"In good fiction, every sentence and detail is necessary. The same is true of these impeccably economical essays, which, collected here with a wise introduction by Pinckney, offer a rich immersion in both [Hardwick’s[ brilliant mind and the minds of so many others….Astringent and unsentimental, these essays span over half a century and, as such, constitute a monumental, if unwitting, autobiography." —Hermione Hoby, The New York Times
“Elizabeth Hardwick, long recognized as one of the great literary critics of the 20th century, is generously represented by this selection of her eloquent, erudite, chatty, and often very witty essays and reviews, with a warmly sympathetic and informative introduction by Darryl Pinckney.” —Joyce Carol Oates
"Hardwick’s Collected Essays is an authoritative immersion in American writing….It’s a Who’s Who of American writers, or those who came to America to write. Here are Dylan Thomas’s last days in New York, when it seems always 'the dead, anguished middle of a drunken night'; Truman Capote’s 'unique crocodilian celebrity'; WH Auden, Isherwood, Henry James, Nabokov, Mailer, Frost, Elizabeth Bishop, to name but a few. Hardwick can send you back to what you’ve admired, or give you a list of books you wish you had read.” —Olivia Cole, Financial Times
“How crucial it is to have Hardwick’s Collected Essays now. For they are incorruptible. Their intelligence is prodigious, but never boastful. This major American writer dares, inspires, and cajoles us into reading and writing with renewed conviction and resistance to the meretricious." —Catharine R. Stimpson
"This collection, edited and with an introduction by her former student Pinckney, is significant. Hardwick, who was a cofounder, editor, and advisor to the New York Review of Books, covered the important events of her time (the civil rights and women’s movements, protests against the Vietnam War) with clarity and precision and without sentimentality. Her ear for language and eye for detail, i.e., her novelist’s sensibility (she published three), makes her sketches and essays a pleasure to read and savor. Pinckney's introduction offers insights into Hardwick's keen intelligence and quick wit.” —Library Journal, starred review
“Throughout her . . . career, Hardwick was devoted to pursuing literature as a way of life and finding life in literature.” —Kirkus Reviews
"This fine, revealing career retrospective showcases the late Hardwick, a novelist and cofounder of the New York Review of Books, honing her favorite form, the literary review, to razor-sharp precision...this book contains ample examples of literary criticism that might be imitated or even matched but not surpassed in its style, insight, and genuine love for literature." —Publishers Weekly
“Just as Edwin Denby, Clement Greenberg, and Pauline Kael transformed the nature of criticism in the fields of dance, art, and film, respectively, Hardwick has redefined the possibilities of the literary essay.” —The New Yorker
“Hardwick wrote when she had something to say, and she took her time; the impression of ease is owing strictly to her style. Not a poet, she produced a poet’s prose...” —The Guardian
“Elizabeth Hardwick is our most original, brilliant, and amusing critic. Many of these essays are already classics for their insight and style.” —Diane Johnson
“Hardwick has a gift for coming up with descriptions so thoughtfully selected, so exactly right, that they strike the reader as inevitable.” —Anne Tyler
★ 10/15/2017
Hardwick's (1916–2007) literary reputation as a novelist, short story writer, and essayist, which may have been briefly overshadowed in the last years of her life by the multiple biographies (where she was often alluded to for her marriage to Robert Lowell and her relationships with other writers), should be revisited and reconsidered for her contributions to the world of letters. This collection, edited and with an introduction by her former student Pinckney, is significant. Hardwick, who was a cofounder, editor, and advisor to the New York Review of Books, covered the important events of her time (the civil rights and women's movements, protests against the Vietnam War) with clarity and precision and without sentimentality. Her ear for language and eye for detail, i.e., her novelist's sensibility (she published three), makes her sketches and essays a pleasure to read and savor. Pinckney's introduction offers insights into Hardwick's keen intelligence and quick wit. VERDICT This wonderful volume of essays about place and time is recommended for libraries with large literature and women's studies collections.—Pam Kingsbury, Univ. of North Alabama, Florence
2017-07-24
A career-spanning collection of essays, reviews, criticism, and more from a co-founder of the New York Review of Books.As a novelist and co-founder of the immensely influential (and still-running) NYRB, Elizabeth Hardwick (1916-2007) lived at the center of midcentury public intellectual life in America. (She was even married to poet Robert Lowell.) Throughout her six-decade career, Hardwick was devoted to pursuing literature as a way of life and finding life in literature. A quintessential "writer's writer," her essays are not academic in style, but neither do they pander to broad public interest or themes. Instead, she writes with a clear, concise voice that is simultaneously accessible and erudite. At the heart of Hardwick's oeuvre is a study of literature and writers that includes essays on her contemporaries Norman Mailer, Joan Didion, and Philip Roth, among others, as well as historical studies of American luminaries Herman Melville, Henry James, and Edith Wharton. Perhaps the most relevant essay among the collection is the opening lamentation "The Decline of Book Reviewing." Written in 1959 for Harper's, the essay criticizes popular book critics and reviews their soft and moderate tone: "Sweet, bland commendations fall everywhere upon the scene; a universal, if somewhat lobotomized, accommodation reigns. A book is born into a puddle of treacle; the brine of hostile criticism is only a memory." The sentiment captured by the essay could easily be used as a stand-in for the current climate of book culture, which prizes the market and pleasure of reading to such an infantilizing extent that criticism is nearly obsolete. Contextualized with an introduction by longtime NYRB contributor and author Darryl Pinckney (Black Deutschland, 2016, etc.), who was a creative writing student of Hardwick's, the essays collected in this volume represent a vital entry point to American literature and culture. An essential compendium of midcentury American intellectual life, one that reaffirms the personal and cultural importance of literature.
