veryone finds their own version of Charles Dickens ,” concludes award-winning British biographer Tomalin: Dickens the mesmerist, amateur thespian, political radical, protector of prostitutes, benefactor of orphans, restless walker—all emerge from the welter of information about the writer’s domestic arrangements, business dealings, childhood experiences, illnesses, and travels. Bolstered by citations from correspondence with and about Dickens, Tomalin’s portrait brings shadows and depth to the great Victorian novelist’s complex personality. Tomalin (Samuel Pepys: The Unequalled Self) displays her deep scholarship in reviewing, for instance, the debate about Dickens’s relations with Nelly Ternan, concluding that the balance of evidence is that they were lovers. She also highlights the contrasts between his charitable actions toward strangers and his “casting off” of several relatives from father to brothers to sons, who kept importuning him for money: “Once Dickens had drawn a line he was pitiless.” By the end of this biography, readers unfamiliar with Dickens will come away with a new understanding of his driven personality and his impact on literature and 19th-century political and social issues. Tomalin provides her usual rich, penetrating portrait; one can say of her book what she says of Dickens’s picture of 19th -century England: it’s “crackling, full of truth and life, with his laughter, horror and indignation.” Illus.; maps. (Oct.)
"As Claire Tomalin demonstrates in her vivid and moving new biography , Dickens’s own life was rich in the attributes we call “Dickensian” — shameless melodrama, gargantuan appetites, reversals of fortune... To encompass this frenzy, Tomalin keeps the story racing. She brings Dickens to life in all his maddening contradictions... Dickens walks off the page, and the pace never flags. Tomalin accomplishes this resurrection in a mere 417 pages of text, supplemented by dozens of illustrations, several maps of Dickens’s London and a helpful dramatis personae... if you plan to read only one biography of the most popular Victorian writer, it should be this one." —THE WASHINGTON POST —Joyce Carol Oates, THE NEW YORK REVIEW OF BOOK “Clear-eyed, sympathetic and scholarly , she spreads the whole canvas, alive with incident and detail, with places and people. She writes of publishers, illustrators, collaborators and all Dickens’s intersecting circles of friends and family. It is wonderfully done .”—THE ECONOMIST “[A] splendid history… Tomalin skillfully presents the chief trauma of Dickens' young life — being sent to work in a factory at age 12, after his father was imprisoned for debt — and suggests the ways it left a lasting mark, from his sympathy for the working class to his towering ambition and herculean work ethic.”—SEATTLE TIMES "[O]nward-driving, hypnotically vivid… the result of Claire Tomalin's unrivalled talent for telling a story and keeping a reader enthralled: long as the book is, I wanted more.”—THE GUARDIAN (UK)
"[O]nward-driving, hypnotically vivid… the result of Claire Tomalin's unrivalled talent for telling a story and keeping a reader enthralled : long as the book is, I wanted more.”
“[A] splendid history… Tomalin skillfully presents the chief trauma of Dickens' young life — being sent to work in a factory at age 12, after his father was imprisoned for debt — and suggests the ways it left a lasting mark, from his sympathy for the working class to his towering ambition and herculean work ethic.”
“Clear-eyed, sympathetic and scholarly, she spreads the whole canvas, alive with incident and detail, with places and people. She writes of publishers, illustrators, collaborators and all Dickens’s intersecting circles of friends and family. It is wonderfully done.”
"As Claire Tomalin demonstrates in her vivid and moving new biography, Dickens’s own life was rich in the attributes we call “Dickensian” — shameless melodrama, gargantuan appetites, reversals of fortune... To encompass this frenzy, Tomalin keeps the story racing. She brings Dickens to life in all his maddening contradictions... Dickens walks off the page, and the pace never flags. Tomalin accomplishes this resurrection in a mere 417 pages of text, supplemented by dozens of illustrations, several maps of Dickens’s London and a helpful dramatis personae... Tomalin’s is not the definitive Dickens — it’s too concise for that — but if you plan to read only one biography of the most popular Victorian writer, it should be this one. "
Tomalin (Thomas Hardy) offers what is effectively the bicentennial biography of Dickens. She examines all aspects of her subject's life and career, with an emphasis on his personality's many contradictions: he was kind and cruel, charitable and pitiless, gregarious and intensely private. Dickens's friendships, as Tomalin illuminates, were numerous and lifelong. His close friends, such as his first biographer, John Forster, loved and honored him. But in family relationships, especially with his wife and many children, he was often cold and unfeeling. Tomalin investigates and speculates on Dickens's relationship with Nelly Ternan, providing information beyond what is in her prize-winning The Invisible Woman: The Story of Nelly Ternan and Charles Dickens (1992). She praises Dickens's many accomplishments and the sterling qualities that endeared him to so many friends and readers, while also delineating his dark side and how it cast a shadow over his later years. He died at age 58. VERDICT Michael Slater's recent biography examines Dickens's literary works more deeply; Tomalin's focus is the writer himself. While it neither offers much in the way of new insights nor replaces classic studies of Dickens, Tomalin's entertaining book deserves to be the go-to popular biography for readers new to Boz and his works. (Index not seen.)—Morris A. Hounion, New York City Coll. of Technology Lib., CUNY
A biography of a major literary figure stuffed full of literary excerpts could have proved a daunting audiobook. However, Claire Tomalin’s clear and brutally honest portrayal combined with Alex Jennings’s smooth voice and intelligent, engaging style results in a superb listening experience. Charles Dickens was a complicated man. He had an astonishing work ethic, helped poor friends and children, set up a home for prostitutes, and skewered the grasping and dishonest. Yet he was also a terrible husband and father, wished his brother were dead, and really couldn’t write female characters. Jennings is a master at distinguishing the narrative of Dickens’s life story from the primary sources of letters, speeches, and novels by softening his voice subtly but clearly. Jennings also produces credible American accents for Dickens’s trips to the U.S. in this outstanding performance. A.B. Winner of AudioFile Earphones Award © AudioFile 2012, Portland, Maine
SEPTEMBER 2012 - AudioFile
Like Shakespeare, Charles Dickens (1812–1870) was an overachiever of genius, and his life was as eventful, dramatic and character-filled as any of his novels. This rich new biography brilliantly captures his world.
Acclaimed biographer Tomalin (Thomas Hardy: The Time-Torn Man, 2007, etc.) has always hunted big literary game (Hardy,Jane Austen, Samuel Pepys, etc.), and here she goes after one of the biggest and most complex. Dickens once told a visiting Dostoevsky that his heroes and villains came from the two people inside him: "one who feels as he ought to feel and one who feels the opposite." However, there were many more dimensions to Dickens' character. Besides being a tireless writer of long, complicated novels and hundreds of articles, an editor of a succession of magazines and a frustrated actor whose public readings became standing-room-only events, he was ebullient, charming, radical, instinctively sympathetic to the poor, generous to friends but unforgiving once you got on his bad side. At home, he was a domineering husband to his long-suffering wife and a distant father to his ten children. Dickens certainly would have appreciated Tomalin's keen eye for scene, character and narrative pace. Ever the deft critic, she notes how the characters inMartin Chuzzlewit are "set up like toys programmed to run on course," and thatHard Times "fails to take note of its own message that people must be amused." Having written previously on Dickens' disastrous late-life affair (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens , 1991), Tomalin also displays considerable detective work to bolster the possibility that Dickens and his other woman had a secret child who died in infancy.
Superbly organized, comprehensive and engrossing from start to finish—a strong contender for biography of the year.
