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Bryant & May: Hall of Mirrors: A Peculiar Crimes Unit Mystery Kindle Edition
Hard to believe, but even positively ancient sleuths like Bryant and May of the Peculiar Crimes Unit were young once . . . or at least younger. Flashback to London 1969: mods and dolly birds, sunburst minidresses—but how long would the party last?
After accidentally sinking a barge painted like the Yellow Submarine, Bryant and May are relegated to babysitting one Monty Hatton-Jones, the star prosecution witness in the trial of a disreputable developer whose prefabs are prone to collapse. The job for the demoted detectives? Keep the whistle-blower safe for one weekend.
The task proves unexpectedly challenging when their unruly charge insists on attending a party at the vast estate Tavistock Hall. With falling stone gryphons, secret passageways, rumors of a mythical beast, and an all-too-real dismembered corpse, the bedeviled policemen soon find themselves with “a proper country house murder” on their hands.
Trapped for the weekend, Bryant and May must sort the victims from the suspects, including a hippie heir, a blond nightclub singer, and Monty himself—and nobody is quite who he or she seems to be.
Praise for Bryant & May: Hall of Mirrors
“Arthur Bryant has written his memoirs—and a jolly good yarn they make, too. . . . As always in this series, this one’s a lark.”—The New York Times Book Review
“[Hall of Mirrors is] a largely comic escapade whose tone evokes both the biting wit of Evelyn Waugh and the slapsticker shenanigans of P.G. Woodhouse.”—The Wall Street Journal
“More fully fleshed-out suspects, clues, red herrings, twists, and honest mystery and detection than in the last three whodunits you read.”—Kirkus Reviews
“The narrative [veers] between laugh-out-loud funny to macabre. . . . Eccentric and consistently entertaining.”—Booklist
“Fowler evokes the period as neatly as he crafts the plot.”—Publishers Weekly
“Wonderful.”—Deadly Pleasures
“So Agatha Christie (intentionally). And as in a Christie, nothing is quite what it seems as one murder follows another. Love the butler.”—Poisoned Pen Newsletter
- LanguageEnglish
- PublisherBantam
- Publication dateDecember 4, 2018
- File size5435 KB
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Editorial Reviews
Review
“[Hall of Mirrors is] a largely comic escapade whose tone evokes both the biting wit of Evelyn Waugh and the slapsticker shenanigans of P.G. Woodhouse.”—The Wall Street Journal
“More fully fleshed-out suspects, clues, red herrings, twists, and honest mystery and detection than in the last three whodunits you read.”—Kirkus Reviews
“The narrative [veers] between laugh-out-loud funny to macabre. . . . Eccentric and consistently entertaining.”—Booklist
“Fowler evokes the period as neatly as he crafts the plot.”—Publishers Weekly
“Wonderful.”—Deadly Pleasures
“So Agatha Christie (intentionally). And as in a Christie, nothing is quite what it seems as one murder follows another. Love the butler.”—Poisoned Pen Newsletter
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Get Back
‘Considering they’re written by an elderly police detective with a faulty memory,’ Arthur Bryant’s editor said as he perused the cheaper end of the wine list, ‘your memoirs have sold rather well.’
‘Not well enough to earn me any money,’ Bryant replied, cleaning his fork on the end of his tie.
Simon Sartorius ignored the jibe. He was a gentleman of the old school. The phrase ‘hale and hearty’ might have been coined for him. He favoured striped shirts from Turnbull & Asser, cuff links, blazers and comfortable Oxford toe caps, and probably owned a straw Panama for his holidays in Provence. His spectacle-clad eyes always smiled and his face appeared naturally cheerful in repose. It was why Bryant had selected him. Such a man, he felt, would always be honest and patient, or at the very least polite.
For his part, Simon was already starting to regret taking his author to lunch today. It wasn’t that he disliked Bryant in any way; he simply could not understand what the fellow was about. There was an air of devilry about him that made you want to keep checking on the cutlery.
Wedged in the gloomiest corner of an alcove in a Chelsea restaurant that validated its shabbiness by being French, Bryant had reluctantly parted with his overcoat but had managed to outwit the waiter and hang on to his immense rainbow-striped scarf. The thing was draped around his neck like a shedding boa constrictor.
‘Of course,’ Simon said, ‘some less charitable critics have suggested that your first volume should have been filed under Fantasy.’
Bryant shrugged. ‘What is reality?’
‘Well, it’s the state of things as they actually exist, as opposed to an idealistic or notional sense of them.’ The editor liked to be clear about these matters.
‘That’s easy for you to say.’ Bryant checked his huge white false teeth in the blade of his knife. ‘My memories are like patches of old road that have to be repaired now and again. Everyone knows that memories become real over time.’
‘Nevertheless, if readers buy your memoirs expecting a realistic account of life in one of London’s special detection units and find themselves with a volume of speculative fiction, they should really be informed,’ said Simon, not unreasonably.
‘I don’t see why,’ Bryant replied. ‘They happily believe the tabloids.’
Simon understood that cheeriness would always achieve more than antagonism, so he ploughed on. ‘I do think that telling them you were investigating crimes during the Blitz is pushing it a bit.’ He searched in vain for a waiter. ‘Perhaps a tad more honesty next time?’
Bryant mimed affront. ‘I’ll have you know I keep detailed notes. Mistakes sometimes occur in translation.’
‘Why do your notes need translating?’
‘I write them in Aramaic. It’s a three-thousand-year-old language so I have to make up a lot of words.’
‘But you change things around,’ said Simon helplessly. ‘The Leicester Square Vampire, for example. I’ve read at least three accounts of that particular investigation, all of them quite different.’
‘That’s because there’s my version, the official version and the truth.’
‘And you hold information back.’ Simon raised his eyebrows and index finger to a waiter who, being French, ignored him. ‘For example, why won’t you admit your age to anyone?’
‘Because at my age you only admit it to your doctor. It takes me so long to scroll down to my year of birth on computers that I start to wonder if they’ll actually have it. Are you sure there’s still a market for my memoirs?’
‘Oh, absolutely,’ said Simon with conviction. ‘These are strange times, and readers need to be taken out of themselves.’
‘I suppose in a world of clickbait and slut-shaming my little anecdotes are charmingly anachronistic.’ Bryant didn’t actually know what those things were; he had heard someone at work mention them.
Simon felt a frown furrowing his brain and fought it back. ‘Then I dare say we’ll soldier on with another volume if you can stand it. It was terribly unfortunate that your previous biographers had such rotten luck . . .’
‘What with one being murdered, you mean,’ said Bryant. Slouched back in his chair, he appeared about to vanish beneath the table. His fringe was white and vertical, his azure eyes as round as buttons. The editor felt as if he were having lunch with a teddy bear.
‘Ah, the murder. That was a bit of a sticky wicket.’ Simon caught the waiter’s eye again and tried to magnetize him. ‘None of us expected her to up stumps and retire to the pavilion like that. Still, the innings isn’t over yet, is it?’
‘We never played cricket at school,’ said Bryant, who had hardly ever attended school, let alone played a competitive sport.
‘Oh, right.’ Simon assumed everyone had played for their county at least once, so Bryant’s remark made no sense to him.
‘I can’t write the memoirs myself,’ said Bryant. ‘I tend to wander off.’
‘We’ll have to find you someone who can.’ He returned to the safer ground of the wine list. ‘They do a rather pleasing Crozes-Hermitage here. Young but robust,’ he added before realizing that his lunch companion was neither.
The waiter finally dragged himself over and took the wine order. Bryant looked about while his editor discussed the wine in flawless French. The restaurant was a mahogany funeral parlour swathed in brocaded crimson curtains, dimly lit by art nouveau lamps. It served its steaks rare and its puddings well done, and if you didn’t like it you probably went to a comprehensive school and jolly well needed to learn some manners.
Simon tucked in his napkin immaculately but somewhat prematurely, an indication that he had attended a boarding school. ‘I was wondering if you had a subject in mind for a follow-up volume, something that would really raise your batting average? You must have a nice juicy crime up your sleeve, an investigation that you’ve never been able to talk about. One of those cases that took place in the days before psychological profiling or counselling.’ He broke open a pensionable bread roll. ‘If you can come to the crease with a first-class game we might take the Ashes with this one.’
‘Phones,’ said Bryant, exploding his bread and swathing it in butter.
‘I’m sorry?’
‘You said “before psychological profiling or counselling.” For us it was phones. They changed everything. Policing is about evidence. Finding out what’s real or false, who’s telling the truth, who’s withholding information. Back in the 1970s we were taught to shout at crime-scene bystanders: “Did anyone see what happened?” I don’t need to tell you how that turned out. We used to rely on public requests, sightings, interviews, till receipts, bus tickets. As soon as people started using mobiles they left a trail wherever they went. We didn’t have to trust hearsay any more. Before, we had to rely on finding a telephone box. Now we search online records.’
‘Yes, but it’s not terribly dramatic,’ Simon pointed out, ‘running through phone numbers on a screen.’
‘It’s still more interesting than life in the Met,’ said Bryant cheerfully. ‘Their crime scenes end up looking like film sets. Too many officers hanging around with nothing to do. The annual London murder rate is too low, always around the one hundred mark in a city that’s heading for nine million residents. Pathetic. So naturally everybody wants to attend one. A lot of coppers never get the chance any more. It’s like signing up for a safari expecting to see a lion roar and coming back having seen two monkeys and something scratching itself in a mud pool.’
‘That’s a good thing, though, isn’t it? Surely one doesn’t want murderers to score more than a century?’
‘Knife culture has left every disenfranchised teenager with a chip on his shoulder thinking it’s acceptable to carry one of these.’ Bryant twanged his knife on the table for emphasis, making nearby diners look over. ‘Stabbings are banal tragedies committed over trivialities. Even George Orwell bemoaned the declining quality of English murder.’
Simon’s brow knitted. ‘But the Peculiar Crimes Unit specialized in cases liable to cause public disorder, no? Wasn’t there ever an investigation that changed you, perhaps when you were younger?’ He stared at his luncheon guest and tried to imagine what he had been like as a young man, but the effort was too demanding.
‘Funnily enough I was thinking about one such case just the other day,’ said Bryant. ‘Although it was a bit of an oddity, even for us, and the outcome wasn’t at all what anyone expected.’
‘I wouldn’t worry too much about that,’ said Simon hopefully. ‘I’m sure we can find a biographer who’ll spice it up a bit, give our readers a bit more bang for their buck, so to speak.’
‘That’s not normally necessary. We’ve come across some killers who’ve made Titus Andronicus look like Rupert Bear. But now that I think back, this one did play out rather like an Agatha Christie novel.’
‘Unguessable?’
‘Unbelievable. Not that there’s anything wrong with that. The beauty of Christie is that beneath all the rubbish about strychnine and vicars there’s usually a simple unconscious truth.’ Bryant’s aqueous blue eyes searched the ceiling as he ransacked his memory. ‘It was the sort of thing that could only have happened in the 1960s, when everything was less examined. We were young and naïve. There was so much that was new to us. By today’s standards the situation was utterly absurd, of course. In those days we were academics, mainly working on abstract scenarios. If we’d been more experienced in the field and had taken everything a little more seriously, I imagine the outcome might have been different.’
‘It sounds promising.’ The wine arrived. ‘Ah, Château Screwtop.’ Simon gave a small wince of apology that said, Publishing margins are tight and you don’t shift enough copies to warrant something with a cork.
Bryant was oblivious. ‘The investigation began and ended in a single weekend, although I suppose its roots went back further than that. It was at the end of the summer of 1969, an extraordinary time to be young. I dare say you recall that year . . .’
For a brief moment Simon’s naturally cheery face clouded. ‘I’m not actually old enough, Mr Bryant.’
‘Really?’ Bryant peered closely at him. ‘You do surprise me. You must be married. Of course it’s hard to explain just how strange the sixties were to people who weren’t around then. What is it they say? “If you can remember the sixties you weren’t there.” Mind you, I can’t remember going to the barber’s yesterday. I looked in the mirror this morning and got quite a shock.’
‘I was just starting prep school,’ said Simon helplessly.
‘Back then I was not the wrinkled wreck you see before you,’ Bryant continued, oblivious. ‘I was young and lithe. Young, anyway. I’ve always been a tad portly.’ He prodded his stomach with his knife. ‘Luckily, waistcoats were fashionable. I had energy, zip, get-up-and-go. It was a thrilling time to be alive. Everything was fresh; everything was new. I bought a kipper tie. I met a girl. I punched a capitalist. I smoked my first joint.’
‘I think we can leave out that part,’ said Simon.
Bryant loosened a coil of his scarf and raised his hands as if framing a picture. ‘Let me set the scene for you. Overnight the country went from monochrome to Technicolor, from austerity to abundance. The Rolling Stones. The Kinks. David Hockney. Mary Quant.’
Product details
- ASIN : B07BD2RVTD
- Publisher : Bantam (December 4, 2018)
- Publication date : December 4, 2018
- Language : English
- File size : 5435 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 420 pages
- Page numbers source ISBN : 1101887095
- Best Sellers Rank: #727,441 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Christopher Fowler was born in Greenwich, London. He is the multi award-winning author of 45 novels and short story collections, and the author of the Bryant & May mysteries. His novels include ‘Roofworld’, 'Spanky', 'Psychoville', 'Calabash' and two volumes of memoirs, the award-winning 'Paperboy' and 'Film Freak'. In 2015 he won the CWA Dagger In The Library. His latest books are 'England's Finest' and 'Oranges & Lemons'. Among his recent collections are 'Red Gloves', 25 stories of unease, marked his first 25 years of writing, and the e-book 'Frightening', a new set of short stories. Other later novels include the comedy-thriller 'Plastic', the Hammer-style monster adventure 'Hell Train', the haunted house chiller 'Nyctophobia' and the JG Ballard-esque 'The Sand Men'. Coming up in 2021 is the 20th Bryant & May book, 'London Bridge Is Falling Down'.
He has written comedy and drama for BBC radio, script, features and columns for national press, graphic novels, the play ‘Celebrity’ and the ‘War Of The Worlds’ videogame for Paramount, starring Sir Patrick Stewart. His short story 'The Master Builder' became a feature film entitled 'Through The Eyes Of A Killer', starring Tippi Hedren. Among his awards are the Edge Hill prize 2008 for 'Old Devil Moon', the Last Laugh prize 2009 for 'The Victoria Vanishes' and again in 2015 for 'The Burning Man'.
Christopher has achieved several ridiculous schoolboy fantasies, releasing a terrible Christmas pop single, becoming a male model, writing a stage show, posing as the villain in a Batman graphic novel, running a night club, appearing in the Pan Books of Horror and standing in for James Bond. After living in the USA and France he is now married and lives in London's King's Cross and Barcelona.
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Bryant and May are dragged into the country house’s unfamiliar and mostly uncongenial environment because they are required to accompany (read “babysit”) one of the guests, who is scheduled to testify at an important trial but first insists on attending a party weekend at the house. An American millionaire is coming to buy the house from its titled but impoverished owners, and Bryant and May’s charge, Monty, hopes (like most of the other attendees) to get the millionaire to give him money for his own projects as well. At the same time, Monty fears being the target of assassins dispatched by the man whose shoddy building practices he has promised to expose in the upcoming trial. Naturally, mayhem, murder, and hilarity all ensue.
This story, framed as a tale from Bryant’s memoirs, gives readers a fun chance to date Bryant and May a little more precisely than had been possible before: based on clues in it, I’d put May in his mid-twenties in 1969 and Bryant, said to be three years older than May, pushing 30. Their personalities in those early years seem to have been essentially the same as those that readers of the series know and love from its more usual present-tense stories. (Heck, Bryant was probably grumpy and “elderly” as a little boy.)
My only regret about the story is that, with its long-ago setting, it inevitably lacks the rest of the Peculiar Crimes Unit gang (though Janice Longbright’s mum, Gladys Forthright, makes an appearance, taking care of the “boys” much as her daughter does in the later stories). Nonetheless, it was fun to see what Fowler did with the earlier period. It will be interesting to see whether he continues this “wayback machine” approach in future Bryant and May stories or instead returns to the present time. Either way, I greatly look forward to the next tale, as always.
Thanks, Old Sausage and remember to always carry a nail clipper.
So you have multiple deaths during a country weekend in one of England's "great houses". There are starchy but creaky servants, eccentric local personages, ghost legends and a misbegotten military exercise that all play a role in the shenanigans. Interestingly, the author portrays both Bryant and May and bumbling neophytes throughout most of the story. It really takes a while for the famously eccentric and wandering mind of Arthur Bryant to kick in and deliver the bacon.
Still, not bad--if somewhat short of the standard set by earlier books in the series/