Table of Contents

I. Front Matter
1. Acknowledgements
2. Introduction by Anne Collins Goodyear and James W. McManus
 
II. (Un)Masking Marcel
1. Section Introduction
2. Wendy Wick Reaves, “Brittle Painted Masks: Portraiture in the Age of Duchamp”
3. Adrian Sudhalter, “R(r)ose Recontextualized: French/American  Identity and the Photographic Portraits for Dadaglobe and New York Dada”
4. James Housefield, “Starry Messenger: Astronomy, Fashion, and Identity in Marcel Duchamp’s Comet Haircut”
5.  David Hopkins, “Duchamp, Surrealism, and ‘Liberty’: From Dust Breeding to Étant donnés”
 
III.  Marcel Duchamp ‘an-artist’
1. Section Introduction
2. Linda Dalrymple Henderson, “Paradigm Shifts and Shifting Identities in the Career of Marcel Duchamp”
3. Scott Homolka, Beth A. Price and Ken Sutherland, “Marcel Duchamp’s FILS: Fathering Nude Descending a Staircase (no. 3)
4. Catherine Craft, “Pictures of the Past:  Dada and the Two Duchamps”
5. Lewis Kachur, “Notes on Duchamp’s Exhibition Identity”
 
IV. Taking Stock of Duchamp’s Presence
1. Section Introduction
2. Anne Collins Goodyear and James W. McManus, “Sur Mésure: On Jean Crotti’s Idea of Marcel Duchamp”
3. Scott Homolka and Scott Gerson, “Two portraits of Marcel Duchamp by Jean Crotti: Technical Note”
4. Michael Taylor, “Hieronymus Duchamp”
5. Francis M. Naumann, “Duchamp’s Detractors”
6. Janine Mileaf, “The Stripper and the Glass: Hannah Wilke at the Philadelphia Museum of Art”
7. Brian O’Doherty, “Taking Duchamp’s Portrait”