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The Secret Adventures of Charlotte Brontë
Audible Audiobook
– Unabridged
Charlotte Brontë, the beloved author of Jane Eyre, lived a quiet and private life in her father’s Yorkshire parish. Or did she? What if a diary was uncovered that revealed her secret involvement in one of the most thrilling adventures of the 19th century?
Upon learning that she has been falsely accused of breaching her publishing contract, the normally mild-mannered Charlotte sets off for London to clear her name. But when she unintentionally witnesses a murder, Charlotte finds herself embroiled in a dangerous chain of events. With the aid of her sisters, Emily and Anne, and of the suspiciously well-informed but irresistibly attractive brother of the victim, Charlotte works to unravel a deadly web of intrigue that threatens not only her own safety but the very fabric of the British Empire.
Charlotte is plunged into a perilous adventure and a passionate romance that leads her from the peaceful Yorkshire moors to the crime-infested streets of London, across the sea to the Continent, to the ports of Cornwall, the wilds of Scotland, and the palaces of Queen Victoria herself. Will Charlotte be able to stop a devious invisible villain whose schemes threaten her life, her family, and her country?
- Listening Length14 hours and 12 minutes
- Audible release dateApril 29, 2008
- LanguageEnglish
- ASINB001FVJGWG
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 14 hours and 12 minutes |
---|---|
Author | Laura Joh Rowland |
Narrator | Rosalyn Landor |
Audible.com Release Date | April 29, 2008 |
Publisher | Random House Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B001FVJGWG |
Best Sellers Rank | #460,659 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #4,972 in Historical Mysteries (Audible Books & Originals) #12,489 in Women Sleuth Mysteries #25,979 in Historical Mystery |
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What I did find, once purchasing and reading it, was an author who has been enthralled with Charlotte Bronte and her famous novel, "Jane Eyre", for most of her life. I liked the way she attempted to capture the history of the author while staying true to Ms. Bronte's personality and time. Seems like some historicals impose their own modern morality onto the character rather than staying true to the era. This is not just a mystery novel, but is also a romance. But how does an author capture the imagination of the modern reader, who tends to favor ever racier sexuality in their romances, versus remaining true to the morality of an earlier age? Ms. Rowland does this effectively, in my opinion, by portraying Charlotte's private romantic and adventurous desires versus her public personnae and desire to maintain her identity as a lady of her time. She is also both spunky and demure.
I gave this a "four star" review because it was good enough to encourage me to purchase the second novel in the series, rather than picking up a copy at the library or passing. However, I took a star off for the following reasons: 1. Plot becomes a bit fantastic about 3/4 of the way through, but Ms. Rowland builds the momentum to this point so, although she stretched my credulity, it was still acceptable. 2. The novel is well-paced until Charlotte spends "quality time" listening to the villain's history. This really slows the momentum and it does not pick up again till Charlotte (trying not to give away plot points) leaves his mansion. It is one of my big complaints about many mystery novels: instead of allowing the clues to explain the backstory, the villain "confesses" and ties up all of the plot points.
Charlotte's family members are vividly and distinctly characterized. I like how the author lets each of the Brontes have their moment of heroism. Charlotte's personality is further delineated by being contrasted with the impetuous Emily, who shies from strangers like a wild dog with a history of abuse, and the more staid Anne, her two sisters, and her wounded and self-destructive brother, Branwell. I enjoyed the villain's son, T'ing-nan, and wish he'd been given more story time.
I won't describe the plot, as another review has done so. I learned a lot about the Opium Wars between China and Great Britain, which was quite interesting.
Since the story is told from Charlotte's viewpoint, Ms. Rowland uses diary excerpts, that Charlotte later reads, to fill in story gaps, which I found a rather clever story device.
The romance (I won't say with who) is believeable and satisfying.
I look foward to seeing where Ms. Rowland takes her characters, but am hoping for a little less fantastic plot.
Honestly, I can't do this novel justice. As Ms. Rowland has proven in her Feudal Japan mysteries, she has an eye for historical descriptions born of accuracy and weaved in a language that fits the time. She brings out Charlotte's voice from Jane Eyre with such detail and poignancy that you can tell Ms. Rowland deeply admires the author without the author's notes admitting so.
I'm not even a fan of historical fiction, but Laura Joh Rowland always draws me in, makes me admire the setting and world, all while laying the groundwork for a frightening mystery that leads to its inevitable and unpredictable showdown.
I adore this novel. It will hold a permanent space on my bookshelf no matter how many times I move house.
In Rowland's story, Charlotte unintentionally witnesses the murder of a woman she has befriended on the train to London. Obsessed with a desire to obtain justice "for this stranger who had engaged my interest and my sympathy," her own life is threatened as she tangles with a secretive Chinese man who had turned to crime after his family was killed during the opium wars in China.
England's political and social conditions are portrayed critically and realistically. Turmoils surrounding the Chartist insurrection, violence in Ireland, and the threat to England of Continental revolutions are referenced. An important plot point is the widespread use of opium in China, and into brother Branwell's weakening system. Descriptions of the filth, smells, and generally appalling living conditions in industrial Haworth, and other larger industrial cities, speak to the country's worsening poverty. London's pandemonium is detailed as well as the city's lack of sanitation; Charlotte says it "tasted of cholera," with the Thames creating the "stench of decay."
The Bronte sisters' need to publish under male names and seek work as governesses or teachers, the only other occupations available to educated women, is revealed. Charlotte's visit to a boarding school run for poor girls evokes memories of her own grim schooling, which in the real author's life resulted in the death of two of her sisters.
The use of historical personalities as characters is problematic here. It is difficult to believe the sudden transformation of the Brontes into adventure seeking "spies," since initially they are presented as fearful women who preferred the solitude of their father's parsonage. And, one supposes that Rowland used Bronte''s novels and letters as a basis for the fictional Charlotte's sexual yearnings, directed at any man who came close to exciting her fantasies.
Short Author's Note at end.