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Daisy Jones & The Six: A Novel Audio CD – Unabridged, March 5, 2019

by Taylor Jenkins Reid (Author), Jennifer Beals (Reader), Benjamin Bratt (Reader),

4.4 85,905 ratings

Editors' pick Best Literature & Fiction

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NEW YORK TIMES BESTSELLER • A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup—from the author of The Seven Husbands of Evelyn Hugo, Malibu Rising, and Carrie Soto Is Back

REESE’S BOOK CLUB PICK • COMING SOON AS AN ORIGINAL STREAMING SERIES EXECUTIVE PRODUCED BY REESE WITHERSPOON

Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.

Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.

Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.

Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.

The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Includes a PDF of song lyrics from the book

Cast List:
Daisy Jones, read by Jennifer Beals
Billy Dunne, read by Pablo Schreiber
Graham Dunne, read by Benjamin Bratt
Eddie Loving, read by Fred Berman
Warren Rhodes, read by Ari Fliakos
Karen Karen, read by Judy Greer
Camila Dunne, read by January LaVoy
Simone Jackson, read by Robinne Lee
Narrator / Author, read by Julia Whelan
Jim Blades, read by Jonathan Davis
Rod Reyes, read by Henry Leyva
Artie Snyder, read by Oliver Wyman
Elaine Chang, read by Nancy Wu
Freddie Mendoza, read by P.J. Ochlan
Nick Harris, read by Arthur Bishop
Jonah Berg, read by Holter Graham
Greg McGuinness, read by Brendan Wayne
Pete Loving, read by Pete Larkin
Wyatt Stone, read by Alex Jenkins Reid
Hank Allen, read by Robert Petkoff
Opal Cunningham, read by Sara Arrington

Praise for Daisy Jones & The Six

“Daisy Jones & The Six is just plain fun from cover to cover. . . . Her characters feel so vividly real, you’ll wish you could stream their albums, YouTube their concerts, and google their wildest moments to see them for yourself.”—HelloGiggles

“Reid delivers a stunning story of sex, drugs, and rock ’n’ roll in the 1960s and ’70s in this expertly wrought novel. Mimicking the style and substance of a tell-all celebrity memoir . . . Reid creates both story line and character gold. The book’s prose is propulsive, original, and often raw.”—Publishers Weekly (starred review)

Editorial Reviews

Review

“I devoured Daisy Jones & The Six in a day, falling head over heels for it. Taylor Jenkins Reid transported me into the magic of the ’70s music scene in a way I’ll never forget. The characters are beautifully layered and complex. Daisy and the band captured my heart, and they’re sure to capture yours, too.”—Reese Witherspoon

“Backstage intrigue is the engine of Daisy Jones & The Six. . . . [A] celebration of American mythmaking.”—Vogue

“Each character is compelling but Daisy Jones is the star. She’s a blazing talent who is unapologetic in her sexuality and lives life on her own terms. . . . Like a poignant song with lyrics that speak to your soul, Daisy Jones & The Six by Taylor Jenkins Reid will transport you to another place and time.”—Associated Press

“Reid’s wit and gift for telling a perfectly paced story make this one of the most enjoyably readable books of the year.”—Nylon

“Wildly delicious.” —Entertainment Weekly

“This stylish and propulsive novel, presented in the form of an oral history, explores the ascent of a (fictional) hard-partying, iconic 1970s rock band. It reads like the transcript of a particularly juicy episode of VH1’s ‘Behind the Music.’”—The New York Times Book Review (Editors’ Choice)

“Daisy Jones & The Six is just plain fun from cover to cover. . . . Her characters feel so vividly real, you’ll wish you could stream their albums, YouTube their concerts, and google their wildest moments to see them for yourself.”—HelloGiggles

“[A] juicy tell-all-style page-turner.”—Bustle

“Evocative . . . brilliant.”—Romper

“Prepare to fall for Taylor Jenkins Reid’s newest novel, Daisy Jones & The Six.”—PopSugar

“Reid’s novel so resembles a memoir of a real band and conjures such true-to-life images of the seventies music scene that readers will think they’re listening to Fleetwood Mac or Led Zeppelin. Reid is unsurpassed in her ability to create complex characters working through emotions that will make your toes curl.”—Booklist (starred review)

“Reid delivers a stunning story of sex, drugs, and rock ’n’ roll in the 1960s and ’70s in this expertly wrought novel. Mimicking the style and substance of a tell-all celebrity memoir . . . Reid creates both story line and character gold. The book’s prose is propulsive, original, and often raw.”—Publishers Weekly (starred review)

“Reid is a stunning writer whose characters are unforgettable and whose stories are deeply emotional. . . . Her most gripping novel yet.”—Emily Giffin, author of All We Ever Wanted

“Reid’s writing is addictive and all-consuming. Filled with passion, complexity, and fascinating detail, Daisy Jones & The Six felt so real, I had to remind myself that it was fiction.”—Jill Santopolo, author of The Light We Lost

“From the very first page you know this book is something special. Taylor Jenkins Reid brings insight and poetry to a story that’s utterly unique and deeply authentic, one that transports you to world of seventies rock—with all its genius and temptation and creativity—so completely it feels like you’re there.”—Katherine Center, author of How to Walk Away

“Raw, emotive, and addictively voyeuristic, Daisy Jones & The Six is imbued with the same anguished heart that fuels the very best rock ‘n’ roll. Like my favorite albums, this book will live with me for a very long time.”—Steven Rowley, author of Lily and the Octopus

About the Author

Taylor Jenkins Reid is the #1 New York Times bestselling author of eight novels, including Carrie Soto Is Back, Malibu Rising, Daisy Jones & The Six, and The Seven Husbands of Evelyn Hugo. She lives in Los Angeles with her husband and their daughter.

Excerpt. © Reprinted by permission. All rights reserved.

The Groupie

Daisy Jones

1965–1972

Daisy Jones was born in 1951 and grew up in the Hollywood Hills of Los Angeles, California. The daughter of Frank Jones, the well-known British painter, and Jeanne LeFevre, a French model, Daisy started to make a name for herself in the late sixties as a young teenager on the Sunset Strip.

Elaine Chang (biographer, author of Daisy Jones: Wild Flower): Here is what is so captivating about Daisy Jones even before she was “Daisy Jones.”

You’ve got a rich white girl, growing up in L.A. She’s gorgeous—even as a child. She has these stunning big blue eyes—dark, cobalt blue. One of my favorite anecdotes about her is that in the eighties a colored-contact company actually created a shade called Daisy Blue. She’s got copper-red hair that is thick and wavy and . . . takes up so much space. And then her cheekbones almost seem swollen, that’s how defined they are. And she’s got an incredible voice that she doesn’t cultivate, never takes a lesson. She’s born with all the money in the world, access to whatever she wants—artists, drugs, clubs—anything and everything at her disposal.

But she has no one. No siblings, no extended family in Los Angeles. Two parents who are so into their own world that they are all but indifferent to her existence. Although, they never shy away from making her pose for their artist friends. That’s why there are so many paintings and photos of Daisy as a child—the artists that came into that home saw Daisy Jones, saw how gorgeous she was, and wanted to capture her. It’s telling that there is no Frank Jones piece of Daisy. Her father is too busy with his male nudes to pay much attention to his daughter. And in general, Daisy spends her childhood rather alone.

But she’s actually a very gregarious, outgoing kid—Daisy would often ask to get her hair cut just because she loved her hairdresser, she would ask neighbors if she could walk their dogs, there was even a family joke about the time Daisy tried to bake a birthday cake for the mailman. So this is a girl that desperately wants to connect. But there’s no one in her life who is truly interested in who she is, especially not her parents. And it really breaks her. But it is also how she grows up to become an icon.

We love broken, beautiful people. And it doesn’t get much more obviously broken and more classically beautiful than Daisy Jones.

So it makes sense that Daisy starts to find herself on the Sunset Strip. This glamorous, seedy place.

Daisy Jones (singer, Daisy Jones & The Six): I could walk down to the Strip from my house. I was about fourteen, sick of being stuck in the house, just looking for something to do. I wasn’t old enough to get into any of the bars and clubs but I went anyway.

I remember bumming a cigarette off of a roadie for the Byrds when I was pretty young. I learned quickly that people thought you were older if you didn’t wear your bra. And sometimes I’d wear a bandanna headband like the cool girls had on. I wanted to fit in with the groupies on the sidewalk, with their joints and their flasks and all of that.

So I bummed a cigarette from this roadie outside the Whisky a Go Go one night—the first time I’d ever had one and I tried to pretend I did it all the time. I held the cough in my throat and what have you—and I was flirting with him the best I could. I’m embarrassed to think about it now, how clumsy I probably was.

But eventually, some guy comes up to the roadie and says, “We gotta get inside and set up the amps.” And he turns to me and says, “You coming?” And that’s how I snuck into the Whisky for the first time.

I stayed out that night until three or four in the morning. I’d never done anything like that before. But suddenly it was like I existed. I was a part of something. I went from zero to sixty that night. I was drinking and smoking anything anybody would give me.

When I got home, I walked in through the front door, drunk and stoned, and crashed in my bed. I’m pretty sure my parents never even noticed I was gone.

I got up, went out the next night, did the same thing.

Eventually, the bouncers on the Strip recognized me and let me in wherever I was going. The Whisky, London Fog, the Riot House. No one cared how young I was.

Greg McGuinness (former concierge, the Continental Hyatt House): Ah, man, I don’t know how long Daisy was hanging around the Hyatt House before I noticed her. But I remember the first time I saw her. I was on the phone and in walks this crazy tall, crazy skinny girl with these bangs. And the biggest, roundest blue eyes you ever saw in your life, man. She also had this smile. Huge smile. She came in on the arm of some guy. I don’t remember who.

A lot of the girls around the Strip back then, I mean, they were young, but they tried to seem older. Daisy just was, though. Didn’t seem like she was trying to be anything. Except herself.

After that, I noticed she was at the hotel a lot. She was always laughing. There was nothing jaded about her, ’least when I knew her. It was like watching Bambi learn how to walk. She was real naïve and real vulnerable but you could tell there was something about her.

I was nervous for her, tell you the truth. There were so many men in the scene that were . . . into young girls. Thirty-something rock stars sleeping with teenagers. Not saying it was okay, just saying that’s how it was. How old was Lori Mattix when she was with Jimmy Page? Fourteen? And Iggy Pop and Sable Starr? He sang about it, man. He was bragging about it.

When it came to Daisy—I mean, the singers, the guitarists, the roadies—everybody was looking at her. Whenever I saw her, though, I’d try to make sure she was doing all right. I kept tabs on her here and there. I really liked her. She was just cooler than anything else happening around her.

Daisy: I learned about sex and love the hard way. That men will take what they want and feel no debt, that some people only want one piece of you.

I do think there were girls—the Plaster Casters, some of the GTOs—maybe they weren’t being taken advantage of, I don’t know. But it was a bad scene for me, at first.

I lost my virginity to somebody that . . . it doesn’t matter who it was. He was older, he was a drummer. We were in the lobby of the Riot House and he invited me upstairs to do some lines. He said I was the girl of his dreams.

I was drawn to him mainly because he was drawn to me. I wanted someone to single me out as something special. I was just so desperate to hold someone’s interest.

Before I knew it, we were on his bed. And he asked me if I knew what I was doing and I said yes even though the answer was no. But everyone always talked about free love and how sex was a good thing. If you were cool, if you were hip, you liked sex.

I stared at the ceiling the whole time, waiting for him to be done. I knew I was supposed to be moving around but I stayed perfectly still, scared to move. All you could hear in the room was the sound of our clothes rubbing up against the bedspread.

I had no idea what I was doing or why I was doing things I knew I didn’t want to be doing. But I’ve had a lot of therapy in my life now. And I mean a lot of therapy. And I see it now. I see myself clearly now. I wanted to be around these men—these stars—because I didn’t know how else to be important. And I figured I had to please them if I wanted to stay.

When he was done, he got up. And I pulled my dress down. And he said, “If you want to go back down to your friends, that’s all right.” I didn’t really have any friends. But I knew he meant I needed to leave. So I did.

He never talked to me again.

Simone Jackson (disco star): I remember seeing Daisy on the dance floor one night at the Whisky. Everybody saw her. Your eye went right to her. If the rest of the world was silver, Daisy was gold.

Daisy: Simone became my best friend.

Simone: I brought Daisy out with me everywhere. I never had a sister.

I remember . . . It was the Sunset Strip riot, when all of us went down to Pandora’s and protested the curfew and the cops. Daisy and I went out, protested, met up with some actors and went over to Barney’s Beanery to keep partying. After that, we went back to somebody’s place. Daisy passed out on this guy’s patio. We didn’t go home until the next afternoon. She was maybe fifteen. I was probably nineteen. I just kept thinking, Doesn’t anybody care about this girl but me?

And, by the way, we were all on speed back then, even Daisy as young as she was. But if you wanted to stay skinny and be up all night, you were taking something. Mostly bennies or black beauties.

Daisy: Diet pills were an easy choice. It didn’t even feel like a choice. It didn’t even feel like we were getting high, at first. Coke, too. If it was around, you took a bump. People didn’t even consider it an addiction. It wasn’t like that.

Product details

Publisher ‏ : ‎ Random House Audio; Unabridged edition (March 5, 2019)
Language ‏ : ‎ English
Audio CD ‏ : ‎ 10 pages
ISBN-10 ‏ : ‎ 1984845292
ISBN-13 ‏ : ‎ 978-1984845290
Item Weight ‏ : ‎ 8 ounces
Dimensions ‏ : ‎ 5.08 x 1.1 x 5.9 inches

Best Sellers Rank: #1,214,990 in Books (See Top 100 in Books)
- #4,733 in Books on CD
- #11,802 in Family Saga Fiction
- #14,901 in Women's Domestic Life Fiction

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4.4 85,905 ratings

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Taylor Jenkins Reid

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Taylor Jenkins Reid is the New York Times bestselling author of Daisy Jones & The Six and The Seven Husbands of Evelyn Hugo, as well as One True Loves, Maybe in Another Life, After I Do, and Forever, Interrupted. Her newest novel, Malibu Rising, is out now. She lives in Los Angeles.

You can follow her on Instagram @tjenkinsreid.

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She Treads Softly

an oral history of the breakup of a fictional 70's rock band

Reviewed in the United States on January 11, 2020

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Daisy Jones & The Six by Taylor Jenkins Reid is a very highly recommended account of sex, drugs, and rock-n-roll via the history and breakup of a legendary fictional 70's rock band. This one is a winner.

Daisy Jones, the daughter of a famous artist and a French model, grew up in LA in the late 1960's. At fourteen she started hanging out at the famous clubs on the Sunset Strip and drinking and doing drugs followed. Her friend, disco singer Simone, is the only one trying to look out for her. Daisy is a free spirited "it" girl who is first noticed for her looks, but soon has her voice capturing the attention of those with influence and she is signed with Runner Records.

Billy Dunne and his brother Graham started the band that eventually grew and took off to become The Six. Billy is the song writer and charismatic front man for the band and has artistic control over the group. On their first tour, Billy went wild and nearly ruined his marriage to Camila, who was pregnant with their first child. After the tour he went to rehab and his overwhelming goal beyond making it big with The Six, is to stay sober and faithful to Camila and their family.

After they have one hit where Daisy sings with Billy on one of his songs, Runner Records decides that Billy and Daisy need to work together. While they are both dynamic on their own, when they sing together they are extraordinary, electric, and transcendent. Billy doesn't want Daisy as part of his band, but they end up working together writing the songs on the album that produced some of the biggest hits in the seventies. No one knew the story behind the band and the split that ended it all - until now.

Daisy Jones & The Six is written like a documentary novel, an oral history, with quotes from the band members, Billy, Daisy, Camila, and Simone. All the characters are written with unique voices in their comments so you can tell who is talking even if you didn't note their name. While reading you can't help but envision the video in your mind, flipping between comments from the different people involved in Daisy Jones & The Six. This is part of what makes the book so amazing. You will easily believe this was a real band and real members are being interviewed. You will be surprised once you learn who is conducting the interviews and asking the questions.

The plot unfolds through the oral history interviews, starting with their beginnings up to their rise to fame. Reid definitely sets her story in the time and place of the late sixties to the late seventies. The clashes, struggles, and power of Billy and Daisy working together, writing the music, is captured perfectly. This really is a riveting and unforgettable novel; my attention was captured right at the start and held fast to the end. Remarkably, at the end of the book Reid has written all the lyrics for the songs. Need I mention that the writing is amazing? Well, it is an incredibly well-written book and captured my attention from beginning to end. I simple could not read it fast enough as I was desperate to learn what happened next.

(When I first read the synopsis for Taylor Jenkins Reid's Daisy Jones & The Six, I immediately tried to get a review copy as I knew it would be a novel I would love. I never did get the advanced reading copy, but I was right to try as this is an amazing novel. Now I need to find time to read Reid's The Seven Husbands of Evelyn Hugo.)

7 people found this helpful

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Great Condition/Read

Reviewed in the United States on April 26, 2023

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Book condition: Book was new and without any misprints or physical blemishes.

Book Review: I don’t know how TJR does it but both books I’ve read by her had me fully invested and I just couldn’t put it down! There’s just something about her writing style that just instantly draws you in and immerses you within the story she’s telling. This genre isn’t one I’d usually pick but so far she has yet to disappoint! I know some people weren’t a fan of the fact that the book reads like an interview transcript, but I think it was a nice change of pace. Most books are told solely from the POV of one main character and we see the other characters and the plot through their eyes. In this case, I kind of liked how with the transcripts we hear from everybody at once and you can see the differences of how someone told themselves it happened and how others saw it happen. Did we get to dig deep into the characters the way we did in her Evelyn Hugo book? No, but considering how many characters there were in this one I don’t see how it would have worked without making the book longer than it needed to be. Was the book as emotional as some made it out to be? Once again, no, not in my opinion. Yes the ending was sad, but not so much that I was ready to shed a tear. Also the interviewer plot twist kind of reminded me of the set up for her Evelyn Hugo book too and in a way felt unnecessary. I enjoyed the fact that she included the full lyrics to the songs she wrote for the book at the end so you can read them fully to connect with and understand those parts of the story better. I don’t quite know how I feel about the ending yet. It almost feels like both the band and the story came to an abrupt end, but that may be the point. That just, like in real life, not all stories have a happy fairy tale ending. At least not in the way you may think or hope it would end. Although with that, I do kind of like that everyone individually seemed to find their own version of happiness in the end. Now that I have finished the book, I’d like to watch the show and see if it did the book justice. I wasn’t as obsessed with this book as I was with The Seven Husbands of Evelyn Hugo, but it was still a great book! ⭐️⭐️⭐️⭐️

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Juri

Unique Storytelling. Best consumed as an Audiobook.

Reviewed in Canada on February 28, 2024

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Having adored "The Seven Husbands of Evelyn Hugo," I couldn't resist diving into another masterpiece by Taylor Jenkins Reid— "Daisy Jones and the Six."

I have never read a book in this format before. It is written like an interview transcript, with multiple POVs. I opted for the audiobook, narrated by a stellar cast, which turned out, in my opinion, to be the best way to immerse yourself in this unique narrative.

TJR skillfully captured the electric atmosphere of music writing, live performances, and the good and the ugly of rising to fame. It is a wonderfully written love letter to 70's rock and roll.

I found myself deeply moved by the intricacies of each character. There is so much depth and beauty in how Daisy, Billy, and Camilla's characters were written, and how their lives are intertwined.

The Amazon Prime adaptation did a great job with the casting choice and song renditions, but I personally did not appreciate the deviations from the original story.

𝐑𝐄𝐀𝐃 𝐓𝐇𝐈𝐒 𝐈𝐅 𝐘𝐎𝐔 𝐋𝐈𝐊𝐄
🎸 Unconventional storytelling
🎸 Flawed characters
🎸 Will They, Won't They?
🎸 70's Rock
🎸 Multiple POVs

Laís

Único ponto negativo:

Reviewed in Brazil on January 30, 2024

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Nao tem orelha. De resto, eu adorei a grafia, super gostosa de ler e escritora fácil. Amei!

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Marjorie

Excelente compra

Reviewed in Mexico on January 24, 2024

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Llegó en perfectas condiciones, un día antes de lo dicho!!
Respecto a la lectura, no estaba muy convencida del tipo de narración, pero una vez comenzado no he podido dejarlo. Me encanta Taylor Jenkins, sus libros no han decepcionado y me fascina el mundo diferente que crea en cada uno de sus libros👏🏻👏🏻

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Elin Gemhed

Interesting book!

Reviewed in Sweden on April 3, 2024

Verified Purchase

Not the kind of book I usually read, but I really enjoyed it! The plot is interesting enough, but I really enjoyed the writing style more than anything! Loved the format and storytelling!