Landscapes: John Berger on Art

Landscapes: John Berger on Art

by John Berger
Landscapes: John Berger on Art

Landscapes: John Berger on Art

by John Berger

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Overview

“Essential reading”—n+1

Creative and political art criticism on landscape works from the Renaissance to the present from a “master” storyteller (Arundhati Roy, author of The God of Small Things)

In this brilliant collection of diverse pieces—essays, short stories, poems, translations—which spans a lifetime’s engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artists—from the Renaissance to the present—while never neglecting the social and political context of their creation.

Berger pushes at the limits of art writing, demonstrating beautifully how his artist’s eye makes him a storyteller in these essays, rather than a critic. With “landscape” as an animating, liberating metaphor rather than a rigid definition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger’s understanding of the world. Landscapes—alongside its companion Portraits—completes a tour through the history of art that will be an intellectual benchmark for many years to come.

Product Details

ISBN-13: 9781784785871
Publisher: Verso Books
Publication date: 11/01/2016
Sold by: Penguin Random House Publisher Services
Format: eBook
Pages: 320
File size: 936 KB

About the Author

About The Author
Storyteller, novelist, essayist, screenwriter, dramatist and critic, John Berger is one of the most internationally influential writers of the last fifty years. His many books include Ways of Seeing, the fiction trilogy Into Their Labours, Here Is Where We Meet, the Booker Prize winning novel G, Hold Everything Dear, the Man Booker–long-listed From A to X and A Seventh Man.

Tom Overton catalogued John Berger’s archive at the British Library. He has curated exhibitions at King’s Cultural Institute, Somerset House and the Whitechapel Gallery, and his writing has been published by the LRB blog, New Statesman, Apollo, White Review, Various Small Fires, Tate, the British Council and others.

Table of Contents

Introduction: Down with Enclosures vii

Part I Redrawing the Maps

1 Kraków 3

2 To Take Paper, to Draw 20

3 The Basis of All Painting and Sculpture Is Drawing 27

4 Frederick Antal - A Personal Tribute 33

5 An Address to Danish Worker Actors on the Art of Observation, by Bertolt Brecht, Translated by Anya Bostock and John Berger 36

6 Revolutionary Undoing: On Max Raphael's The Demands of Art 44

7 Walter Benjamin: Antiquarian and Revolutionary 54

8 The Storyteller 60

9 Ernst Fischer: A Philosopher and Death 66

10 Gabriel García Márquez: The Secretary of Death Reads It Back 74

11 Roland Barthes: Inside the Mask 79

12 Forthflowing on a Joycean Tide 83

13 A Gift for Rosa Luxemburg 87

14 The Ideal Critic and the Fighting Critic 94

Part II Terrain

15 The Clarity of the Renaissance 101

16 A View of Delft 104

17 The Dilemma of the Romantics 106

18 The Victorian Conscience 110

19 The Moment of Cubism 113

20 Parade, 1917 141

21 Judgment on Paris 148

22 Soviet Aesthetic 151

23 The Biennale 155

24 Art and Property Now 159

25 No More Portraits 165

26 The Historical Function of the Museum 171

27 The Work of Art 176

28 1968/1979 Preface to Permanent Red (1960) 183

29 Historical Afterword to the Into Their Labours Trilogy 186

30 The White Bird 203

31 The Soul and the Operator 208

32 The Third Week of August 1991 216

33 Ten Dispatches about Place (June 2005) 221

34 Stones (Palestine, June 2003) 228

35 Meanwhile 242

Acknowledgements 253

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