The Princess and the Prophet
The Secret History of Magic, Race, and Moorish Muslims in America
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- $9.99
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- $9.99
Publisher Description
The just-discovered story of how two enigmatic circus performers and the cultural ferment of the Gilded Age sparked the Black Muslim movement in America
Delving into new archives and uncovering fascinating biographical narratives, secret rituals, and hidden identities, historian Jacob Dorman explains why thousands of Americans were enthralled by the Islamic Orient, and why some came to see Islam as a global antiracist movement uniquely suited to people of African descent in an era of European imperialism, Jim Crow segregation, and officially sanctioned racism.
The Princess and the Prophet tells the story of the Black Broadway performer who, among the world of Arabian acrobats and equestrians, Muslim fakirs, and Wild West shows, discovered in Islam a greater measure of freedom and dignity, and a rebuttal to the racism and parochialism of white America. Overturning the received wisdom that the prophet was born on the East Coast, Dorman has discovered that Noble Drew Ali was born Walter Brister in Kentucky. With the help of his wife, a former lion tamer and “Hindoo” magician herself, Brister renamed himself Prophet Noble Drew Ali and founded the predecessor of the Nation of Islam, the Moorish Science Temple of America, in the 1920s.
With an array of profitable businesses, the “Moors” built a nationwide following of thousands of dues-paying members, swung Chicago elections, and embedded themselves in Chicago’s dominant Republican political machine at the height of Prohibition racketeering, only to see their sect descend into infighting in 1929 that likely claimed the prophet’s life. This fascinating untold story reveals that cultures grow as much from imagination as inheritance, and that breaking down the artificial silos around various racial and religious cultures helps to understand not only America’s hidden past but also its polycultural present.
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Dorman (Chosen People), a professor of history at the University of Nevada, combines a picaresque account of the enigmatic John Walter Brister with a kaleidoscopic history of the origins of the Nation of Islam in this complicated history that argues the Nation of Islam grew out of the Moorish Science Temple of America. Brister was a black child musician in the late 19th century; he went on to perform as the "Hindoo Wonder Worker" and "Egyptian Adept" in circuses, before becoming the self-proclaimed prophet Noble Drew Ali. Dorman asserts that Brister-as-Ali realized America was enchanted with "Orientalism" as he performed magic shows in the guise of a Hindu, and persuasively argues that Ali used this interest in exotic ancestry as a way to appeal to descendants of slaves. He championed trading African identities for Moorish, or Arab, ones that were more agreeable to white audiences. Against the backdrop of Chicago's Jazz Age, Dorman tracks Ali's founding, along with his lion-tamer and snake-charmer wife, Eva, of the Temple as a formal Muslim fraternity, whose core members went on to create the Nation of Islam. While Dorman often gets bogged down in a litany of names and dates, this remains a remarkable study.
