The Devil Wears Prada

The Devil Wears Prada

by Lauren Weisberger
The Devil Wears Prada

The Devil Wears Prada

by Lauren Weisberger

Paperback(Reprint)

$14.99  $17.00 Save 12% Current price is $14.99, Original price is $17. You Save 12%.
  • SHIP THIS ITEM
    Qualifies for Free Shipping
    Choose Expedited Shipping at checkout for delivery by Thursday, March 21
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

#1 NEW YORK TIMES BESTSELLER • SOON TO BE A BROADWAY MUSICAL • The iconic novel that inspired the hit movie starring Meryl Streep and Anne Hathaway—a gloriously wicked story about the ultimate Boss from Hell and the deals we make with the devil to get to the top
 
“The degree to which The Devil Wears Prada has penetrated pop culture needs no explanation.”—Vanity Fair
 
Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child.

Andrea is sorely tested each and every day—and often late into the night—with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get her a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not it’s worth the price of her soul.

Product Details

ISBN-13: 9780767914765
Publisher: Random House Publishing Group
Publication date: 04/13/2004
Edition description: Reprint
Pages: 384
Sales rank: 31,375
Product dimensions: 5.15(w) x 7.94(h) x 0.85(d)

About the Author

Lauren Weisberger is the #1 New York Times bestselling author of When Life Gives You LululemonsThe Singles Game, Revenge Wears Prada, Last Night at Chateau Marmont, Chasing Harry WinstonEveryone Worth Knowing, and The Devil Wears Prada—most of which were top five bestsellers. The Devil Wears Prada was published in forty languages and made into a major motion picture starring Meryl Streep and Anne Hathaway. Elton John and Paul Rudnick are adapting it for the stage. Weisberger’s books have sold more than thirteen million copies worldwide. A graduate of Cornell University, she lives in Connecticut with her husband and two children.

Hometown:

New York, New York

Date of Birth:

March 28, 1977

Place of Birth:

Scranton, Pennsylvania

Education:

B.A. in English, Cornell University, 1999

Read an Excerpt

1

The light hadn't even officially turned green at the intersection of 17th and Broadway before an army of overconfident yellow cabs roared past the tiny deathtrap I was attempting to navigate around the city streets. Clutch, gas, shift (neutral to first? Or first to second?), release clutch, I repeated over and over in my head, the mantra offering little comfort and even less direction amid the screeching midday traffic. The little car bucked wildly twice before it lurched forward through the intersection. My heart flip-flopped in my chest. Without warning, the lurching evened out and I began to pick up speed. Lots of speed. I glanced down to confirm visually that I was only in second gear, but the rear end of a cab loomed so large in the windshield that I could do nothing but jam my foot on the brake pedal so hard that my heel snapped off. Shit! Another pair of seven-hundred-dollar shoes sacrificed to my complete and utter lack of grace under pressure: this clocked in as my third such breakage this month. It was almost a relief when the car stalled (I'd obviously forgotten to press the clutch when attempting to brake for my life). I had a few seconds—peaceful seconds if one could overlook the angry honking and varied forms of the word "f***" being hurled at me from all directions—to pull off my Manolos and toss them into the passenger seat. There was nowhere to wipe my sweaty hands except for the suede Gucci pants that hugged my thighs and hips so tightly they'd both begun to tingle within minutes of my securing the final button. My fingers left wet streaks across the supple suede that swathed the tops of my now numb thighs. Attempting to drive this $84,000 stick-shift convertible through the obstacle-fraught streets of midtown at lunchtime pretty much demanded that I smoke a cigarette.

"F***in' move, lady!" hollered a swarthy driver whose chest hair threatened to overtake the wife-beater he wore. "What do you think this is? F***in' drivin' school? Get outta the way!"

I raised a shaking hand to give him the finger and then turned my attention to the business at hand: getting nicotine coursing through my veins as quickly as possible. My hands were moist again with sweat, evidenced by the matches that kept slipping to the floor. The light turned green just as I managed to touch the fire to the end of the cigarette, and I was forced to leave it hanging between my lips as I negotiated the intricacies of clutch, gas, shift (neutral to first? Or first to second?), release clutch, the smoke wafting in and out of my mouth with each and every breath. It was another three blocks before the car moved smoothly enough for me to remove the cigarette, but it was already too late: the precariously long line of spent ash had found its way directly to the sweat stain on the pants. Awesome. But before I could consider that, counting the Manolos, I'd wrecked $3,100 worth of merchandise in under three minutes, my cell phone bleated loudly. And as if the very essence of life itself didn't suck enough at that particular moment, the caller ID confirmed my worst fear: it was Her. Miranda Priestly. My boss.

"Ahn-dre-ah! Ahn-dre-ah! Can you hear me, Ahn-dre-ah?" she trilled the moment I snapped my Motorola open—no small feat considering both of my (bare) feet and hands were already contending with various obligations. I propped the phone between my ear and shoulder and tossed the cigarette out the window, where it narrowly missed hitting a bike messenger. He screamed out a few highly unoriginal "f*** yous" before weaving forward.

"Yes, Miranda. Hi, I can hear you perfectly."

"Ahn-dre-ah, where's my car? Did you drop it off at the garage yet?"

The light ahead of me blessedly turned red and looked as though it might be a long one. The car jerked to a stop without hitting anyone or anything, and I breathed a sigh of relief. "I'm in the car right now, Miranda, and I should be at the garage in just a few minutes." I figured she was probably concerned that everything was going well, so I reassured her that there were no problems whatsoever and we should both arrive shortly in perfect condition.

"Whatever," she said brusquely, cutting me off midsentence. "I need you to pick up Madelaine and drop her off at the apartment before you come back to the office." Click. The phone went dead. I stared at it for a few seconds before I realized that she'd deliberately hung up because she had provided all of the details I could hope to receive. Madelaine. Who the hell was Madelaine? Where was she at the moment? Did she know I was to pick her up? Why was she going back to Miranda's apartment? And why on earth—considering Miranda had a full-time driver, housekeeper, and nanny—was I the one who had to do it?

Remembering that it was illegal to talk on a cell phone while driving in New York and figuring the last thing I needed at that moment was a run-in with the NYPD, I pulled into the bus lane and switched my flashers on. Breathe in, breathe out, I coached myself, even remembering to apply the parking brake before taking my foot off the regular one. It had been years since I'd driven a stick-shift car—five years, actually, since a high school boyfriend had volunteered his car up for a few lessons that I'd decidedly flunked—but Miranda hadn't seemed to consider that when she'd called me into her office an hour and a half earlier.

"Ahn-dre-ah, my car needs to be picked up from the place and dropped off at the garage. Attend to it immediately, as we'll be needing it tonight to drive to the Hamptons. That's all." I stood, rooted to the carpet in front of her behemoth desk, but she'd already blocked out my presence entirely. Or so I thought. "That's all, Ahn-dre-ah. See to it right now," she added, still not glancing up.

Ah, sure, Miranda, I thought to myself as I walked away, trying to figure out the first step in the assignment that was sure to have a million pitfalls along the way. First was definitely to find out at which "place" the car was located. Most likely it was being repaired at the dealership, but it could obviously be at any one of a million auto shops in any one of the five boroughs. Or perhaps she'd lent it to a friend and it was currently occupying an expensive spot in a full-service garage somewhere on Park Avenue? Of course, there was always the chance that she was referring to a new car—brand unknown—that she'd just recently purchased that hadn't yet been brought home from the (unknown) dealership. I had a lot of work to do.

I started by calling Miranda's nanny, but her cell phone went straight to voice mail. The housekeeper was next on the list and, for once, a big help. She was able to tell me that the car wasn't brand-new and it was in fact a "convertible sports car in British racing green," and that it was usually parked in a garage on Miranda's block, but she had no idea what the make was or where it might currently be residing. Next on the list was Miranda's husband's assistant, who informed me that, as far as she knew, the couple owned a top-of-the-line black Lincoln Navigator and some sort of small green Porsche. Yes! I had my first lead. One quick phone call to the Porsche dealership on Eleventh Avenue revealed that yes, they had just finished touching up the paint and installing a new disc-changer in a green Carrera 4 Cabriolet for a Ms. Miranda Priestly. Jackpot!

I ordered a Town Car to take me to the dealership, where I turned over a note I'd forged with Miranda's signature that instructed them to release the car to me. No one seemed to care whatsoever that I was in no way related to this woman, that some stranger had cruised into the place and requested someone else's Porsche. They tossed me the keys and only laughed when I'd asked them to back it out of the garage because I wasn't sure I could handle a stick shift in reverse. It'd taken me a half hour to get ten blocks, and I still hadn't figured out where or how to turn around so I'd actually be heading uptown, toward the parking place on Miranda's block that her housekeeper had described. The chances of my making it to 76th and Fifth without seriously injuring myself, the car, a biker, a pedestrian, or another vehicle were nonexistent, and this new call did nothing to calm my nerves.

Once again, I made the round of calls, but this time Miranda's nanny picked up on the second ring.

"Cara, hey, it's me."

"Hey, what's up? Are you on the street? It sounds so loud."

"Yeah, you could say that. I had to pick up Miranda's Porsche from the dealership. Only, I can't really drive stick. But now she called and wants me to pick up someone named Madelaine and drop her off at the apartment. Who the hell is Madelaine and where might she be?"

Cara laughed for what felt like ten minutes before she said, "Madelaine's their French bulldog puppy and she's at the vet. Just got spayed. I was supposed to pick her up, but Miranda just called and told me to pick the twins up early from school so they can all head out to the Hamptons."

"You're joking. I have to pick up a f***ing dog with this Porsche? Without crashing? It's never going to happen."

"She's at the East Side Animal Hospital, on Fifty-second between First and Second. Sorry, Andy, I have to get the girls now, but call if there's anything I can do, OK?"

Interviews

A Conversation with Lauren Weisberger, author of THE DEVIL WEARS PRADA
1. The tortures Miranda puts Andrea through are bound to become urban legends—did you set out to write the ultimate "boss from hell" story with THE DEVIL WEARS PRADA?
While I didn’t necessarily begin writing with the intent of creating a "boss from hell" story, it’s obviously a large component of the book. A lot of the anecdotes and demands and craziness are products of my imagination, stories I created at four in the morning while chugging coffee and fighting sleep deprivation. But there’s reality there, too. Some of the stories aren’t so far away from the tasks either I or my friends in various industries — whether fashion or magazines or PR or advertising — went through our first few years out of college. I imagine that assistants everywhere will recognize some of their own experiences in Andrea’s life.
2. I know Andrea is a fictional character, but do you have any qualities in common with her? For example, do you eschew high fashion and opt for Banana Republic like Andrea at the beginning of the novel?
I see a lot of myself in Andrea, from her love of writing to her tendency to get so wrapped up in things that she somehow finds it difficult to see the big picture. It was only natural for me to have her grow up in a small town, study English at university, and move to New York after graduation, because that’s clearly a familiar path for me. But I think she’s a hell of a lot stronger than I could ever be. Every time I reread the book, I’m struck by the tenacity with which she keeps showing up at work every dayand how she manages, somehow, to get through a really lousy situation. And while, like Andrea, I care very little about high fashion, I of course wouldn’t turn down an afternoon of shopping with my friends. I definitely like clothes as much as the next girl, just not to the extent of people who work in the fashion industry.
3. So many women all over the world have relationships with fashion magazines, it is no wonder that THE DEVIL WEARS PRADA has generated so much buzz. Have you been surprised by all of the excitement surrounding the book?
When the excitement really picked up the past couple months and there were all sorts of mentions in magazines and newspapers, I was blown away. It still seems totally surreal, and seeing the name of the book in print somewhere official is so shocking that it barely registers. It’s completely overwhelming, but in a great way.
4. How would you most like readers to respond to the novel?
I like to think the book isn’t totally about Miranda or how awful she is, and that Andrea’s voice really comes through. Hopefully readers everywhere can relate to the other things in Andrea’s life. The repercussions of her job on her personal life, the problems that arise with her best friend and boyfriend and family, and the way it feels to live in the big city for the first time, are common experiences for so many young women. At the end of the day, I’d be thrilled to hear that readers related to Andrea and this year in her life, and that they had a few laughs while they read. This is clearly not War & Peace, so I’d love to hear that people just enjoyed themselves while reading the book. That would be perfect.
5. Who is your favorite designer?
The closest I get to any sort of "designer" items would probably be my weakness for jeans—they don’t have to be any particular brand, but I’m willing to do almost anything, go anywhere, spend obscene amounts of money for that elusive "perfect pair." But I only ever really wear casual stuff with them—white tank tops or button-downs, the kinds of things that I suppose one could buy at Prada but I never do since they’re indistinguishable (to my uneducated eye) from the stuff you can get at Banana.
5. You are a world traveler, and recently returned from Southeast Asia. How was yourtrip? Do you have any other travel plans scheduled?
The trip was absolutely amazing. Vietnam and Cambodia are such special places, unlike anywhere else I’d seen before in Asia. The people are primarily Buddhist and as a result, were peaceful and welcoming and incredibly hospitable. And as always when you’re traveling, it was great to meet other travelers from around the world and hear their perspectives on all sorts of different subjects. Although the plans aren’t yet definite, I’m hoping to get to Scandinavia and Russia at some point in the next few months, and after that, sub-Saharan Africa is first on my list. If I could figure out a way to earn a living while traveling for the rest of my life, well, I think that’d be a dream come true.
8. What is your next project? What have you been working on recently?
Recently I’ve been focusing a lot of my time on promotingThe Devil Wears Prada! There are all sorts of interviews to do and readings that are planned, and I’m just preparing myself for everything that’s coming up in the next couple months. I’ve been doing some freelance writing for magazines and am also working on a short story that will be included in an anthology that’s set to be published in 2004. And of course, I spend obscene amounts of time thinking about the book I hope to write next.

From the B&N Reads Blog

Customer Reviews