The Bottom of the Jar

The Bottom of the Jar

The Bottom of the Jar

The Bottom of the Jar

Paperback(Reprint)

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Overview

The Bottom of the Jar is the journey of a boy finding his footing in the heart of Fez during the 1950s, as Morocco began freeing itself from the grip of the French colonial occupation. The narrator vividly recalls his first encounters with the ebullient city, family dramas, and the joys and turbulence of his childhood. He recalls a renegade, hashish-loving uncle, who at nightfall transforms into a beloved Homer, his salt-of-the-earth mother's impassioned pleas to a Divine ear, and his father's enduring generosity. Told in the spirit of a late-night ramble among friends where hilarious anecdotes and poignant recollections flow in equal parts, Laâbi's autobiographical novel offers us a generous glimpse into the formative experiences of a great poet, whose integrity and commitment to social justice earned him an eight-and-a-half year prison sentence during Morocco's "year of lead" in The 1970s.

Product Details

ISBN-13: 9781935744603
Publisher: Steerforth Press
Publication date: 03/19/2013
Edition description: Reprint
Pages: 220
Product dimensions: 5.90(w) x 7.40(h) x 1.00(d)

About the Author

Poet, novelist, playwright, translator, and political activist, Abdellatif Laâbi was born in Fez, Morocco in 1942. He was also the founder of Souffles, an important literary review that was banned in Morocco in 1972. Laâbi received the Prix Robert Ganzo de Poésie in 2008, the Prix Goncourt de la Poésie for his Oeuvres complètes in 2009, and the Académie Française's Grand Prix de la Francophonie in 2011. Also available in English are his debut collection of poetry The Rule of Barbarism, the memoir Rue de Retour, and The World's Embrace: Selected Poems.

André Naffis-Sahely's translations include Laâbi's The Rule of Barbarism (Pirogue Poets Series), and Rachid Boujedra's The Barbary Figs and The Funerals (Arabia Books). His translation of Émile Zola's L'argent is forthcoming from Penguin Classics. He lives in London.

Read an Excerpt

I was in Fez when the fall of the Berlin Wall was announced. That morning, the family had come together at my father’s house, and the television was already on. But no one around me was interested in those historical images scrolling past on the screen.

If Europeans are obsessed with background music, Moroccans have invented the background image, and without skimping on decibels either. In our home, clamor and din seemed to be inextricably mixed with our joy at coming together as a family.

What People are Saying About This

From the Publisher

"'Fragments of a Forgotten Genesis' also returns us to the shared historical beginnings of poetry and religious text, the shared tools of verse and image... Though religious texts have also been famously open to widely differing interpretations, those interpretations have tended to view themselves as corrective and final. No such finality will be possible here. The richness of imagery and slewing of the narrative in more than one direction work against any such tactic."

—Alistair Noon, Blackbox Manifold

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