★ 05/16/2016
In a bravura finish to the trio of wordless tales that began with 2013’s Journey, Caldecott Honoree Becker brings still more splendor and feeling to his architectural fantasy world. For the first time, readers meet the father of the girl with the red crayon, an artist who has sunk into his own work. Wielding her crayon, the girl escapes into the now-familiar fantasy kingdom to meet her friends, the boy and the king. Her remorseful father follows, arriving just as an enemy warrior wields a crank-operated vacuum box to suck up the kingdom’s magic crayons and their creations. Father and daughter escape to a Lascaux-style cavern whose ancient paintings suggest a way to defeat their enemies, and they do just that. Fantastic contraptions, elaborate landscapes, and breathless escapes would each on their own distinguish this installment; together, they dazzle. That the father is redeemed by entering his daughter’s kingdom and mastering its rules gives the story a sense of moral justice. Becker’s creation is a gift to his readers—one they’ll want to save for their own children. Ages 4–8. Agent: Linda Pratt, Wernick & Pratt. (Aug.)
"Return" offers straight shots of pleasure.
—The New York Times Book Review
This breathless finale to Becker's Journey trilogy (Journey, 2013; Quest, 2014) takes readers back to the intricate interior of an alternate world where crayons wield power...The father and child's mutual adventure unspools silently but with urgency. Readers remember the dad's distraction, which started both this book and the trilogy itself. When cave paintings depict the dad as the hero, casting out the villain, hearts swell and eyes well.A fantastic final leg to a reading journey that altered, expanded, and enriched the landscape of children's literature—and surely many young people's lives.
—Kirkus Reviews (starred review)
In a bravura finish to the trio of wordless tales that began with 2013’s Journey, Caldecott Honoree Becker brings still more splendor and feeling to his architectural fantasy world...Fantastic contraptions, elaborate landscapes, and breathless escapes would each on their own distinguish this installment; together, they dazzle. That the father is redeemed by entering his daughter’s kingdom and mastering its rules gives the story a sense of moral justice. Becker’s creation is a gift to his readers—one they’ll want to save for their own children.
—Publishers Weekly (starred review)
In this satisfying conclusion to the magnificent picture book trilogy...Becker’s stunning watercolor and pen-and-ink illustrations depict a breathtaking world that captivates without a written narrative—and one that readers will want to come back to again and again. Though this title relies somewhat on the audience’s knowledge of the previous books, it is an absolute must for any collection and will draw new fans just as it will delight those who enjoyed the previous two installments.
—School Library Journal (starred review)
The concluding volume of this wordless trilogy (Journey, BCCB 10/13 and Quest, BCCB 9/14) offers a final look at the fantastical kingdom entered by two kids who wield magic with their colored markers...fans of the first two (and fathers wishing they could join in the adventure) will appreciate the warm conclusion.
—Bulletin of the Center for Children's Books
This third, wordless installment (Journey, rev. 9/13; Quest, rev. 9/14) brings the story full circle, beginning and ending in the same city brownstone shown in the first book. While Return can be enjoyed on its own, fans will find rewarding similarities to, and subtle differences from, the other books...Even if her character has grown up, readers can return to this world again and again.
—Horn Book
The watercolors remain breathtaking, and there are moments of high invention...It’s a must-read for fans.
—Booklist
From the castle and its surroundings to the cave where a parallel adventure is depicted in petroglyphs, Becker’s detailed watercolors invest his tale with visual and narrative richness — and invite readers to return again.
—Washington Post
The dazzling, wordless picture-book trilogy that began with “Journey” (2013) and “Quest” (2014) comes to a rapturous conclusion with “Return” (Candlewick, 40 pages, $15.99), as Aaron Becker brings children ages 4-9 back to the hushed, lantern-hung woods and fantastical turrets and waterways of a marvelous realm. Rich indigos, purples and golds predominate in Mr. Becker’s captivating pictures of a child and her surprise companion whose love and ingenuity win the day in a setting of magical beauty.
—The Wall Street Journal
★ 07/01/2016
K-Gr 4—In this satisfying conclusion to the magnificent picture book trilogy, the young heroine once again tries to get her aloof illustrator father's attention and, failing, departs from her mundane sepia-colored world to a fantastical realm via a door she draws with her magic red crayon. This time, her father follows in her footsteps and catches up to her and her friends in the majestic and mysterious city. When crayon-thieving soldiers attack, epic escapades ensue as the duo and their friends flee, then discover a clever solution to defeating their foes that results in father and daughter finally bonding in a touching finale. Like its predecessors, this wordless tale brims with excitement and adventure. Becker's stunning watercolor and pen-and-ink illustrations depict a breathtaking world that captivates without a written narrative—and one that readers will want to come back to again and again. VERDICT Though this title relies somewhat on the audience's knowledge of the previous books, it is an absolute must for any collection and will draw new fans just as it will delight those who enjoyed the previous two installments.—Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NY
★ 2016-05-04
This breathless finale to Becker's Journey trilogy (Journey, 2013; Quest, 2014) takes readers back to the intricate interior of an alternate world where crayons wield power.To escape the loneliness of the house, where father furrows his brow over a drafting table upstairs, a white child with a brown pageboy takes up a red crayon and draws a door. Readers familiar with the series know what twinkles on the other side—a purple-plumed bird, trees hung with bobbing lanterns, a Byzantine castle just beyond. New readers will find themselves startled and exhilarated alongside the father when he discovers the improvised door and steps through. Becker's elaborate watercolor-and-pen illustrations capture the scope and mystery of this other place, where, in a few strokes, crayons conjure marvels. Such ambitious, elaborate pictures demand time, and an insistent, pulsing plot battles with their embedded reverie. A wicked, horned warrior invades the castle, seizing the magic crayons from crowned royals (the first child, a second, and a king). The father and child's mutual adventure unspools silently but with urgency. Readers remember the dad's distraction, which started both this book and the trilogy itself. When cave paintings depict the dad as the hero, casting out the villain, hearts swell and eyes well.A fantastic final leg to a reading journey that altered, expanded, and enriched the landscape of children's literature—and surely many young people's lives. (Picture book. 3-8)