The Spooky Art
Thoughts on Writing
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4.5 • 2 Ratings
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- $9.99
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- $9.99
Publisher Description
“Writing is spooky,” according to Norman Mailer. “There is no routine of an office to keep you going, only the blank page each morning, and you never know where your words are coming from, those divine words.” In The Spooky Art, Mailer discusses with signature candor the rewards and trials of the writing life, and recommends the tools to navigate it. Addressing the reader in a conversational tone, he draws on the best of more than fifty years of his own criticism, advice, and detailed observations about the writer’s craft.
Praise for The Spooky Art
“The Spooky Art shows Mailer’s brave willingness to take on demanding forms and daunting issues. . . . He has been a thoughtful and stylish witness to the best and worst of the American century.”—The Boston Globe
“At his best—as artists should be judged—Mailer is indispensable, an American treasure. There is enough of his best in this book for it to be welcomed with gratitude.”—The Washington Post
“[The Spooky Art] should nourish and inform—as well as entertain—almost any serious reader of the novel.”—Baltimore Sun
“The richest book ever written about the writer’s subconscious.”—The Philadelphia Inquirer
“Striking . . . entrancingly frank.”—Entertainment Weekly
Praise for Norman Mailer
“[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times
“A writer of the greatest and most reckless talent.”—The New Yorker
“A devastatingly alive and original creative mind.”—Life
“Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books
“The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune
“Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
PUBLISHERS WEEKLY
Although there's some original material, most of Mailer's reflections on the writer's craft have been assembled from decades of interviews, essays, lectures and other sources. As such, despite an effective integration in the earliest sections, most of the book has a scattershot feel. Mailer doesn't exactly offer advice, apart from the occasional warning: "writing as a daily physical activity is not agreeable." Instead, in the first half, he teaches by example, providing a self-portrait emphasizing the process of writing some of his earliest novels, including The Naked and the Deadand The Deer Park. Unfortunately, the closer he gets to the present, the less he has to say; later efforts like Tough Guys Don't Danceget little more than a page. Some people will find Mailer's self-assessment grandiose he compares himself to Picasso repeatedly but his confidence should hardly surprise anybody at this point. Not even his forceful personality can hold the second half together, though: Tantalizing bits such as a description of his relationship with Kurt Vonnegut as "friendly... but wary," or his insightful reflections on the ways writers might absorb the emotional impact of September 11 without writing about it directly, get buried under meandering ruminations. What he has to say about contemporary literature, like his observation that Jonathan Franzen "writes superbly well sentence for sentence, but yet one is not happy with the achievement," leaves the reader wanting more about books and less, much less, about Last Tango in Paris.
