[An] expansive yarn…in lilting prose.” —The New Yorker
“This is the book that will win Crummey a permanent place in American readers’ hearts. With Galore he has done something much more besides writing a compulsively readable book. He has created an unforgettable place of the imagination. Paradise Deep belongs on the same literary map as Faulkner’s Yoknapatawpha and Garcia Marquez’s Macondo.” —The Boston Globe
“Like the two-faced ocean they pull their living from, Crummey’s characters in this multi-generational unwinding are icy and surprising. The denizens of Paradise Deep and its neighboring town, the Gut, end up as twisted as the wind-tortured trees, making for a quirky quilt of personalities that might remind a reader of Annie Proulx’s The Shipping News.” —The Washington Post
“A glittering, fabulist tale…reminiscent of the work of Jean Giono, particularly Joy of Man’s Desiring, and Laura Esquivel’s Like Water for Chocolate, Galore is a tale in which humans are confronted with the miraculous.” —Los Angeles Times
“In grand language and colorful storytelling, Michael Crummey traces through several generations the fortunes of two families from the outport of Paradise Deep in Newfoundland…This is a book to savor. You won’t want to miss any of its delights: the tightly braided narrative skeins, the pathos and humor of the characters, the exotic flavor of a long ago time and place.” —Minneapolis Star Tribune
“In the annals of memorable family feuds, the Devines and the Sellerses deserve to be added to the Capulets and the Montagues and the Hatfields and McCoys…There’s also something Faulknerian in Crummey’s small-town myth-crafting.” —Christian Science Monitor
“Distinctive and unforgettable…It’s a compelling, haunting portrait of hard lives in a hard place, and for American readers in particular, Crummey’s Newfoundland may prove the definitive version.” —Rain Taxi Review of Books
“Mythic and gorgeous…Crummey lovingly carves out the privation and inner intricacies that mark his characters’ lives with folkloric embellishments and the precision of the finest scrimshaw.” —Publishers Weekly (starred review)
“Newfoundland author Crummey’s award-winning third novel…affirms that our lives are always astonishing. It’s been justly compared to Gabriel García Márquez’s One Hundred Years of Solitude. It also calls to mind Graham Swift’s Waterland and Alexis Wright’s Carpentaria, as well as William Faulkner’s epic Compson novels, and will appeal to readers who enjoyed those works.” —Library Journal (starred review)
“Ghosts, gangsters, mermen and a Christ-like healer who emerges from the belly of a beached whale are among the attractions in a boisterous, one-of-a-kind folk epic about feuding intermarried clans in Newfoundland…A lively, eccentric, mythmaking novel inspired by 200 years of Canadian history.” —Kirkus Reviews
“A dense, sprawling tale of two families bound together by love, secrets, fate, and a mysterious stranger… Spanning two centuries of Canadian history and presented in Garcia Marquez-inspired magical realism fashion, Crummey’s ambitious story of immigrant settlement, family alliances and clashes, heroism and failure is deeply moving and disquieting, sure to make some waves.” —Booklist
“Gratitude galore for Galore, a book so alive with enchantment I should not be surprised if it crawled right out of my hands and into the sea. Truly, a fantastic read.” —Kate Bernheimer, author of The Complete Tales of Lucy Gold and editor of My Mother She Killed Me, My Father He Ate Me
“Michael Crummey is a passionate storyteller. His world is intensely imagined and starkly real. Life leaps off the pages of Galore.” —Jane Mendelsohn, author of I Was Amelia Earhart and American Music
“Michael Crummey’s Galore is a fabulous, fable-filled ball of yarns such as I’ve never encountered before. Tall, but plausible tales, odd, eccentric but weirdly familiar characters, dialogue straight out of the mouths of outport Newfoundlanders, historicized fiction, fictionalized history—it has, as its title suggests, a super-abundance of good things. This is art, but not art full of solemn, self-importance. Galore is artfully, and seriously, entertaining.” —Wayne Johnston, author of The Colony of Unrequited Dreams
“It’s an incredibly difficult task to make characters such as these work as human beings as well as elements of folklore, and Crummey does it with as much skill and grace as Gabriel Garcia Márquez does in One Hundred Years of Solitude.” —The Globe and Mail
“Pitch-perfect, boisterous...Galore is an endearing romp. For the language alone — and there is so much more — I loved the book.” —National Post
“Michael Crummey’s third novel injects an element of magic realism to convey an otherworldly quality … a dense, intricate, and absorbing tale, rich in the nuances of human relationships.” —Quill & Quire
“This economically told epic is masterful, written by a man with enough confidence to let his readers interpolate the meaning not only of certain words, but entire character arcs.” —Toronto Star
“Galore is an absolute pleasure. In Crummey’s capable hands, the setting breeds magic... A complex narrative that feels effortless, yet is woven so tightly that the magnificent artistry of its creator cannot be ignored.” —The Walrus
“In a sweeping story of several generations, Galore reveals the lives of the Irish and West Country English in rugged Newfoundland…Capturing the speech and temper of a primitive world, and communicating it perfectly, the writer delivers a masterpiece.” —ForeWord Reviews
Set in Paradise Deep, Newfoundland, this novel chronicles the intertwined lives and loves of two families, the uncanny Devines and the gentrified Sellers, over two centuries. Crummey's prose is glorious throughout, unflinchingly honest and unsentimentally magical. Here, supernatural episodes and anecdotes share the page with naturalistic descriptions of people, physical afflictions, weather, and landscape, and the veil separating life and death is nigh transparent. "Now the once," utters one character near the novel's conclusion, beautifully conveying how past and future meet in the present, a notion Crummey subtly emphasizes by opening and closing the novel with miraculous accounts and linking inhabitants of Paradise Deep to totems—a Bible, a whale carcass—that persist from one generation to the next as they diminish. The effect is dazzling. VERDICT Newfoundland author Crummey's award-winning third novel, published in Canada in 2009, affirms that our lives are always astonishing. It's been justly compared to Gabriel García Márquez's One Hundred Years of Solitude. It also calls to mind Graham Swift's Waterland and Alexis Wright's Carpentaria, as well as William Faulkner's epic Compson novels, and will appeal to readers who enjoyed those works.—J. Greg Matthews, Washington State Univ., Pullman
