their children's children bore gaggling half-wits. I would addle their heads, curdling, corrupting the insides of their skulls until their brains dripped from their noses, like bloody mucus. . . .

I was so lost in my curses that only the sudden silence of the crowd brought me back to what was about to happen. Black figures stood on the pale boards, silhouetted against the white of the sky: Witchfinder..

Interviews

Celia Rees on Conjuring Up Witch Child

"What interests me is why people believe things," says Celia Rees, author of the acclaimed novel Witch Child. "Why do people believe that some people have powers? And what could those powers really be?"

Told in the form of a diary, Witch Child is the spellbinding story of Mary Newbury, a teenage girl who escapes England's witch hysteria in the 1600s only to face intolerance among the Puritans in the New World. While illuminating one of the darker times in history -- a time when simply being different could cost you your life -- Witch Child evokes powerful themes that continue to resonate.

Why would young readers today care about a girl who lived hundreds of years ago? One obvious reason is the current fascination with the occult (think Blair Witch Trials, Buffy the Vampire Slayer, and a blockbuster series about a certain wizard, which shares a U.K. publisher with Celia Rees). But readers will be drawn more by Witch Child's perennial themes of adolescence -- social isolation, prejudice against those who don't conform, and the struggle to stay true to yourself.

"In any institutionalized setting like the one in which Mary finds herself -- it could be a school, it could be a neighborhood, it could be anywhere -- there will always be some people who are against you," Celia Rees says. "And you've got to stick by what you believe and what you think." While Mary is not without her faults -- "She's headstrong and she can make mistakes," the author says -- she stands as a strong role model. "There comes a point where you can't compromise any more," says the author. "You have to decide whether you're prepared to change yourself entirely or whether you're going to keep your integrity."

A long time brewing
A meticulous researcher, Celia Rees has long been curious about the era in which Witch Child takes place. "Even when I was studying history in college, I remember thinking how isolated the first communities in America were," she says. She was also intrigued by the hysteria of the witch trials and wondered whether the sense of strangeness and fear felt by the early settlers may have helped to fuel these awful events.

It was in such musings that the idea for Witch Child had its beginnings. "But the complete story would be quite a long time brewing," Celia Rees says. The magical moment came when she was reading a book about Native American shamanism and realized that many of the beliefs this community embraced -- such as natural healing and the ability to change shapes -- were also attributed to women who were called witches. She found it amazing that at a single point in time, a person with such "powers" would be persecuted in one culture but revered in another.

Is it real?
Because of the story's striking immediacy, many readers of Witch Child have wondered whether it is a real girl's journal. The premise of the book is that the pages of Mary's private diary have recently been discovered within the layers of an antique quilt, a quilt Mary herself pieced together. There is even an afterword from a fictional scholar who found the document, inviting readers to e-mail her if they have any information about Mary.

"I wanted to write it as a diary and not like a historical novel because I didn't want there to be any distance between the reader and Mary," Celia Rees explains. "It's easy when you read a historical novel to think, 'Well, that's a shame, isn't it, but it happened a long time ago so it doesn't really matter to me.' But I wanted it to matter with the readers right away. I wanted them to feel her anger, her fear, and her hatred, really, of what was going on."

Judging from the tone of the e-mails Celia Rees has received, Witch Child has indeed sparked some fervent interest in Mary's fate. "They're very, very positive," she says of her many correspondents. "They feel empathy for Mary and identify with her and want to know what happened to her." (Readers will not be left hanging -- a sequel is in the works that will reveal a surprising new episode in Mary's life.)

And what about Celia Rees herself -- does she believe in the supernatural? "Well, that's a tough question," the author admits. "I like to say that I'm a little bit like Fox Mulder on The X-Files. I want to believe. After all, it would be a boring sort of world if there weren't things we couldn't explain, now, wouldn't it?"

Interview courtesy of Candlewick Press, Inc., Cambridge, MA.

From the B&N Reads Blog

Customer Reviews