Gone Girl

Gone Girl

by Gillian Flynn
Gone Girl

Gone Girl

by Gillian Flynn

Paperback(Mass Market Paperback)

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Overview

Notes From Your Bookseller

The phenomenon that waltzed right into Hollywood, it's the dark and twisted story of a married couple marred by deceipt and duplicitousness. As pressure mounts and you triple-question what's really going on, the ending will leave you short of breath. It's just that good.

#1 NEW YORK TIMES BESTSELLER • The “mercilessly entertaining” (Vanity Fair) instant classic “about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships” (Lev Grossman, Time).

NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF TIMETEN BEST FICTION BOOKS OF THE DECADE AND ONE OF ENTERTAINMENT WEEKLYS BEST BOOKS OF THE DECADE

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • People • Entertainment Weekly • O: The Oprah Magazine • Slate • Kansas City Star • USA Today • Christian Science Monitor

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? 

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • St. Louis Post Dispatch • Chicago Tribune • HuffPost • Newsday

“Absorbing . . . In masterly fashion, Flynn depicts the unraveling of a marriage—and of a recession-hit Midwest—by interweaving the wife’s diary entries with the husband’s first-person account.”New Yorker

“Ms. Flynn writes dark suspense novels that anatomize violence without splashing barrels of blood around the pages . . . Ms. Flynn has much more up her sleeve than a simple missing-person case. As Nick and Amy alternately tell their stories, marriage has never looked so menacing, narrators so unreliable.”The Wall Street Journal

“The story unfolds in precise and riveting prose . . . even while you know you’re being manipulated, searching for the missing pieces is half the thrill of this wickedly absorbing tale.”O: The Oprah Magazine

Product Details

ISBN-13: 9781524763671
Publisher: Random House Publishing Group
Publication date: 05/22/2018
Pages: 576
Product dimensions: 4.00(w) x 6.90(h) x 1.60(d)

About the Author

Gillian Flynn is the author of the #1 New York Times bestseller Gone Girl, for which she wrote the Golden Globe-nominated screenplay, and the New York Times bestsellers Dark Places and Sharp Objects. A former critic for Entertainment Weekly, she lives in Chicago with her husband and children.

Read an Excerpt

Chapter One
(Continues…)



Excerpted from "Gone Girl"
by .
Copyright © 2018 Gillian Flynn.
Excerpted by permission of Crown/Archetype.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

A Reader’s Guide for Gone Girl by Gillian Flynn

For additional features, visit www.gillian-flynn.com.

In order to provide reading groups with the most informed and thought-provoking questions possible, it is necessary to reveal important aspects of the plot of this novel. If you have not finished reading Gone Girl, we respectfully suggest that you wait before reviewing this guide.

Introduction
Deceit, infidelity, suspicion . . . and that’s only the beginning.
When Nick and Amy fall in love, they are the confident, handsome man and the beautiful, privileged young woman embracing in front of their Brooklyn Heights brownstone and sharing a laugh at the expense of less blissful couples. Eventually, their picture-perfect union falters: Amy grows weary of the “cool girl” image she’s portrayed; Nick gives rein to old impulses and easy lies. As with many marriages, friction works its way into everyday exchanges, and the glow of the honeymoon fades. But with Amy and Nick, that fracture takes a much darker turn.

In a story full of surprising twists, Gillian Flynn’s Gone Girl tracks the course of a marriage gone spectacularly wrong. For the protagonists, it’s a psychological battle with everything at stake; for the reader, an excavation of human failings and incredible depths of betrayal . . . and a mystery whose resolution is every bit as troubling as its beginning.

Questions and Topics for Discussion
1. Do you like Nick or Amy? Did you find yourself picking a side? Do you think the author intends for us to like them? Why or why not?

2. Does the author intend for us to think of Nick or Amy as the stronger writer? Do you perceive one or the other as a stronger writer, based on their narration/journal entries? Why?

3. Do you think Amy and Nick both believe in their marriage at the outset?

4. Nick, ever conscious of the way he is being perceived, reflects on the images that people choose to portray in the world—constructed, sometimes plagiarized roles that we present as our personalities. Discuss the ways in which the characters—and their opinions of each other—are influenced by our culture’s avid consumption of TV shows, movies, and websites, and our need to fit each other into these roles.

5. Discuss Amy’s false diary, both as a narrative strategy by the author and as a device used by the character. How does the author use it to best effect? How does Amy use it?

6. What do you make of Nick’s seeming paranoia on the day of his fifth anniversary, when he wakes with a start and reports feeling, You have been seen?

7. As experienced consumers of true crime and tragedy, modern “audiences” tend to expect each crime to fit a specific mold: a story, a villain, a heroine. How does this phenomenon influence the way we judge news stories? Does it have an impact on the criminal justice system? Consider the example of the North Carthage police, and also Tanner Bolt’s ongoing advice to Nick.

8. What is Go’s role in the book? Why do you think the author wrote her as Nick’s twin? Is she a likable character?

9. Discuss Amy’s description of the enduring myth of the “cool girl”—and her conviction that a male counterpart (seemingly flawless to women) does not exist. Do you agree? Why does she assume the role if she seems to despise it? What benefit do you think she derives from the act?

10. Is there some truth to Amy’s description of the “dancing monkeys”—her friends’ hapless partners who are forced to make sacrifices and perform “sweet” gestures to prove their love? How is this a counterpoint to the “cool girl”?

11. What do you think of Marybeth and Rand Elliott? Is the image they present sincere? What do you think they believe about Amy?

12. How does the book deal with the divide between perception and reality, or between public image and private lives? Which characters are most skillful at navigating this divide, and how?

13. How does the book capture the feel of the recession—the ending of jobs and contraction of whole industries; economic and geographical shifts; real estate losses and abandoned communities. Are some of Nick and Amy’s struggles emblematic of the time period? Are there any parts of the story that feel unique to this time period?

14. While in hiding, Amy begins to explore what the “real” Amy likes and dislikes. Do you think this is a true exploration of her feelings, or is she acting out yet another role? In these passages, what does she mean when she refers to herself as “I” in quotes?

15. What do you think of Amy’s quizzes—and “correct” answers—that appear throughout the book? As a consistent thread between her Amazing Amy childhood and her adult career, what does her quiz-writing style reveal about Amy’s true personality and her understanding of the world?

16. Do Nick and Amy have friends? Consider Nick’s assurance that Noelle was deluded in her claims of friendship with Amy, and also the friends described in Amy’s journal. How “real” are these friendships? What do you think friendship means to each of them?

17. What was the relationship between Amy and Nick’s father? Do you think the reader is meant to imagine conversations between the two of them? Why does Nick’s father come to Nick and Amy’s home?

18. Amy publicly denounces the local police and criticizes their investigation. Do you think they did a good job of investigating her disappearance? Were there real missteps, or was their failing due to Amy’s machinations?

19. Do you believe Amy truly would have committed suicide? Why does she return?

20. Were you satisfied with the book’s ending? What do you think the future holds for Nick, Amy, and their baby boy?

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