Death in Summer Death in Summer

Death in Summer

    • 4.0 • 7 Ratings
    • $6.99
    • $6.99

Publisher Description

New York Times Bestseller and Notable Book
 
From the winner of the 1999 David Cohen British Literature Prize comes an unforgettably chilling novel, written with the compassion and artistry that define Trevor's fiction.

There were three deaths that summer. The first was Letitia’s, sudden and quite unexpected, leaving her husband, Thaddeus, haunted by the details of her last afternoon.
 
The next death came some weeks later, after Thaddeus’s mother-in-law helped him to interview for a nanny to bring up their baby. None of the applicants were suitable—least of all the last one, with her sharp features, her shabby clothes that reeked of cigarettes, her badly typed references—so Letitia’s mother moved herself in. But then, just as the household was beginning to settle down, the last of the nannies surprisingly returned, her unwelcome arrival heralding the third of the summer tragedies.
 
“William Trevor is an extraordinarily mellifluous writer, seemingly incapable of composing an ungraceful sentence. . . . His skill is very real, and equals his great compassion. With Death in Summer, these two qualities combine in a beautiful and resonant way.”—The New York Time Book Review
 
“Possibly the most perfect of Trevor’s novels . . . Astonishing.”—Los Angeles Times Book Review
 
“Beautifully paced and mesmerizing . . . Offering us a compelling mystery on many levels through . . . finely drawn, perfect glimpses of touchingly imperfect lives.”—The Washington Post Book World
 
Nominated for a Los Angeles Times Book Prize

GENRE
Fiction & Literature
RELEASED
1998
September 1
LANGUAGE
EN
English
LENGTH
224
Pages
PUBLISHER
Penguin Publishing Group
SELLER
PENGUIN GROUP USA, INC.
SIZE
555.4
KB

Customer Reviews

Sheila Burns ,

Death in Summer

Death in Summer has a haunting lyrical quality. Trevor has the ability with simple short sentences to place reader in cafes, homes, gardens, on pathways and roads eavesdropping on his characters conversations with one another. He also puts the reader inside these individuals heads, looking through their eyes, thinking their thoughts. His transitions from present to past are amazingly fluid, revealing their histories in fine, seamless weaves. Though a reader may feel deprived at lack of specifics in how final outcomes occur, that may be a part of Trevor's storytelling art - leaving a reader's imagination to interact with the story.

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