The Occasional Virgin
A Novel
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- $9.99
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- $9.99
Publisher Description
On a sunny beach on the Italian Riviera, two thirtysomething women, Yvonne and Huda, relax by the sparkling sea. But despite the setting, as their vacation unfolds, their complicated pasts seep through to the idyllic present. Both women spent their childhoods in Lebanon—Yvonne raised in a Christian family, Huda in a Muslim one—and they now find themselves torn between the traditional worlds they were born into and the successful professional identities they’ve created.
Three months later, when Huda (a theater director from Toronto) visits Yvonne (an advertising executive) in London, a chance encounter with a man at Speaker’s Corner leads to profound repercussions for them both, as each woman undertakes her own quest for romance, revenge, and fulfillment.
Witty and wry, The Occasional Virgin is a poignant and perceptive story of the tumultuous lives and sometimes shocking choices of two women successful in their careers but unlucky in love.
PUBLISHERS WEEKLY
Irony and iconoclasm are the orders of the day in al-Shaykh's bittersweet tale of friendship and disillusionment. Both Huda, raised Muslim, and Yvonne, a Christian, consider themselves fortunate to have escaped their native Lebanon's rigid patriarchy and conservative religiosity. During the country's civil war, each was sent away to the West and chose never to return. Years later, both women are professionally successful but personally unfulfilled. Huda is plagued by self-doubt and Yvonne is desperate to have a child. Following a weekend getaway to the Italian Riviera that only serves to dredge up painful childhood memories for both women, they reunite in London, where Huda is directing a play. After a series of tense altercations with religious extremists, the two women embark on a revenge plot against a man who denounces Huda for being an imperfect Muslim. This plan quickly backfires or does it? Dialogue is at times stilted and laden with exposition or doing some heavy ideological lifting for the benefit of Western readers. But al-Shaykh (The Story of Zahra), who has drawn both admiration and condemnation in her native Lebanon for frank depictions of women's sexuality and criticism of women's powerlessness in traditional social structures, continues to grapple with these issues in ways both farcical and profound. It's the small moments of both absurdity and genuine pathos that will remain with readers, as Yvonne and Huda struggle to reconcile where they came from with who they've become.
