Daughters of Rome (Empress of Rome Series #2)

Daughters of Rome (Empress of Rome Series #2)

by Kate Quinn
Daughters of Rome (Empress of Rome Series #2)

Daughters of Rome (Empress of Rome Series #2)

by Kate Quinn

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Overview

A fast-paced historical novel about two women with the power to sway an empire, from the New York Times and USA Today bestselling author of The Alice Network and The Diamond Eye.

A.D. 69. The Roman Empire is up for the taking. Everything will change—especially the lives of two sisters with a very personal stake in the outcome.
 
Elegant and ambitious, Cornelia embodies the essence of the perfect Roman wife. She lives to one day see her loyal husband as Emperor. Her sister Marcella is more aloof, content to witness history rather than make it. But when a bloody coup turns their world upside-down, both women must maneuver carefully just to stay alive. As Cornelia tries to pick up the pieces of her shattered dreams, Marcella discovers a hidden talent for influencing the most powerful men in Rome. In the end, though, there can only be one Emperor...and one Empress.

Product Details

ISBN-13: 9781101478950
Publisher: Penguin Publishing Group
Publication date: 04/05/2011
Series: Empress of Rome Series , #2
Sold by: Penguin Group
Format: eBook
Pages: 400
Sales rank: 48,871
File size: 2 MB
Age Range: 18 Years

About the Author

About The Author
Kate Quinn is a native of Southern California. She attended Boston University, where she earned a bachelor's and master's degree in Classical Voice. A lifelong history buff, she has written four novels in the Empress of Rome Saga and two Novels of the Borgias, before moving to the twentieth century with The Alice Network and The Huntress. All her books have been translated into multiple languages.

What People are Saying About This

From the Publisher

“A soap opera of biblical proportions . . . [Quinn] juggles protagonists with ease and nicely traces the evolution of Marcella—her most compelling character—from innocuous historian to manipulator. Readers will become thoroughly immersed in this chaotic period of Roman history.”—Publishers Weekly

“Touches on every factor during this time: politics, war, extravagant parties, greed, and love. I definitely would recommend this book to those who love ancient Rome.”—All Things Historical Fiction

Daughters of Rome has an appealing symmetry—the succession of four emperors, the alternating narratives of the four cousins—and strikes an authentic balance between poetic justice and harsh reality. . . . This second book stands on its own two feet, and offers a compelling experience of one of the most turbulent years of the Roman Empire.”—Historical Novel Society

“A fascinating view of four women during the year of the four emperors. . . . Regardless of whether you already have an interest in Roman history, Daughters of Rome will fascinate you from beginning to end.”—BookLoons

“Quinn elegantly captures the Ancient Roman world and the collective undercurrent of panic felt by the populace during the ‘Year of Four Emperors.’ Her characters are alluring and her understanding of Ancient Rome insightful.”—Luxury Reading

“The two sisters are fascinating protagonists . . . Ancient historical fiction fans will enjoy this intriguing look at the disorderly first year after Nero’s death.”—Midwest Book Review
 

Reading Group Guide

INTRODUCTION

A.D. 69. Nero is dead. The Roman Empire is up for the taking. With bloodshed spilling out of the palace and on to the streets, chaos has become a way of life for Rome. The Year of Four Emperors will change everything—especially the lives of one family with a very personal stake in the outcome.

Cornelia embodies the essence of the proper Roman wife. She patiently waits to one day see her loyal husband as Emperor of Rome, but instead witnesses his brutal demise at the hands of the Praetorian guard. Her sister Marcella is content merely to watch the politics and turmoil, until she discovers she has more of a penchant for shaping history then for writing about it. And while their cousins Lollia and Diana are both beautiful girls, they each come to find that beauty and wealth cannot quell the desires of the heart. But when a bloody coup turns their world upside-down, each of these women must maneuver carefully just to stay alive…

 


ABOUT KATE QUINN

Kate Quinn is a native of Southern California. She attended Boston University, where she earned a bachelor's and master's degree in Classical Voice. A lifelong history buff, she first got hooked on ancient Rome while watching I, Claudius at the age of eight. Her first novel, Mistress of Rome, has been translated into multiple languages. Kate lives in California with her husband.

 


DISCUSSION QUESTIONS
  • In the opening prophecy Nessus has a vision of the future: "Clear as day he saw widowhood for three of the four girls; a fair amount of misery for one and fame for another; a total of eleven husbands and eight children between them—and of course, that one little hand spilling over with blood" (p. 4). Discuss the foreshadowing in this event. Which Cornelia did you think the bloodied hand belonged to? Which girl do you think saw misery and which one saw fame?
  • As the story develops, the relationship between Cornelia and her sister Marcella begins to change. How would you describe their relationship at the beginning of the book? Do you think that they have any unresolved issues? At which point does their relationship begin to change?
  • What are your first impressions of Lollia? At the beginning of the novel she gets into a heated argument with Cornelia because she buys a body slave from the market. But when there is a massive flood in the city, she is giving out money and food to the refugees and thinking: "I might like my parties and pleasures when times are good, but at least I know how to roll up my sleeves when necessary" (p. 133). What do you think this says about her character? Do you think Lollia changes at all throughout the novel? If so, how?
  • The relationship between Lollia and her grandfather is a complicated one. He often uses his granddaughter to acquire a better position in society through her various marriages—depending on who is favorable at the time. How do you think Lollia feels about this? Do you think that this is one of the reasons she bought Thrax, her body slave?
  • After he is released from prison, Marcella has a conversation with Marcus Norbanus, in which he tells Marcella the following: "I've always liked you, Marcella—you're an intelligent woman, after all, and I like intelligent women. But I find I don't like you anymore, and I don't precisely know why. Perhaps it's just my feeling that you're a schemer" (p. 328). Why do you think he perceives her in this way? Do you think that his perceptions of Marcella are correct?
  • Do you think that it's possible that Marcella really did influence the decisions of three different Emperors the way that Diana claims? Do you think that Marcella's actions shaped the events in ancient Rome in any way? What do you think was a coincidence and what was planned by Marcella?
  • Discuss the changes in Cornelia throughout the novel. She begins the year of Four Emperors expecting to be named the wife to the future Emperor of Rome, but ends up widowed and without the security she had become accustomed to. How do you think her husband's death changed her? Do you think she still would have ended up with Drusus if she had not been widowed?
  • Throughout the book the youngest cousin, Diana, seems to be obsessed with nothing but horses, yet at the end of the novel it becomes apparent that she has been paying much closer attention to her cousins' activities than anyone thought. What are your observations about Diana? What do you think she picked up on that the other girls overlooked? And why do you think she keeps her perceptions to herself until the end? Uncle Paris creates busts of each of the four Cornelias depicted as goddesses: Cornelia as Vesta, the goddess of hearth and home; Lollia as Ceres, the goddess of the earth and the harvest; Diana as Diana the Huntress, the virgin goddess of the moon and the hunt; and Marcella as Eris, the goddess of discord and chaos. Why do you think each woman is represented this way? When do you think he began creating the statues and what do you think it means?
  • There were many strong men portrayed throughout this boo. From Lollia's gentle slave, Thrax, to Cornelia's caring guard Drusus, to Diana's strong-willed and moody Llyn, and to Marcella's opinionated and domineering Domitian. Describe their differences and similarities. How do the men in the novel shape each of the women? Do you think that Cornelia, Marcella, Lollia, and Diana would have faced different outcomes if they were not involved with these men?
  • At the end of the novel, Marcella walks through the streets of Rome as the Empress, just as she desired. What do you think her life is like? Do you feel sorry for her or do you think that she got what she deserved? Has there ever been something that you desired in life that—once you acquired it—was not as great as you thought it would be?
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