Models Don't Eat Chocolate Cookies

Models Don't Eat Chocolate Cookies

by Erin Dionne
Models Don't Eat Chocolate Cookies

Models Don't Eat Chocolate Cookies

by Erin Dionne

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Overview

Thirteen-year-old Celeste Harris is no string bean, but comfy sweatpants and a daily chocolate cookie suit her just fine. Her under-the-radar lifestyle could have continued too, if her aunt hadn't entered her in the HuskyPeach Modeling Challenge. To get out of it, she's forced to launch Operation Skinny Celeste?because, after all, a thin girl can't be a fat model! What Celeste never imagined was that losing weight would help her gain a backbone . . . or that all she needed to shine was a spotlight.

A hilarious debut featuring friendship, family, mean girls and even celebrity crushes, Celeste's story is a delicious treat that doesn't add a pound.


Product Details

ISBN-13: 9781101014844
Publisher: Penguin Young Readers Group
Publication date: 02/05/2009
Sold by: Penguin Group
Format: eBook
Pages: 256
File size: 323 KB
Age Range: 8 - 12 Years

About the Author

Erin Dionne writes humorous books with heart for tweens. Her titles--which are very long--have been named to several state reading lists, ALA lists, and have received some nice attention. They include MODELS DON'T EAT CHOCOLATE COOKIES (Dial 2009), THE TOTAL TRAGEDY OF A GIRL NAMED HAMLET (Dial 2010), and NOTES FROM AN ACCIDENTAL BAND GEEK (Dial 2011). Her latest novel, MOXIE AND THE ART OF RULE BREAKING:A 14 DAY MYSTERY (Dial 2013), has the longest title yet and is based on the real-life Isabella Stewart Gardner Museum art heist. She spends an inappropriate amount of time on Facebook, teaches writing at Montserrat College of Art, and lives outside of Boston with her husband, two children, and a very indignant dog.

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Table of Contents

 

Title Page

Copyright Page

Dedication

 

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

 

Acknowledgements

Now, I have to admit, being a model sounds like a pretty cool job. Flying to all parts of the world to have my picture taken, hanging out with stars, never going to school, making lots and lots of money . . . that would be great. I imagined myself on a beach with Theo Christmas, posing for a Celeb Eye magazine cover shoot. “Closer,” the photographer would direct. “Theo, pull her closer.” I’d rest my head against his chest and smile hugely for the camera.

And then my imagination showed me nestling with him in my polka-dot one-piece, the one with the “modesty skirt” Grandma got me to hide what she calls my “peasant” shape. Modeling might be fun, or a great opportunity, but being the face of a clothing line for chunky girls was not the type of modeling that would generate seaside celebrity photo sessions. Excessive junior high teasing? Probably. Snuggles with Theo Christmas? No way. Also, husky or not, models don’t eat chocolate cookies.

DIAL BOOKS FOR YOUNG READERS

A division of Penguin Young Readers Group • Published by The Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, NY 10014, U.S.A. • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa • Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

 

Copyright © 2009 by Erin Dionne

All rights reserved

 

The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

 

 

 

Library of Congress Cataloging-in-Publication Data
Dionne, Erin, date.
Models don’t eat chocolate cookies / by Erin Dionne.
p. cm.

Summary: Overweight thirteen-year-old Celeste begins a campaign to lose weight in order to make sure she does not win the Miss HuskyPeach modeling challenge, which her mother and aunt have entered her in—against her wishes.

eISBN : 978-1-101-01484-4

[1. Overweight persons—Fiction. 2. Weight control—Fiction. 3. Models (Persons)—Fiction. 4. Friendship—Fiction. 5. Self-esteem—Fiction. 6. Schools—Fiction.] I. Title. II. Title: Models do not eat chocolate cookies.

PZ7.D6216Mo 2009
[Fic]—dc22
2008020612

For Frank, with all my love.

You were right.

Chapter 1

“NO WAY,” I hissed through the slatted dressing room door. “I am not coming out.”

“Honey, I have to see how it fits,” Mom said. “Let me look.”

I dropped my forehead against the beige cubicle wall. I’d have to give in eventually, but I wasn’t opening up until my cousin was back in the clothing cubby next to me.

“Oh, angel! It’s just bee-yoo-ti-ful on you. Isn’t she a sight, Noelle?” Aunt Doreen’s nasal whine came over the top of my dressing room door like arrows over a castle wall. Of course the dress was “bee-yoo-ti-ful” on Kirsten. What wasn’t? She was tall, blond, athletic, and one of the nicest people I knew. She also shared my celebrity crush on singer Theo Christmas. We both fell in love with him when her older sister took us to see him in concert last summer. I swear, he was singing to me the whole time. (She disagrees.)

“Does it look okay from the back?” Kirsten asked. I imagined her pirouetting in front of the three-way mirror at the end of the row, hair twirling like a shampoo commercial, evenly tanned skin standing out against the back of the dress, pastel lace and fabric hugging her in all the right places. I chose the only dressing room without a mirror on purpose.

“It’s lovely,” my mother offered, her voice tight. “Will you come out?” she stage-whispered through the dressing room door. “This is ridiculous.”

“Where’s Celeste?” Aunt Doreen said. “I haven’t seen her yet. Celeste, do you need help in there?”

I cringed. “No, Auntie, I’m fine,” I called. “Just, uh, almost ready. One more minute.” I tugged at the dress, hoping for the magical yank that would straighten seams, smooth wrinkles, or snap it into the right proportion. Sometimes you don’t need a mirror to know when things are very wrong.

“Kirsten, turn around again. I think it needs hemming, don’t you?” Aunt Doreen said. “Let’s get that seamstress in here.” Then, louder, directed at me, “Okay, Celeste, we’re waiting.”

Ready or not, here I come, I thought. Sliding the door’s bolt back, I hiked up the skirt and stepped into the dressing room corridor, head high. Maybe it wasn’t as bad as it felt.

Aunt Doreen gasped, then covered her mouth as if to trap what might follow. I let the dress sag to the floor.

“It’s . . . Oh, honey,” Mom tried. “It needs some alterations.”

I could imagine.

“Some?” said Aunt Doreen, biting the word like a potato chip. “What size did you order?”

I hung my head, trying to dampen the zing of her words, trying not to hear Mom explaining that we needed to order an adult size because the youth sizes weren’t cut for me. Besides, Mom said, a seamstress could fix it so the dress would “fall right,” whatever that meant.

“Wait!” barked a short white-haired woman with a tape measure around her neck and a handful of pins. She stood in the doorway between the dressing rooms and the rest of Angelique’s Bridal Boutique. “Don’t move or you’ll tear the lace!” When she said it, though, “move” came out like “moof” and “the” sounded like “ze.” I stayed put. Besides, where could I go in a falling-wrong dress?

“Zis needs several substantial alterations,” she said, gesturing in my direction with her chin. “When is the wedding?”

“Nine weeks,” Mom said, tearing her eyes away from me and turning to the seamstress. “Can it be fixed in time?”

Straight out of a soap opera, I thought. I’m in critical condition. I stared at my feet, lost in a puddle of apricot satin. Usually I avoided this type of situation—comfort was more important to me than fashion. Comfort meant clothes that didn’t pull, ride up, or show off too much. Comfort was soft, cozy, and worn; not lacy, satiny, or peachy. A movement caught my eye. Kirsten, the Barbie Bridesmaid, was slipping into her dressing room. She raised her perfectly shaped eyebrows in an expression of sympathy before closing the door.

A bony hand pushed against the small of my back, and the seamstress ushered me to the carpet-covered platform in front of the three-way mirror Kirsten had just vacated. I hoisted myself up and thought, I hate Kathleen.

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